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Kindle Unlimited Per-Page Rate, Funding Pool Jumped in November 2017

Amazon’s payout for Kindle Unlimited rose for the fourth straight month in November, and so did the funding pool.  Amazon paid out $19.8 million (up from $19.7 million in October 2017), plus bonuses, at 0.46288 cents per page.

  • US: $0.0046 (USD)
  • Germany: €0.0032 (EUR)
  • UK: £0.0036 (GBP)
  • Netherlands, France, Spain, Italy: €0.0046 (EUR)
  • Canada: $0.0040 (CAD)
  • Brazil: R$ 0.1120 (BRL)
  • Japan: 0.5737 (JPY)
  • Australia: $0.0040 (AUD)

P.S. Here’s a list of the monthly funding pools. It does not include the bonuses paid out each month.

  • July 2014: $2.5 million (Kindle Unlimited launches early in the month)
  • August 2014: $4.7 million
  • September 2014: $5 million
  • October 2014: $5.5 million
  • November 2014: $6.5 million
  • December 2014: $7.25 million
  • January 2015 – $8.5 million
  • February 2015: $8 million
  • March 2015: $9.3 million
  • April 2015: $9.8 million
  • May 2015: $10.8 million
  • June 2015: $11.3 million
  • July 2015: $11.5 million
  • August 2015: $11.8 million
  • September 2015: $12 million
  • October 2015: $12.4 million
  • November 2015: $12.7 million
  • December 2015: $13.5 million
  • January 2016: $15 million
  • February 2016: $14 million
  • March 2016: $14.9 million
  • April 2016: $14.9 million
  • May 2016: $15.3 million
  • June 2016: $15.4 million
  • July 2016: $15.5 million
  • August 2016: $15.8 million
  • September 2016: $15.9 million
  • October 2016: $16.2 million
  • November 2016: $16.3 million
  • December 2016: $16.8 million
  • January 2017: : $17.8 million
  • February 2017: : $16.8 million
  • March 2017: $17.7 million
  • April 2017: $17.8 million
  • May 2017 :$17.9 million
  • June 2017: $18 million
  • July 2017: $19 million
  • August 2017: $19.4 million
  • September 2017: $19.5 million
  • October 2017: $19.7 million
  • November 2017: $19.8 million

Self-Publisher Bibel

image by Got Credit

Marketing Your Book as a "Spiegel Best-Seller" in Germany Could Soon Cost You Money

Best-seller lists are easy to game, which is why the term has almost no real meaning other than as a marketing gimmick. Now Spiegel wants to cash in.

Starting after the first of the year, this weekly German news magazine is going to charge publishers for the use of its official logos. Spiegel is going to charge 250 euros per title for the use of logos in previews and advertisements, and another 250 euros for using the logo on a book cover. There is also a premium package "Spiegel Bestseller Platz 1", but customers only get the price on request.

They’re framing this in terms of standardizing their branding, telling Boersenblatt that "several dozen different variants of our bestseller logos were found in our own research," but this is clearly an attempt to monetize their brand. Spiegel thinks their list helps sell books, and they want their cut.

Publishers  have a different opinion, however. Several have already stated that they will not pay. For example, both Diogenes , one of Switzerland’s largest publishers, and Random House Germany have declined, and Bonnier Media has even gone so far as to question whether this is legal.

This is probably legal, but it is certainly not wise. By licensing the use of the logos, Spiegel is adding the appearance of a financial incentive. It has cast doubt on whether books made the Spiegel best-seller list in the future on their merits or because Spiegel wants to sell licenses.

That list had value to consumers because it was impartial. Now that publishers can buy the logos, can anyone really trust the list’s legitimacy?

Meedia, Boersenblatt

Round-Up: Text to Speech in Reading Apps on Android

While text-to-speech (TTS) is a highly practical feature for digital reading, it remains surprisingly uncommon among Android reading applications. Major platforms like Kindle, Nook, and Kobo currently lack native TTS support. Furthermore, while the Android operating system includes "Talkback," this is an accessibility suite designed to narrate every menu and interaction, making it cumbersome for those who simply want a book read aloud. High-profile apps such as Feedly and OverDrive also fail to integrate with Talkback effectively.

The following is a breakdown of Android reading apps that offered TTS functionality as of April 2015.

### Google Play Books
This is the standout option among major mainstream ebook platforms. It provides reliable TTS with decent audio quality. Users can customize the experience by installing secondary TTS engines or adjusting pitch and speed within the system’s accessibility settings.
* **Formats:** EPUB and PDF.

### FBReader
TTS is available here via an external plugin. While the configuration process can be repetitive and slightly temperamental, the app allows users to replace the subpar stock voice with high-quality alternatives like Ivona.
* **Formats:** EPUB, Mobi, FB2, RTF, HTML, and Doc.

### Moon+ Reader
The premium (paid) version of this app includes TTS capabilities. It is noted for having a more robust set of playback controls compared to its competitors and performs consistently well.
* **Formats:** EPUB, Mobi, FB2, PDF, CHM, and more.

### ezPDF Reader
For users specifically working with PDFs, ezPDF is a top-tier choice. Although it is a paid application, its TTS implementation is polished and effective, making it a worthwhile investment for professional or academic use.
* **Formats:** PDF.

### Voice Aloud Reader
Primarily designed as a TTS utility rather than a dedicated library manager, this app can "read" content shared from web browsers or news apps like Feedly. It is particularly useful for handling specialized office formats.
* **Formats:** DOCX, ODT, PDF, HTML, and experimental EPUB support.

### Pocketbook
While the TTS feature is present, it is somewhat hidden behind a specific long-press gesture. Once activated, however, it integrates well with third-party voice engines.
* **Formats:** EPUB, PDF, DJVU, FB2, and others.

### Content Aggregators: Pocket and Instapaper
Both major "read-it-later" services offer TTS for saved web articles. Instapaper’s implementation is generally considered superior due to a cleaner interface, whereas Pocket’s playback controls tend to obstruct the text on the screen.

### Minor Options and Warnings
* **Mantano:** While the paid version lists TTS as a feature, its performance is often too inconsistent to recommend for purchase.
* **CoolReader:** Although the feature is listed, the audio quality and execution are poor.

### Editor’s Recommendation
For a seamless, free experience that includes an integrated bookstore and cross-device syncing, Google Play Books is the best overall choice. Power users may prefer the versatility of Moon+ Reader or ezPDF, especially when paired with a high-quality voice engine like Ivona to replace the standard Android system voice.

AI-Generated Harry Potter Fan Fiction is Inadvertently Hilarious

James Patterson has to keep finding new co-authors in order to continue publishing so many thrillers every year, but given the speed that AI is improving he may soon be able to do away with the need for collaborators.

Take Harry Potter, for example. A team of engineers at Botnik just published part of a Harry Potter fanfic that was written by an AI.

 

The story is only four-ish pages long, but if you didn’t know better you might think you were reading the work of a person:

The castle grounds snarled with a wave of magically magnified wind. The sky outside was a great black ceiling, which was full of blood. The only sounds drifting from Hagrid’s hut were the disdainful shrieks of his own furniture. Magic: it was something that Harry Potter thought was very good.

Leathery sheets of rain lashed at Harry’s ghost as he walked across the grounds towards the castle. Ron was standing there and doing a kind of frenzied tap dance. He saw Harry and immediately began to eat Hermione’s family.

I don’t know about you, but I’ve read worse commercially published fiction.

You can read more on the Botnik website, and once you’re done giggling you might want to check out the autocomplete bots that Botnik made.

Botnik has uploaded a couple (one, two) of the "predictive keyboards" they used to write the fanfic. The bots work a lot like the autocomplete on your phone, and will suggest ways to complete what ever sentence you type in.

They’re a lot of fun to play with, but you might have to wait; Botnik’s servers are struggling with the load.

O O O

As a matter of fact, this is at least the second AI-authored Harry Potter fanfic. The last one was revealed in July, and was developed by a researcher by the name of Janelle Shane.

Shane worked from fanfic rather than the original novels, so like the source material her bots tended towards shipping Harry Potter characters rather than telling a longer story. Here’s a sample of the output:

The Perfect Party by iamisaac
Draco has been left alone, and Ginny confused must learn and who has his best friend. They were breathed by a love that didn’t become his grounds and the flowers begin.

As Shane explained, "Those familiar with Harry Potter fan fiction will not be surprised to learn that the neural network really likes to generate ships; pretty much every combination of characters is represented (some of the more unusual combinations being 'The Snow/Voldemort', 'The Ministry/Draco Malfoy', and 'Voldemort/Random Quidditch Child')."

Which do you think is better, Botnik’s story or Shane’s shipping bots?

New Rule: You Have to Have Spent $50 (Minimum) to Post a Review at Amazon

Any system that is important enough to be measured is going to be gamed by cheaters, and Amazon’s reviews section is no exception to that rule.

Amazon has fought back by suing over fake reviews, deleting reviews where the buyer appeared to have a relationship with the author,  filing for arbitration against scammers, and putting a cap on the number of reviews you can post without buying the product.

Now Amazon has revised its reviews policy yet again, this time to target scammers who open new Amazon accounts just to post a review.

To contribute to Customer Reviews or Customer Answers, Spark, or to follow other contributors, you must have spent at least $50 on Amazon.com using a valid credit or debit card. Prime subscriptions and promotional discounts don’t qualify towards the $50 minimum.

It’s good to see Amazon continue to fight scammers, but I don’t know that this will have much impact. After all, a scammer can always buy the products they were hired to review and then charge their clients for a verified review.

This is basically a game of whack-a-mole, but fortunately, this time around authors won’t get caught up in Amazon’s fight against scammers.

Barnes & Noble Stores are (Finally) Price-Matching Their Website

For the longest time now B&N has been annoying their few remaining loyal customers by charging a higher price in store than on their website. This negated most of the value in buying a book in a bookstore (hence the ever declining same-store sales ).

B&N has not removed that policy, but they have revised it. A source told me, and I have confirmed with the B&N store in Manassas, that starting today B&N is matching the prices on its website for purchases made in store.

This is not an advertised sale, so there won’t be any signs or emails. But I was told that it is only available to B&N club members when they request it, and that this special will only run through the tenth of December.

So if you are one of the hundreds of remaining B&N club members (membership costs $25 a year), now is a good time to go shopping.

Coincidentally, Amazon has a very similar policy in its bookstores; Prime members get to pay the online price when shopping in an Amazon Books, while everyone else pays list.

Amazon is using this to promote its $99 membership program, but it’s not clear what motivates B&N. If Barnes & Noble were really interested in boosting sales then they would have done this ten years ago.

How to Give Away an eBook From an Author Website

There are a hundred and one different sites on the web where authors can give away an ebook. They can use services like InstaFreebie, forums like MobileRead, or blogging platforms like BookLikes.

I was just working on a list post on the topic (stay tuned) when I was reminded of one option that almost never makes this type of list.

An author’s website.

An author’s website is both the most common place for an author to give away an ebook and the most overlooked. While the site won’t get as much attention as, say, a free ebook link shared in Facebook, offering free content on your site is still a good way to build your fan base and mailing list.

I have helped a lot of authors set up their site so they could give away an ebook, and setting this up is really not all that difficult once you know the steps involved. Here’s the what, the why, the where, and the how of giving ebooks away on an author website.

What (are you giving away)

Let’s start with the point that is frequently overlooked: You don’t have to give away an excerpt, a story, or one of the books you are selling.

Instead, you can offer a freebie that is related to your books. I know of one author who writes Prohibition-era novels and gives away a PDF of drink recipes from that period. Or, an SF or fantasy author might give away a compendium ebook that explains the background details referenced in the author’s stories.

So, are you giving away an excerpt? A complete story? A non-fiction book? This question is important because the content decides the type of file you use as a freebie.

For example, you can give away a non-fiction book as a PDF – in fact, it might work better than giving away an Epub because an ebook with charts, diagrams, or other complex formatting often works better as a PDF than an Epub.

You can also use a PDF if you are giving away an excerpt from your novel. Most readers will only read enough to decide if they want to buy the ebook, and then they will replace the PDF with the complete book.

But if you are giving away a complete story, whether it is a novella, novel, or even longer, you should give away an ebook that a reader can add to their library. That means offering both Kindle and Epub.

Why (are you giving it away)

Before you give away that ebook, you’ll need to ask yourself why you’re giving away the ebook. Do you just want to give something to your fans? Do you want to build your mailing list?

A lot of authors use a freebie to encourage readers to sign up to their mailing list, but others give away some of their work just to build a fanbase. And for a while there, some authors gave away ebooks on their site to see if it would lead to donations (the experiment was not a success).

Your motivations are going to drive where you put the download link, or links.

Where (should you put the download link on your site)

In the words of engineers, it depends.

The ebook file (or files) can be uploaded to Dropbox or another cloud storage service in a publicly accessible folder. You will link to those files from your website, but where does that link go on your site?

That depends. If you want to promote your mailing list, the link will have to go on the “successful subscription” page (more on this later).

On the other hand, if the freebie is an excerpt from a book then it should go on the page for that book. If you are giving away background info on a series, put the link on the page for the series as well as for each book in the series.

When the freebie has nothing to do with any of your other books, you can put the link on your about page – or, if you have a bunch of free downloads, you can create a page just for the free downloads.

Just be sure that when you do insert the link, you also add a brief text description (including file format) and then use a few of the words as the anchor for the link.

Offering a no-strings-attached download is as easy as inserting the link; anyone with basic web skills can do it. The real trick is in knowing how to integrate a freebie with a mailing list form.

How (I trade a freebie for a mailing list sign-up)

There are many mailing list providers, and almost as many companies that make sign-up form apps and plugins. It would be impossible to explain how to set up all of them, so let me explain what I do. This will give the beginners a place to start, and the more advanced users will be able to adapt a few ideas.

When I build author websites, I use MailMunch to make sign-up forms.

The great thing about MailMunch is that it integrates with most mailing list services, including MailChimp. The other great thing about MailMunch is that it gives you two places where you can thank new subscribers with a link to your free content.

  • When setting up a form, you have the opportunity to create a “thank you” message. Mine usually read something like “Thank you for subscribing! Here’s that ebook you wanted”, with the underlined words as the link.
  • MailMunch also lets you send an auto-responder email to new subscribers. You can thank them for signing up, share info about your next book, and give the new subscriber a link to the free download.

As a rule, I like to give away the ebook in the auto-responder email rather than the thank you message because the email can sit in the subscriber’s inbox. If they ever misplace the ebook file, they can find the email and click the link to download the ebook again.

* * *

Giving away an ebook on your author website is a simple process – once you know how to start. I hope this post has helped you find ways that a freebie can help you in your marketing endeavors.

Any questions?

image by docoverachi via Flickr

Should Editors Certify That an eBook has Been Edited?

In the evolving landscape of digital publishing, professional editors are considering whether a formal certification process could help distinguish high-quality ebooks for readers. The concept involves an editor providing a "seal of approval" to verify that a manuscript has undergone a rigorous professional review.

While no book—whether digital or print—is likely to be entirely free of errors, the goal of such a certification would be to minimize blatant mistakes and ensure a refined, focused narrative. By offering a tangible mark of quality, editors could provide authors with a valuable marketing tool to help their titles stand out in a saturated marketplace.

However, implementing such a system presents significant logistical hurdles. Experts have raised questions regarding the metrics for these standards: Who would establish the criteria? What would be the consequences for failing to meet them? Furthermore, there is the issue of post-certification changes made by the author and the difficulty of defining a "professional editor" in an industry that lacks a central governing body or national standards organization.

Creating a unified organization to oversee these standards seems unlikely given the independence of most freelance editors. As an alternative, individual editors could issue their own quality guarantees. This would serve to reassure consumers that the ebook is free of common distractions, such as homophone errors (e.g., "your" versus "you’re") or continuity lapses regarding character descriptions.

For this to be effective, there must be accountability. Suggestions for enforcement include offering readers a refund or financial compensation if they discover a significant number of errors in a certified book. While this could increase trust, it also introduces the challenge of determining what number of mistakes is considered acceptable.

There are potential benefits for all parties involved:
* **Editors:** Certification could act as a competitive advantage to attract more clients.
* **Authors:** A quality seal provides a way to differentiate their work from the flood of self-published content.
* **Consumers:** Readers would have a reliable method for filtering out unpolished manuscripts.

The financial aspect remains a point of contention. Editors might require a premium fee for the additional liability of certification, yet authors have no guarantee that this investment will translate into higher sales.

Currently, many readers rely on free digital samples to judge the quality of a book’s prose. While these samples can reveal basic grammatical competence, they do not necessarily reflect the overall strength of the plot or pacing. Despite the complexities of establishing a formal system, proponents argue that a combination of competitive pricing and a visible assurance of quality may be the best way for authors to capture the attention of a limited reading audience.

Goodreads Now Lets Indie Authors Give Away Kindle eBooks

Goodreads is about to launch a new service where authors can give away ebooks – but there is a fee, of course.

From the GR blog:

Today, we’re announcing our new U.S. giveaways program, with two packages offering new high-impact features to drive increased book discovery and reader reviews. The new program is designed to deliver additional marketing benefits that authors and publishers have been asking for, including more ways to reach the author’s readers, and automatically adding the book to the Want-to-Read lists of anyone entering the giveaway. And for the first time, Kindle Direct Publishing authors can run giveaways for Kindle ebooks—a feature previously only available to traditional publishers. All of these benefits are included in the Standard package which costs $119 for up to 100 copies (either Kindle ebook or print book). The new Goodreads Giveaways program, which replaces our current Giveaways program, will go live on January 9, 2018, and will initially be for giveaways open to U.S. residents.

We’re also introducing a Premium package, offering special “Featured” placement on the highly-trafficked Giveaways page, as well as all the benefits of the Standard Package. The Premium package is $599 and is available for either print books or Kindle ebooks.
To celebrate the new Giveaways program, we’ll be offering special introductory pricing of $59 (save 50%) for all Standard giveaways and $299 (save 50%) for all Premium giveaways created between January 9, 2018, and January 31, 2018.

Goodreads had initially launched this program last May, but it was restricted to publishers. The terms were essentially the same, though.

8 Ways For Authors to Waste Their Money

Publishing a book can get quite expensive. A good cover designer can cost hundreds or thousands of dollars, and the editorial costs alone can set you back even more.

While there are many important expenses, there are also many ways to spend money and get nothing useful back. For example, take the Bowker SAN. This costs $150, and is basically a way for you to list your physical address in a Bowker database – something you can do with your website, or  dozen other services, at no cost to yourself.

I recently polled a number of experts, including David Gaughran, Kristine Kathryn Rusch, Joel Friedlander, Victoria Strauss,  Jane Friedman, and Hugh Howey. The following post lists a few of the things they thought were a waste of money.

The first items was suggested by Robin Sullivan, business manager and wife of author Michael Sullivan.

Promoting an Author’s First Book

Robin gives monthly seminars in book publishing, and a couple months back she revealed that authors should not start marketing their books until after they have published the third book.

She based this on the observation that readers don’t just buy a book by an author they like, they buy as many of that author’s books as they can afford. If an author only a single book out, they can only make one sale per reader, which is why they should wait until they have several books to sell.

Publicists

Of all the suggestions made by the experts, publicists topped the list, with several experts saying that publicists just weren’t worth the cost. "They don’t do much you can’t do on your own, and what they do, they do poorly," I was told."They also cost tens of thousands of dollars."

It would cost less to learn how to do the work yourself (or at least get a virtual assistant to do it), and you’ll get better results.

Email & Social Media Blast Services

Another great way for an author to waste their money would be to pay a service to tweet about the author’s book to a service’s million robofollowers on Twitter and Facebook, or pay to have a press release sent to 10,000+ news  outlets.

Here’s the thing about spam. Whether you send it by email or social media, hardly any real people see it, and most don’t want to get the spam. It is immediately deleted (or worse, dumped in the spam folder before it is ever seen).

So there’s no value is spamming everyone.

The better way is to take the personal approach. Identify the sites and bloggers you want to work with, learn what they are interested in, and pitch them one at a time.

Buying Followers – Newsletter, Twitter, or Facebook

If there is one thing that is just as worthless as spamming people who don’t want to see your message, it’s paying to add followers to your social media accounts or newsletter.

It might look like a worthwhile shortcut, but in reality the followers are all going to either be (in the case of social media) bots or (if we’re talking about email addresses) random people whose emails were sold to mailing lists without their consent.

So if you do buy followers you will end up with followers who either don’t exist or have no real interest in hearing from you.

That’s why you should save your money, and accept the fact that followers have to be recruited one at a time.

Classes on the "Secrets" of Millions Sales

Like most professions, it takes a lot of learning to be a successful author, and you have to keep picking up new tricks all the time. And there are many experts out there who can teach you what you need to know, but there are also a lot of scammers who promise more than they can deliver.

Authors would be wise to avoid any course that promise to show you "the secret" to getting millions of sales. Before you sign up, you should check to see if the "guru" has actually written and sold a lot of books or just teaches marketing courses for a living.

Many of these million "sellers" have either given away most of their copies or sold the copies of their fiction books at a loss. Other have sold hardly any books at all, and are making money from their marketing tips, not from their writing.

Anti-Piracy Services

Piracy is a scourge, right? Not according to Neil Gaiman, who regards it as free marketing, or Baen Books, a publisher that gives ebooks away and sells the rest DRM-free, or The Authors Guild, whose data shows that piracy isn’t a serious problem.

There are many companies that promise to scour the web and remove pirated copies of your books, but before you hire one I will let you in on a secret. Most "pirate" sites are pretending to have a copy of  pirated book. They’re usually running some type of scam (it varies) but they are not committing piracy so it makes little sense to pay a service to go after them.

Any Service that Promises to Get Your Book on a Best-Seller List

A quick Google search will turn up a dozen services that will get you on the New York Times, Amazon, or other bestseller lists. In a lot of cases, they can get you on that list, but only at a cost.

When it comes to the NYTimes list, you’re going to end up buying thousands of copies of your own book – a five-digit expense. It has been done, but some have also been caught out as frauds for using this trick, permanently marring their reputations.

And even if you’re not publicly exposed, buying your way on to a lot can have negative consequences. If Amazon catches you gaming their best-seller list they will punish you. At a minimum they will remove the ebook from their list, and for particularly egregious or repeat offenders Amazon has been known to remove  the ebook in question or even ban suspected offenders – permanently.

Is it really worth the risks or costs?

* * *

There you have it; eight services and products that can cost you upwards of thousands of dollars and deliver nothing of value.

While these services are expensive and worthless, they are really just a few of the many ways that authors can waste money.

Have you found a worthless service not mentioned above?

If so, why don’t we crowd-source a more complete list in the comments.

featured image by LifeSupercharger, from Flickr

How Ebook Buyers Discover Books

To gain insight into how digital literature reaches its audience, a survey was conducted on MobileRead, a prominent online community for ebook enthusiasts. Participants were asked to identify the primary factor that influences their decision to purchase a new book. The results, though specific to a highly engaged demographic, offer valuable strategic guidance for independent authors and publishers.

The survey offered twelve distinct choices and required respondents to select only their top priority. Out of 206 participants, nearly one-third (29%) cited online peer recommendations—such as those found on blogs, forums, and message boards—as their main driver. Interestingly, only 4% prioritized suggestions from family or personal friends. This suggests that digital readers may place higher value on the collective expertise found in specialized online communities than on their immediate social circles.

The second most popular strategy, chosen by 18% of respondents, was seeking out works by established favorite authors. This highlights the importance of author branding; once a writer gains a reader’s confidence, that reader is likely to remain loyal to avoid the perceived risk of a disappointing new purchase.

The data also revealed that digital book discovery is highly fragmented. While the top two categories represented nearly half of the responses, the remaining 53% were spread across various methods. Notably, "random browsing" emerged as a major force when several smaller categories were combined. About 25% of readers find books by scanning cover art (7%), checking reviews after a random find (7%), or exploring other works by an author after reading a free sample (5%). A small portion (4%) even browse physical bookstores before purchasing the digital version online.

Traditional media appears to have lost its influence among early adopters, with only 3% of the MobileRead community relying on print reviews. Bestseller lists and automated retailer suggestions also performed poorly, each garnering only 3% to 5% of the vote. While the survey coordinator acknowledged that these figures might have been higher if users could select multiple options, the results underscore a shift: over 90% of book discovery for this group now occurs through digital channels.

For authors and publishers, these findings suggest a multi-pronged approach to marketing:
* **Prioritize Quality:** Word-of-mouth is the strongest driver, but it requires a high-quality story that generates discussion.
* **Engage Online Hubs:** Influential readers congregate in digital forums; reaching these "super-fans" is essential for visibility.
* **Optimize Presentation:** Since many readers still "browse the shelves" digitally, professional cover design and compelling descriptions are vital for converting casual browsers into buyers.
* **Broad Distribution:** Ensuring a book is available across all platforms increases the odds of a reader stumbling upon it randomly.

While some critics noted that the MobileRead audience may not represent the average consumer, others argued that the findings reflect how ebook platforms currently force users to shop, emphasizing a move away from traditional browsing toward search-based and community-driven discovery.

Amazon is Now Punishing Authors for Running BookBub Promotions

It is SOP in 2017 for authors to buy space in a BookBub or other sales promotion email so they can boost their ebook sales, but given how Amazon is letting its bots run amok authors might want to reconsider.

There are numerous reports on KBoards from authors who have had an ebook "rank-stripped" within minutes of a BookBub promotion email arriving in readers inboxes.

For example:

Our VEIL KNIGHTS series promo got rank stripped on a 99c BB promo just a few weeks back.

and

Welp, I had a bookbub today for a 3 year old permafree wide book. I was at maybe #475 in the free store at the start of the day, before the email went out. I’m already rank stripped. Fingers crossed that my ranking is restored.

and

I have a Bookbub today. I was at #4 free. This is the only time really that I check ranking.

Well, the ranking is gone.

Thanks, Amazon.

The problem is automation run amok.

Amazon’s bots can’t tell the difference between an author running a legitimate promotion and a scammer who is gaming the system. As a result, Amazon is punishing authors for the crime of promoting their books.

Edit: "Rank-stripping" is the term for when a book is removed from the best-seller lists. This hurts the author by reducing their visibility, and thus costing them sales.

Some books are only punished for a few hours, but not all, and to make matters worse, Amazon waits a week before telling authors they’ve been punished for using BookBub.

If your rank isn’t returned in a couple of hours and it’s really strip-stripped, the 'naughty' mail won’t come for another WEEK. Unless you’re proactive. Then they’ll send you boilerplate naughtiness in reply.

I contacted Amazon before starting this post, and have not received a response.

Some have tried to justify the punishments by saying that Amazon doesn’t want sales spikes, but that makes no sense given that Amazon has a competing email promo service run by Goodreads. (Curiously, there are no reports of a Goodreads-promoted title being de-ranked.)

While Amazon might not have intended to punish authors who use BookBub, that is the result of the system Amazon built. And frankly, it is an inevitable result given that Amazon is a firm believer that they should never hire a person if a bot can fill the role.

Obviously that concept just is not working, but there is little chance of Amazon responding to the fundamental problem and hiring more people to run the Kindle Store.

Edit: Amazon has responded:

Amazon monitors a variety of activities to detect efforts to manipulate sales rankings. While we don’t disclose the methods we use to detect this type of abuse, our focus is on suspicious activity, not any particular promotional program that publishers and authors may use. As always publishers and authors are responsible for any third-party marketing activities used to promote their books, and so are strongly encouraged to make sure these activities don’t manipulate our services. If a publisher or author believes there has been an error, they should contact us directly and we will investigate.

image by Micah Sittig

AAP Reports Trade Revenues Down a Fraction of a Percent Through July 2017

Publisher trade revenues decreased 11.7% in July, bringing down revenues for the year. eBook revenues  were down 5% and ,paperback revenues fell 1.7%, while revenues from hardback sales increased 2%. Downloadable audiobooks revenues were of course up.

As much as I would like to mock MSM and declare "print is dead", the most likely cause is the 2016 election cycle. July 2016 marked the beginning of the final phase of the campaign, and that could have caused an uptick in nonfiction sales as people read more about the topics of the day and a an increase in fiction sales as people tried to avoid the topics of the day.

Press release:

After several months of increases, publishers’ revenues (sales to bookstores, wholesalers, direct to consumer, online retailers, etc.) declined by 11.7% in July 2017 compared to July 2016. Revenues for Jan. – July 2017 were relatively flat, up by 0.2%, according to the most recent StatShot data from the Association of American Publishers. Tracked categories include: Trade – fiction/non-fiction/religious, PreK-12 Instructional Materials, Higher Education Course Materials, Professional Publishing, and University Presses.

Revenues for trade books (fiction/non-fiction/religious) declined in July, and were flat (down 0.3%) for the year-to-date, compared to the same periods in 2016. The only category to see growth in July 2017 was Religious Presses, which saw a 4.4% revenue increase in July 2017 compared to July 2016; despite that growth, the category remains down year to date. The only format that saw growth in July was downloaded audio, which saw 23.8% revenue growth compared to July 2016.

Total Trade Net Revenue by Category (in millions)*

Jan. – July 2017 Jan. – July 2016 Percent Change
Adult Fiction/Non-Fiction

$2,581.6

$2,552.9

+1.1%

Children’s/YA

$977.4

$1013.1

-3.5%

Religious Presses

$222.7

$227.7

-2.2%

Total Trade

$3,781.7

$3,793.8

-0.3%

Trade Book Formats

Despite the overall revenue decline in trade, downloaded audio had another strong month with revenues up 23.8% in July 2017 compared to July 2016. Revenues for eBook and most print book formats declined, the exception being children’s board books which saw revenues increases of 2.6% in July.

Total Trade Net Revenue by Format (in millions)*

Jan. – July 2017 Jan. – July 2016 Percent Change
eBooks

$648.1

$682.4

-5.0%

Hardback

$1249.8

$1229.1

+1.7%

Paperback & Mass Market

$1,480.9

$1,527.3

-3.0%

Downloaded Audio

$185.6

$142.1

+30.7%

Other (physical audio, board book)

$217.3

$213.1

+2.0%

Education and Scholarly Publishing

Higher Education and PreK-12 publishers saw revenues decline during July, down 10.7% and 8.0% respectively compared to the prior year. From Jan. to July 2017, Higher Education saw slight 1.6% revenue growth and PreK-12 was flat at 0.1% growth.

Professional Books declined by 6.2% and University Presses were flat at 0.2% in July 2017 compared to 2016.

image by Got Credit

KDP Print Now Offers Author Copies

Launched into a closed beta last summer, KDP Print is Amazon’s solution to all the indie authors that release ebooks but not print editions. It is a more limited version of Amazon’s POD service, Createspace, and it’s missing a lot of features.

Until today, one option it lacked was a way for authors to order copies of their POD books in wholesale volume. According to a number of reports on KBoards, Amazon has sent an email to authors announcing the new feature:

We have made updates to your account that allow you to order proofs and author (wholesale) copies of your paperbacks on KDP.

Proofs allow you to review a physical copy of your draft paperback prior to publication. Learn more here.
Author copies are copies of the live version of your paperback that you can order from Amazon. Learn more here.

When you order copies of your own book, you pay just the printing costs plus shipping and applicable taxes. Unlike CreateSpace, KDP proof and author copies for the UK and the rest of Europe are printed and shipped from within Europe.

By publishing a paperback on KDP, you can reach more readers through Amazon websites in the US and Europe, as well as manage your print and eBook publishing from one website. In addition, you can use the KDP website in English, Spanish, German, French, Italian, Portuguese or Dutch.

An order of around 50 copies costs an average of $3 or so per book. In comparison, Ingram Spark would charge you about the same, and Blurb would charge about 50% more for author copies.

The value of print copies is that authors can sell them directly to the public at events. While everyone is familiar with selling at book fairs and cons, I was at a writer’s club meeting in Richmond a few weeks back where I met an author who sold most of her books at craft fairs.

There was a market out there for print, and she found it.

image by innovate360

Kindle Unlimited Funding Pool Jumped in October 2017

Both the Kindle Unlimited funding pool and per-page rate rose in October 2017. Amazon paid out $19.7 million (up from $19.5 million in September 2017), plus bonuses, at 0.45601 cents per page.

The rates were up in most markets:

  • US: $0.0046 (USD)
  • Germany: €0.0031 (EUR)
  • UK: £0.0035 (GBP)
  • Netherlands, France, Spain, Italy: €0.0045 (EUR)
  • Canada: $0.0044 (CAD)

Apologies for the incomplete data.

P.S. Here’s a list of the monthly funding pools. It does not include the bonuses paid out each month.

  • July 2014: $2.5 million (Kindle Unlimited launches early in the month)
  • August 2014: $4.7 million
  • September 2014: $5 million
  • October 2014: $5.5 million
  • November 2014: $6.5 million
  • December 2014: $7.25 million
  • January 2015 – $8.5 million
  • February 2015: $8 million
  • March 2015: $9.3 million
  • April 2015: $9.8 million
  • May 2015: $10.8 million
  • June 2015: $11.3 million
  • July 2015: $11.5 million
  • August 2015: $11.8 million
  • September 2015: $12 million
  • October 2015: $12.4 million
  • November 2015: $12.7 million
  • December 2015: $13.5 million
  • January 2016: $15 million
  • February 2016: $14 million
  • March 2016: $14.9 million
  • April 2016: $14.9 million
  • May 2016: $15.3 million
  • June 2016: $15.4 million
  • July 2016: $15.5 million
  • August 2016: $15.8 million
  • September 2016: $15.9 million
  • October 2016: $16.2 million
  • November 2016: $16.3 million
  • December 2016: $16.8 million
  • January 2017: : $17.8 million
  • February 2017: : $16.8 million
  • March 2017: $17.7 million
  • April 2017: $17.8 million
  • May 2017 :$17.9 million
  • June 2017: $18 million
  • July 2017: $19 million
  • August 2017: $19.4 million
  • September 2017: $19.5 million
  • October 2017: $19.7 million

Self-Publisher Bibel

image by whatleydude