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The Usual Book Publishing Industry Players Ask Congress to Bell the Cat

It’s hard to beleive that it’s been, what, 5 years since we last played this game, but the US book publishing industry is back to its favorite pastime: complaining about how the biggest book retailer is violating antitrust law.

Twenty years ago their target was Barnes & Noble, but for the past decade the honor has gone to Amazon. Every few years the usual industry players come out with a screed about how this or that activity of Amazon was a violation of antitrust law.

This time around the ABA, AAP, and The Authors Guild sent a letter (PDF) to US  Rep. David Cicilline of Rhode Island, chair of the House Antitrust subcommittee, accusing Amazon of the usual malfeasance.

Together, our organizations—the Association of American Publishers, the Authors Guild, and the American Booksellers Association—represent thousands of authors, publishers, and booksellers in the United States who serve the democratic exchange of ideas by creating, publishing, and selling books. Our members rely upon a level playing field in the marketplace of ideas to reach, inform, and transact with customers for the delivery of books, whether in physical or digital form. Regrettably, as the Subcommittee’s hearings have laid bare, the competitive framework of the publishing industry has been fundamentally altered in recent years—and remains at serious risk of further diminishment—because of the concentrated power and influence of one company in particular: Amazon.

Amazon’s scale of operation and share of the market for book distribution has reached the point that no publisher can afford to be absent from its online store. A year ago, the New York Times reported that Amazon controlled 50% of all book distribution, but for some industry suppliers, the actual figure may be much higher, with Amazon accounting for more than 70 or 80 percent of sales. Whether it is the negative impact on booksellers of Amazon forcing publishers to predominantly use its platform, the hostile environment for booksellers on Amazon who see no choice but to sell there, or Amazon’s predatory pricing, the point is that Amazon’s concomitant market dominance allows it to engage in systematic below-cost pricing of books to squash competition in the book selling industry as a whole. Remarkably, what this means is that even booksellers that avoid selling on Amazon cannot avoid suffering the consequences of Amazon’s market dominance. The ongoing COVID-19 crisis is exacerbating the problem: it continues to threaten the financial well-being of authors, publishers, and booksellers, some of whom will not survive the year. Amazon, by contrast, with its ever-extensive operation and data network, has grown only more dominant, enjoying its largest-ever quarterly profits during April, May and June.

The hell of it is, they’re right. While it would be easy to simply dismiss this as the usual crying wolf, for once there is an actual wolf. Amazon really does control most of the book market in the US, and I might dislike two of the groups mentioned above (and the third – the AAP – hates my guts) but even I can see that concentrating so much economic power into one company is bad for the public.

Antitrust law originally came about for the express purpose of breaking up large companies such as Amazon because the concentration of wealth and power is harmful to the public. And while the latest thinking is that monopolies are okay so long as consumers aren’t harmed, that is really just one of those Reaganomics myths that were invented to justify gathering more wealth and power into fewer hands.

It’s about time we discarded that myth, and started busting up trusts again.

Alas, I don’t think that will occur.

image by joe.ross via Flickr

Onyx is Planning a 7.8″ Color eReader Based on the Boox Nova2

Onyx has just managed to upstage themselves on their launch day.

Mike Cane has tipped me to the news that Onyx has sent an official letter informing the FCC that they are going to use the same internal electronics in multiple ereader models.

The ereader in question is the 7.8″ Boox Nova2, and one of the intended models has a color screen.

Launched earlier this year, the Boox Nova2 runs Android 9.0 on a 2GHz octa-core CPU with 3GB RAM and 32GB internal storage. It has both Wifi and BT, speakers, and a microphone. The current model weighs  265 grams, measures 7.7mm thin, and packs in a 3.15Ah battery.

Its 7.8″ Carta E-ink screen has a screen resolution of 1872×1404 (300 PPI). It has a color-changing frontlight, and both a capacitive and stylus touchscreen.

Onyx has told the FCC that the The Boox Nova2 Color will have the same guts, which means it will have the same general specs. The one exception with be the screen; if it ships, the new device will have a Kaleido E-ink screen which is capable of displaying color at 100 PPI.

The Boox Nova2 costs $339. Assuming the Kaleido screen adds $150 to the price, the Boox Nova2 Color could cost around $500.

That is ridiculously expensive (you could buy a much more capable iPad for less) but damned if I am not tempted. A 7.8″ Kaleido screen backed by these specs would make an amazing Android ePaper tablet.

Onyx Boox Poke2 Color Now Available for $299

The Chinese ereader maker Onyx has just put its first color ereader on sale.

The Boox Poke2 Color is a variant of the $189 ereader that Onyx launched in April. It has similar great specs, only with the addition of a Kaleido E-ink screen.

The Onyx Boox Poke2 Color runs Android 9.0 on a 2GHz octa-core CPU with 2GB RAM. It also has 32 GB storage, Wifi, and Bluetooth,. Battery capacity is 1.5Ah, which can be recharged through the micro-USB port.

This ereader’s 6″ E-ink screen comes with both a capacitive touchscreen and a frontlight (but not a color-changing frontlight).  Its most notable feature is the 6″ Kaleido E-ink display, which is capable of displaying grayscale at 1072 x 1448 (PPI), or displaying color at 100 PPI.

Retail is $299.

EDIT: And it’s sold out.

I had been hoping to get a review unit from Onyx, but I haven’t gotten a response yet. So I went out and bought one.

I am hoping it will arrive next week.

So Twitter Has Locked Your Account – Now What?

If you are on Twitter for long enough, you are going to run afoul of one of their rules, resulting in your account either being locked or suspended. It doesn’t matter how it happened; what matters is how you respond.

Here is some advice I had to learn the hard way. Do whatever Twitter demands. Don’t try to appeal, argue, or do anything other than follow their commands.

My recent experiences with Twitter have taught me that:

  1. Twitter enforces its rules unevenly.
  2. It does not follow its own internal processes.
  3. There are no humans involved in enforcing the rules.

I have had to throw in the towel on my @ThDigitalReader Twitter account. That is a brand I have had for a decade, and it’s just gone because Twitter simply does not follow its own internal processes.

Please learn from my mistake, and do whatever Twitter demands. It does not matter whether they are right or wrong; what matters is they have all the power, and that power is being wielded by bots in a capricious and arbitrary manner.

Here’s what happened to me.

O O O

In late June 2020 one of the memes going around was to drink a glass of water one-handed. For example:

You may need to read the responses to understand that this video makes fun of Donald Trump and his supposed disabilities, but it’s clear to me that everyone who saw it at the time understood that Winkler was making fun of Trump’s disabilities.

That is certainly what I thought he meant, which is why I responded by criticizing Winkler for making an Ablest joke.

This brings me to my first point:

1. Twitter enforces its rules unevenly.

Winkler’s tweet is still up, and yet my tweet where I rebuke him got my account locked by Twitter. (I did not think to save the tweet, sorry.) Clearly Twitter could not tell the difference between a tweet that broke the rules and one that complained about the earlier tweet.

I don’t know how locks usually happen, but I had to find out my account was locked by actually visiting Twitter. I was blocked from doing anything on the account, and offered two options. I could either file an appeal, or I could unlock my account by deleting the tweet.

Since I knew I hadn’t broken any rules, I filed an appeal. That was a terrible mistake, and I beg you not to follow in my footsteps.

This brings me to my second point:

2. Twitter does not follow its own internal processes.

While I was waiting for a response on my appeal, and while Twitter was still telling me I could unlock my account by deleting the tweet in question, Twitter suspended my account.

Again, I had to learn of this development by visiting the account. (For a company that facilitates communication, Twitter cannot communicate worth a damn.) One I saw the account had been suspended, I immediately deleted the tweet. After all, Twitter was still telling me that this would fix everything.

It did not.

After I learned my account had been suspended, I filed an additional appeal, and I reached out to Twitter several times. A month has passed and I still have not received a response. I have essentially given up on trying to get this fixed, and I have resolved myself to the fact that I will never get my account back.

I have also come to the conclusion that:

3. There are no humans involved in enforcing Twitter’s rules.

The next person at Twitter I interact with in this saga will be the first.

O O O

Folks, I got off relatively easy. I had a back up account I could switch to with little effort, so this whole incident is merely incredibly annoying.

You might not be so lucky. If Twitter takes down your business or professional account, it could be a fucking catastrophe. You cannot let that happen.

That is why I am warning you to just go along with Twitter’s demands. They have all the power, their bots behave erratically, and there’s no way for you to talk to a person.

When you find yourself in a situation similar to mine, your only option is to acquiesce. (Well, we could leave Twitter, but I for one need to be there for my job, which makes Twitter kinda like that abusive boss I can’t escape because I need the paycheck.)

Blurb Acquired by Business Partner

Blurb has been acquired by Reischling Press:

Reischling Press, Inc. (RPI), a pioneer in the personalized print services market, has acquired Blurb, an industry-leading e-commerce platform of print-on-demand books, magazines, wall décor, and digital services for self-publishers and creative professionals, the company announced today.

The acquisition extends RPI’s overall strategy to offer a full suite of services and e-commerce platform solutions to businesses around the world, said Rick Bellamy, CEO of RPI.

“This is a strategic acquisition for us and culminates the long-term partnership between our two companies,” Bellamy said. “Blurb’s primary audiences are creative professionals and self-publishers, and this acquisition leverages the strengths of each organization to deliver a comprehensive e-commerce print solution for professionals, businesses, and consumer brands.”

It’s been some time since Blurb got a lot of press, but what they were chiefly known for was developing what I am told was a really awesome print layout platform. (I favor ebooks, so I never really noticed.) It would make a lot of sense for a printer to buy them for their tech.

BTW, there is one important detail not mentioned in the press release. This acquisition came out of the blue for my source; he told me that he didn’t even get to see a prospectus before the deal was announced.

If we put that detail together with the fact that Reischling is Blurb’s back-end print partner, we end up with a high probability that Blurb was in debt to Reischling, and was acquired as a way of settling the debt.

That is my guess, anyway.

Thanks, Steve!

Sony Shuts Down Its Digital Paper Division

My competitor is reporting that Sony has thrown in the towel on its writing slate division, and he is very likely correct.

The main landing page for the Digital Paper devices has been removed from Sony’s website, and neither the 10.3″ Sony DPT-CP1 or the 13.3″ DPT-RP1 are available from Sony’s authorized retailers such as Amazon or B&H. In fact B&H lists both models as discontinued.

The first model in this product line was announced in 2013, and shipped in 2014 with a retail price of $1,100. The last two models, both of which used hardware developed by Netronix, were released two years ago and three years ago.

The models came in two different screen sizes, but they generally had the same software. They only supported PDFs, but made up for that limitation by offering first-class annotation features as well as cloud backups for the files and annotations.

It is unknown whether those cloud services will survive the shutdown.

BTW, if you like the hardware, you can still buy it as the Fujitsu Quaderno A4 or A5, or as the MooInk Pro. All 3 devices feature the same hardware that Sony licensed from Netronix.

Hands on with the Pocketbook Color, Part II

I am still working on my review of Pocketbook’s new ereader, but I thought you might be interested in a follow up post on the screen tech.

The post I published last week sparked a number of requests both here and on MobileRead forums concerning the screen tech. The thing is, E-ink isn’t answering questions about the Kalreido screens, so we knew almost nothing about how it works or what it can do. So when everyone learned that I had a Pocketbook Color, they asked me to test it.

I still don’t really understand how the screenworks, but I was able to confirm that it can display black and grayscale at 300 ppi while simultaneously displaying color at 100 ppi.

I know that sounds improbable, but it’s really what we saw in the photos.

I am going to post the photos below, but first I want to link to the original photos in Google Drive (one, two). My website optimized image files, and that can affect quality. My photos are not of the best quality but I still want you to see the original.

Here’s Pocketbook Color displaying color text:

And here it is displaying shades of gray.

If you zoom in on the images to around 400%, you will notice that the black text and the gray text is displayed using considerably more pixels than the color text. It is quite clear that one is being shown at 300 ppi, and the other is not.

And what is especially interesting is that both the black and the color text are being displayed on the same screen at the same time, only at different resolutions.

I wish I could tell you more about how that was done, but I can’t.

It is cool tech, though, isn’t it?

Infographic: Which Generation Reads the Most?

When it comes to reading habits across generations, there are similarities—but also surprising differences.

The 5 generations—Gen Z, adults under 40, Gen X, Baby Boomers and the Silent Generation—have different life experiences and expectations for everything from marriage to work to entertainment.

But what about their reading habits?

As the following infographic shows, reading habits vary wildly between generations.

via

eBook VAT Has Been Changed in the EU At Least 8 Times This Year

Everyone has heard that the UK reduced the tax collected on the sale of books earlier this year, but did you know they were not the only ones?

I was just browsing the KDP community when I noticed that, starting in January, Amazon has reported that multiple EU member states have taken advantage of changes to EU rules on ebook VAT status, and lowered the tax rate for ebooks.

  • Austria – 20% to 10%
  • Netherlands – 21% to 9%
  • Slovenia – 22% to 5%
  • Spain – 21% to 4%
  • UK –  20% to 0%
  • Germany – 7% to 5%
  • Austria – 10% to 5%
  • Bulgaria – 20% to 9%

Before you ask, yes, Austria is on their twice, and no, that was not a mistake. The second change is reportedly a temporary change, and it ends on 31 December 2020. (Bulgaria’s change in VAT also reportedly expires at the end of the year.)

Update: Germany’s VAT change is also temporary. The VAT rate for ebooks was reduced to 7% in December 2019, and then reduced again in response to the pandemic. The 5% rate is set to expire at the end of 2020. Thanks, Ingo!

Have you changed your prices?

image by dailyinvention via Flickr

Pocketbook Color Launched in Europe – 6″ Color E-ink Screen, 199 Euros

Pocketbook’s long-awaited second color ereader has arrived.

On Monday Pocketbook announced the Pocketbook Color, or PB 633. This ereader sports a 6″ color E-ink screen capable of displaying either grayscale (at 300 ppi) or color (at 100 ppi).

The Pocketbook Color uses one of E-ink’s new Kaleido screens to display up to 4096 colors while preserving all the unique properties of E-ink tech.

And thanks to the frontlight, you will be able to see all those colors while reading in the dark. Moreover, users can adjust color settings of each specific book, easily changing parameters such as contrast, brightness, gamma correction, and saturation.

Equipped with both Wifi and Bluetooth, the Pocketbook Color supports six popular audio formats  as well as 23 other files formats, including Mobi and Epub. It has 16GB to fill with ebooks before you’ll need to add a microSD card (up to 32GB supported).

Weighing in at 160 grams, the Pocketbook Color measures only 8mm thin.

It ships at the end of the month, with a retail of 199 euros. (My unit is arriving on Thursday.)

NPD: Publisher eBook Unit Sales Rose in April 2020

Earlier this week NPD confirmed what the AAP had lead us to expect (and many had assumed would happen): publisher ebook sales rose in the US in April compared to March 2020 and to April 2019.

NPD is reporting the ebook unit sales, while AAP reported revenue, but both agree that sales were up for the month of April while still being down for the year. (Just imagine what the sales reports would have been like if those self-same publishers hadn’t systematically suppressed their ebook sales for the past 12 years.)

Year-over-year e-book sales in the United States declined by 5 percent, with 55 million units sold through April 2020. However, unit sales in April 2020—the first full month of COVID quarantine—rose by nearly one-third (31 percent) compared to March 2020. All major categories experienced e-book growth in April 2020, compared to previous month, with adult fiction posting the largest unit gain of 1.8 million units, according to The NPD Group (www.npd.com).

Traditionally published e-book sales volume, tracked by NPD PubTrack Digital, declined 6 percent in the first half of the year. However, looking only at the month of April— the first full month of COVID-19 lockdowns in the U.S.—e-books were up 31 percent compared to March, selling 4.2 million more units.

This data obviously does not represent the entire market, but it probably does reflect general market trends. I would not have said that last year, or any previous years, but in 2020 larger market trends caused by the pandemic  are overcoming publishers' own self-destructive decisions.

Cartoon Network and Star Trek Panels at San Diego Comic-Con Were Blocked by Youtube’s ContentID

It is a truth universally acknowledged that large automated content filters do not function well at all, and the only thing keeping such a system from screwing up is constant human supervision.

Alas, no one was paying attention to Youtube’s ContentID copyright bot yesterday until after it shut down a couple officially sponsored livestreams from San Diego Comic-con. The first to get the boot was a Star Trek panel, and then a couple hours later Cartoon Network’s panel was also cut off.

Here’s why this is newsworthy: Both of these panels were blocked by Youtube the networks were streaming content that belonged to the networks.

From Ars:

ViacomCBS kicked things off today with an hour-long panel showing off its slew of current and upcoming Star Trek projects: Discovery, Picard, Lower Decks, and Strange New Worlds.

The panel included the cast and producers of Discovery doing a read-through of the first act of the season 2 finale, "Such Sweet Sorrow, Part 2." The "enhanced" read-through included sound effects, effects shots, and storyboard images meant to bolster the actors as they delivered lines from their living rooms and home offices.

Even if the presentation didn’t look like a real episode of Discovery to the home viewer, it apparently sounded close enough: after the Star Trek Universe virtual panel began viewers began to lose access to the stream. In place of the video, YouTube displayed a content ID warning reading: "Video unavailable: This video contains content from CBS CID, who has blocked it on copyright grounds."

After being blacked out for about 20 minutes, the panel was restored, and the recording of the virtual panel has no gaps in playback

This is not the first time that livestreams have been blocked when they were legally using content; I am reminded of the  Worldcon awards dinner livestream that was shut down because someone played a Doctor Who clip. The video had been provided by the BBC (the show had won an award that year) but apparently no one told Ustream’s bot.

The Hugo Awards were being streamed live on video site Ustream when, at 10:43 p.m. ET, the feed went dark during an acceptance speech by fantasy writer Neil Gaiman.
The reason? Ustream says automated software designed to detect the unauthorized posting of copyrighted material was triggered when, before Gaiman’s speech, the ceremony showed clips of "The Doctor’s Wife," an episode of the popular sci-fi series "Doctor Who," that Gaiman penned.
Instead of Gaiman, text reading "Worldcon banned due to copyright infringement" appeared.

That was eight years ago. Apparently the tech has not gotten better in the past 8 years, nor have the people running the software gotten better at their jobs.

You Can Get on the Sunday Times’s Best-Seller List by Selling Fewer Than 2K Copies

I know everyone is upset that Mark Dawson has publicly admitted to buying his way on to a best-seller list, but I for one was surprised to learn that the bar was so low.

From The Guardian:

Take the case of Mark Dawson, a British writer who just over a week ago hit No 8 on the Sunday Times hardback list with his thriller The Cleaner, released by the independent publisher Welbeck at the end of June. This is a great achievement for any author or small publishing house, but Dawson had done something remarkable: he bought 400 copies of his own book, at a cost of £3,600, to push his sales high enough to make the top 10.

On the latest episode of his Self Publishing Show podcast, Dawson explained why he did it. When Nielsen released its midweek chart, Dawson had realised that The Cleaner was sitting at No 13, having sold around 1,300 copies that week – just outside the coveted top 10. He hit on the idea of buying the book himself in the UK, to sell to readers overseas. “We’d like to get to the top 10 … we’ve been trying to think of ways we can do that that would count those sales as sales for the chart,” he said.

I’m sorry, but I just can’t get past the fact that the book in the #8 spot on the Sunday Times best-seller list sold fewer than 2,000 copies in a week. That is a very low bar for making the list.

If that is really all it takes to make the list then the list is not actually a sign of popularity or quality. The best-seller list doesn’t mean anything, and if the list doesn’t mean anything then buying your way on to it doesn’t mean anything, either.

The reason why this is possible is that The Times’s has several lists, including separate lists for hardback and paperback. As we see in the photo Mark posted, almost the entirety of the paperback list outsold the hardback list:

https://twitter.com/pbackwriter/status/1281876060469108736

In short, folks, making the top ten on the "Original Fiction" list is about as meaningless as the best-seller lists for the niche categories on Amazon. The books on that list aren’t actually best-sellers.

Kobo Plus Launches in Canada

Remember how I told you a couple months ago that Kobo would launch its subscription ebook service in North America?

It’s starting to happen. Kobo launched Kobo Plus in Canada on Wednesday morning. Or rather, I just got an email from Draft2Digital with the news that D2D is now distributing to Kobo  Plus Canada:

Canada’s biggest eBook retailer is bringing its popular service home!

In May 2017, we were excited to announce that Rakuten Kobo was rolling out Kobo Plus—a new revenue-sharing model for authors distributing eBooks to the Netherlands and Belgium. Now we’re just as excited to announce that Kobo is bringing the same great opportunity to its home turf, with the launch of Kobo Plus Canada!

Not only is Canada the place Kobo calls home, it’s their strongest performing territory, where they have the most reach. So opening up the program there is a huge opportunity for authors.

Kobo Plus currently offers 270,000 ebooks and audiobooks for which can be read for $9.99 CAD per month. If you would like to sign up, you can find the relevant page on Kobo’s website here.

If you are an author who wants to put their books in Kobo Plus, you can do so via Kobo Writing Life or via D2D.

Kobo also announced the expansion on the Kobo Writing Life blog.

Did You Know the Amazon Fire Has a Secret Profanity Filter That Blocks George Carlin’s Seven Dirty Words?

Remember how everyone used to make fun of Apple because iOS had a puritanical keyboard filter that automatically corrected "fuck" to duck"?

Get ready to snicker at Amazon.

I was browsing Twitter this morning on my Fire HD 8 (2018) when I discovered that Amazon has a profanity filter built into the tablet. I was about to use a swear word in a tweet when the Fire abruptly deleted the sentence. I tried to re-enter the sentence when the same thing happened again.

For reasons beyond my understanding, Amazon has secretly built a profanity filter into the Fire.

To be more exact, the speech recognition part of the Fire’s keyboard app has a list of words that it will not accept. You can type these words on the onscreen keyboard, but if you try to _say_ them then the app will delete the entire sentence.

Yes, it is just the speech recognition, and yes, it is the keyboard app, and not Twitter. I can confirm that I saw the same behavior in the Silk web browser.

This piqued my interest, so I spent some time seeing what else was caught in Amazon’s secret profanity filter. So far I have found that Amazon blocks six of George Carlin’s Seven Dirty Words. The list of censored words includes (but is not limited to):

  • asshole
  • shit
  • fuck
  • cunt
  • cocksucker
  • motherfucker
  • tits

Piss and Hell make it through the filter but they are also essentially blocked in that they are autocorrected to benign words this and hello.

And what’s even funnier is that bitch, titty, and ass made it through the profanity filter, making this a particularly inept filter.

I am sure there are other words blocked by Amazon’s puritanical filter, but I have not found them yet. I was also unable to find anyway to disable or enable the filter in the Fire’s settings menu (hence why I called it a secret). And no, I do not have any kids accounts on my Fire; there is just the one account (mine).

Amazon is far from the first to censor what you can say to its apps.  Back in 2015 Google launched a speech recognition feature for Google Docs which included a mandatory profanity filter. That filter replaced the characters of a banned word with asterisks. It cannot be disabled, and in fact it’s still there (I tested it a few minutes ago).

Coincidentally, Google also has a similar spoken word profanity filter on Android. Like the filter on Google Docs, the Android profanity filter replaces the characters of a banned word with asterisks.

What is up with companies' limiting what you can say but not what you can type?

image by yoshiffles via Flickr