Barnes & Noble Pays Lip Service to Diversity By Slapping Brown Faces on the Covers of Novels By White Authors

Barnes & Noble managed to find just the laziest but also the most tactless way to "celebrate" Black History Month. They have partnered with Penguin Random House in "a new initiative to champion diversity in literature", but rather than actually publishing the works of the works of diverse authors, B&N and PRH thought it would be a good idea to slap brown faces on novels by white authors.

They have selected twelve "classic" public domain works and gave each one "five culturally diverse custom covers designed to ensure the recognition, representation, and inclusion of various multi-ethnic backgrounds reflected across the country".

Update: B&N canceled the project Wednesday morning.

Edit: I am being faulted on Twitter for blaming B&N when this project was actually the brainchild of a famous ad agency. Okay, fine, it was B&N's contractor, and B&N's involvement was only the six or seven meetings at B&N corporate where this project was discussed and approved. (That's not a huge difference in my mind.)

The books in question are:

  • Alice in Wonderland
  • Romeo and Juliet
  • Three Musketeers
  • Moby Dick
  • The Secret Garden
  • The Count of Monte Cristo
  • Dr. Jekyll and Mr. Hyde
  • Emma
  • The Wizard of Oz
  • Peter Pan 
  • Treasure Island
  • Frankenstein

The astute reader will note that eight of the books are by British authors, and two are by Americans. And while the list includes two novels by a black author, I am sure this was an accident (they probably didn't realize Dumas was a black Frenchman). You will also note that this list includes a work by Shakespeare, just not the one starring a black character.

There are also several titles on this list with problematic content, including Peter Pan and The Secret Garden, where the main character is explicitly racist. (This last issue could be dealt with  by bowdlerizing the book, but even so why would you bother to do so when you could just choose a work by a black author?) Edit: There's also the hints of antisemitism in Jekyll & Hyde.

And then there are the covers. I don't know which is worse, the Dr. Jekyll and Mr. Hyde cover where Hyde is depicted as Asian wearing a turban, or the cover of Frankenstein, where Frankenstein's creation is portrayed as black (in the book, this creature is pursued by pitchfork-wielding and torch-bearing villagers).

Barnes & Noble Pays Lip Service to Diversity By Slapping Brown Faces on the Covers of Novels By White Authors Barnes & Noble

I will let you decide which is worse, but I plan to hold back. There are sixty covers, so I am expecting that the worst is yet to come.

Barnes & Noble will be unveiling all 60 covers at an event Wednesday night in NYC (RSVP here). We are also supposed to be able to download the covers from B&N's website, and I would go look for them, but I just can't get past the banner on B&N's home page touting B&N's book club pick for February.

It is the racist, plagiarized Macmillan novel American Dirt.

Barnes & Noble Pays Lip Service to Diversity By Slapping Brown Faces on the Covers of Novels By White Authors Barnes & Noble

Folks, what Barnes & Noble did here was no more and no less than literary blackface.  They republished  questionable works by white authors when it would have been so easy to find actually diverse authors to promote.

It took me less than 5 minutes of searching Wikipedia to find the lists of American authors (Mexican, African-American, Egyptian, etc), and about 5 seconds to figure out how to identify the ones with works in the public domain.

Barnes and Noble could not be bothered to do even that tiniest of work. Instead, they blindly grabbed whatever "classic" was handy, and slapped new covers on them without putting even the slightest thought into the message they were sending.

Update: According to the promotional materials, AI was used to select the titles.

We used artificial intelligence to analyze the text of 100 of the most famous titles, searching the text to see if it omitted ethnicity of primary characters. Using speech and linguistic patterns,or  natural language processors (NLP) accounted for the fact that when authors described a character, they rarely outright state their race, but often use more poetic and descriptive language.

I was originally going to simply mention this in an update, but I decided to pull it out and put it at the end after I realized what this said about the thinking behind this project. They blindly put their faith in tech to save them when they should have been aware of the principle of "garbage in, garbage out". AI is only as good as the data you feed it, and since this one wasn't fed diverse books, there was no way that it could have picked up on problems like the racism in The Secret Garden, or the symbolism of the Frankenstein or Jekyll & Hyde covers.

And the worst part is that there were any number of people who could have pointed out the problems, had someone thought to ask.

* * *

B&N's statement:

We acknowledge the voices who have expressed concerns about the Diverse Editions project at our Barnes & Noble Fifth Avenue store and have decided to suspend the initiative.  Diverse Editions presented new covers of classic books through a series of limited-edition jackets, designed by artists hailing from different ethnicities and backgrounds.  The covers are not a substitute for black voices or writers of color, whose work and voices deserve to be heard.  The booksellers who championed this initiative did so convinced it would help drive engagement with these classic titles.  It was a project inspired by our work with schools and was created in part to raise awareness and discussion during Black History Month, in which Barnes & Noble stores nationally will continue to highlight a wide selection of books to celebrate black history and great literature from writers of color.

Nate Hoffelder

View posts by Nate Hoffelder
Nate Hoffelder is the founder and editor of The Digital Reader. He has been blogging about indie authors since 2010 while learning new tech skills weekly. He fixes author sites, and shares what he learns on The Digital Reader's blog. In his spare time, he fosters dogs for A Forever Home, a local rescue group.

14 Comments

  1. DaveMich5 February, 2020

    They are all public domain works. There is no author to pay. THAT is why they selected them.

    Reply
    1. Nate Hoffelder5 February, 2020

      Except there are plenty of 19th century writers that could have been chosen instead. All it would take is a quick Wikipedia search.

      Reply
  2. Disgusting Dude5 February, 2020

    Frankenstein’s monster, oh my.
    That’s David Duke territory.

    Wanna bet they get a free pass?
    If it was Amazon doing this the mobs would reach all the way to Portland.

    Gotta love NYC publishing culture.

    (I’m surprised you haven’t covered the DIRT mess. The barely veiled cribbing alone is worth a conversation.)

    Reply
    1. Nate Hoffelder5 February, 2020

      No, the Twitter mobs have already mobilized, so there’s no free pass.

      Reply
  3. Samiam5 February, 2020

    Hey I know! We should just make everything and everyone black! George Washington…make him black, Thomas Jefferson…make him black, Bill Gates, make him black, Superman, Goku, Naruto, Johnny Bravo, Woody from Toy Story, Jack from Titanic, Little Debbie, Winnie the Pooh…the possibilities are endless I am excited!!

    Reply
    1. Nate Hoffelder5 February, 2020

      It’s almost like they beleive race is an irrelevant and changeable detail that is about as important as your shirt.

      Reply
  4. Sad5 February, 2020

    The ad agency in question is TBWA

    Reply
  5. Allen F5 February, 2020

    Wait, I thought B&N got bought by that guy that turned some UK bookstores around, so what idiot(s) came up with this?

    I swear B&N is doing everything in their power to kill themselves as a place people admit they’ve ever been …

    Reply
  6. Disgusting Dude5 February, 2020

    Many of those listed above have been done.

    Broadway is fond of race-bending historical and fictional characters: without going too deep there’s HAMILTON and THE WIZ, along with sundry Rome and Juliet adaptations, Like West Side Story.
    As for Superman it’s been done repeatedly, via pastiches like ICON, along with more blatant presentations ranging from the heavy handed cringey “Calvin Ellis” version of Kal-El to the more interesting Val-Zod Superman II of the new 52 Earth 2. There’s also the Tangent “Harvey Dent” Superman but he harkens back to Siegel&Shuster’s initial SF villain prototype Superman rather than the Kryptonian mythos.
    Pretty much a long standing tradition for clueless corporate publishing.

    In truth, some of the B&N covers wouldn’t necessarily be offensive in a vacuum, but they’re outrageously stupid in the context they’re presented, of black history month; as if tbe only way to celebrate black literary culture is to blackface somebody else’s culture.
    Plus that FRANKENSTEIN cover.

    Reply
    1. Nate Hoffelder5 February, 2020

      To give you one example, Patrick Stewart starred in a race-flipped Othello, and I can also sjow you a couple productions of Shakespeare with all black casts.

      Reply
  7. Disgusting Dude5 February, 2020

    It’s what passes for clever in those circles.

    Reply
  8. Gordon Horne10 February, 2020

    It would be very simple for anyone with a passion for books to find 12 good public domain works in English by non-white writers featuring non-white characters.

    Conclusion: No one at B&N is passionate about books.

    Just. So. Lazy.

    Reply
    1. Nate Hoffelder10 February, 2020

      It would take around ten minutes with Wikipedia (seriously).

      Reply

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