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Nate Hoffelder

Nate Hoffelder

KDP Print Now Offers Author Copies

Launched into a closed beta last summer, KDP Print is Amazon’s solution to all the indie authors that release ebooks but not print editions. It is a more limited version of Amazon’s POD service, Createspace, and it’s missing a lot of features.

Until today, one option it lacked was a way for authors to order copies of their POD books in wholesale volume. According to a number of reports on KBoards, Amazon has sent an email to authors announcing the new feature:

We have made updates to your account that allow you to order proofs and author (wholesale) copies of your paperbacks on KDP.

Proofs allow you to review a physical copy of your draft paperback prior to publication. Learn more here.
Author copies are copies of the live version of your paperback that you can order from Amazon. Learn more here.

When you order copies of your own book, you pay just the printing costs plus shipping and applicable taxes. Unlike CreateSpace, KDP proof and author copies for the UK and the rest of Europe are printed and shipped from within Europe.

By publishing a paperback on KDP, you can reach more readers through Amazon websites in the US and Europe, as well as manage your print and eBook publishing from one website. In addition, you can use the KDP website in English, Spanish, German, French, Italian, Portuguese or Dutch.

An order of around 50 copies costs an average of $3 or so per book. In comparison, Ingram Spark would charge you about the same, and Blurb would charge about 50% more for author copies.

The value of print copies is that authors can sell them directly to the public at events. While everyone is familiar with selling at book fairs and cons, I was at a writer’s club meeting in Richmond a few weeks back where I met an author who sold most of her books at craft fairs.

There was a market out there for print, and she found it.

image by innovate360

Kindle Unlimited Funding Pool Jumped in October 2017

Both the Kindle Unlimited funding pool and per-page rate rose in October 2017. Amazon paid out $19.7 million (up from $19.5 million in September 2017), plus bonuses, at 0.45601 cents per page.

The rates were up in most markets:

  • US: $0.0046 (USD)
  • Germany: €0.0031 (EUR)
  • UK: £0.0035 (GBP)
  • Netherlands, France, Spain, Italy: €0.0045 (EUR)
  • Canada: $0.0044 (CAD)

Apologies for the incomplete data.

P.S. Here’s a list of the monthly funding pools. It does not include the bonuses paid out each month.

  • July 2014: $2.5 million (Kindle Unlimited launches early in the month)
  • August 2014: $4.7 million
  • September 2014: $5 million
  • October 2014: $5.5 million
  • November 2014: $6.5 million
  • December 2014: $7.25 million
  • January 2015 – $8.5 million
  • February 2015: $8 million
  • March 2015: $9.3 million
  • April 2015: $9.8 million
  • May 2015: $10.8 million
  • June 2015: $11.3 million
  • July 2015: $11.5 million
  • August 2015: $11.8 million
  • September 2015: $12 million
  • October 2015: $12.4 million
  • November 2015: $12.7 million
  • December 2015: $13.5 million
  • January 2016: $15 million
  • February 2016: $14 million
  • March 2016: $14.9 million
  • April 2016: $14.9 million
  • May 2016: $15.3 million
  • June 2016: $15.4 million
  • July 2016: $15.5 million
  • August 2016: $15.8 million
  • September 2016: $15.9 million
  • October 2016: $16.2 million
  • November 2016: $16.3 million
  • December 2016: $16.8 million
  • January 2017: : $17.8 million
  • February 2017: : $16.8 million
  • March 2017: $17.7 million
  • April 2017: $17.8 million
  • May 2017 :$17.9 million
  • June 2017: $18 million
  • July 2017: $19 million
  • August 2017: $19.4 million
  • September 2017: $19.5 million
  • October 2017: $19.7 million

Self-Publisher Bibel

image by whatleydude

Bonnier to Close the UK Branch of Its Type & Tell Services Provider

Earlier this year the Swedish publishing conglomerate Bonnier expanded its publishing services company, Type & Tell, from Sweden to the UK. Eight months later it is shutting down its UK operations.

It published this notice on its website today:

It is with great regret that we have to announce that Type and Tell UK will cease trading at the end of 2017.

As a result, it is no longer possible to create a new account, and packages and services are no longer available for purchase. All registered users can download files from the Book Editor as Word documents.

Please do this before 9th December 2017 – after this date your T&T Dashboard will no longer be available.

Our customer service centre will remain fully operational until 5.30pm on our last day of business – which will be on 20th December 2017 – so if you have any enquiries about your files or require any further information or assistance, please do not hesitate to contact us at [email protected].

Some fool on Twitter comparing this closure to Pronoun (which announced it was shutting down last week) and saying Amazon is to blame, but he could not be more wrong.

Type and Tell UK was more of a services company than a distributor, and it closed because it could not sell enough services to authors. The Bookseller reports that it had around 500 users in the UK, which was not enough to satisfy Bonnier.

The thing is, this company launched into a very competitive market, with thousands of independent service providers.

Everyone who offered some type of publishing service online, from FastPencil to solo editors and book formatters, competed with Type & Tell and the company talks like it didn’t understand the market.

“We are enormously proud of what we have achieved at Type & Tell UK,” Jon Watt, country manager of Type & Tell UK, told The Bookseller. “We set out to create a new kind of self-publishing service – a place where authors could write, make, print and publish quality books with ease and professional help. In six months we have built it into a market leader, collaborating with publishing start-ups and exploring new possibilities for self-publishing."

Type & Tell wasn’t new; it operated on the same model as FastPencil and BookBaby.

If its manager could not see that – and the need to differentiate Type & Tell from the competition – then that is probably why the venture failed.

Bookstores aren’t dead. Amazon Just Announced its 17th Bookstore to Open in Bethesda, Maryland

Today is a great day, one where we should celebrate the revival of bookstores, because Amazon’s seventeenth store has been confirmed for Maryland. It’s going to be built in the Bethesda Row shopping center which is located about 5 miles from the Amazon Books location in DC.

From Bethesda Beat:

The Bethesda bookstore will open at 7117 Arlington Road, in a space currently occupied by the home furnishing store Urban Country, a source told the Bethesda Beat on Monday. Urban Country in October announced plans to move next door to 7121 Arlington Road, taking over the former City Sports spot.

"We are excited to be bringing Amazon Books to Bethesda Row in Bethesda, Maryland and we are currently hiring store managers and associates," Amazon Books spokesperson Alexandra Woodworth wrote in a statement. "Stay tuned for additional details down the road."

A building permit application for the Amazon store was filed with the county on Nov. 8 for a $1.5 million project to renovate the roughly 6,000-square-foot space.

Bethesda Row is one of those American inventions stemming from not having good public transit. It is a development where multi-story retail and office buildings face the street and wrap around a parking garage.

The new Amazon Books location is about a block from a Barnes & Noble store that is closing at the end of the year, but the geographic proximity is really all they have in common. B&N is leaving a 3-story space, while Amazon is opening a 6,000 square foot store (a corner space, to be exact).

According to Google Maps, there are no other bookstores in the area; the closest is in DC. This makes Bethesda fertile ground for Amazon’s brick-and-mortar retail empire.

image  by SounderBruce

Author Blogging 103: Guest Blogging, or How to Write for Exposure

Everyone agrees that authors should be blogging to promote their carers, but no one can agree on exactly how or why one should go about it.

There’s loads of outdated and bad advice out there, including posts telling authors to writie to SEO keywords as a way of selling books, counterproductive and just plain bad advice on how to find sites for your guest post, and even posts that are long since out of date but still rank high in search results for “author guest blog”. (And then there is all the great advice intended for bloggers, advice that doesn’t quite mesh with authors’ goals.)

I was reading some of that bad advice recently when I realized there was very little good advice on this topic. (You can find links to several good posts in the comments of this blog.)

So how exactly is an author supposed to go about guest blogging?

I can’t speak for other experts, but I have been blogging for 8 years and guest blogging for 18 months. Here is a distillation of the what, the why, the how, and the when of my guest blogging philosophy.

What (Your Goals Should Be)

The goal for writing a guest blog post is to write a great post. That’s it.

Some people will tell you that you should use a guest blog post to promote yourself, or that you should sell your book, but they could not be more wrong. A guest post needs to be entertaining, or useful and informative, or thought-provoking – or all three, if you are up to it.

Ideally you should be just as serious and professional about your guest blog posts as you are with your books. They’re not how you pay your bills, so I can understand why you might have a lower regard for a blog post, but those posts will matter to the bloggers you want to work with.

The folks who run the blogs you want to write for care about the quality of the posts they publish. A half-assed blog post will be declined, a blatant advertorial will be rejected, and any self-serving post will alienate readers and thus fail to accomplish your goals.

Why (You Are Doing This)

Guest blogging is about the long game. It’s not about selling books, or promoting yourself. It’s about establishing your credibility and becoming more widely known. You’re not out to find new book buyers, or new book readers; this is about growing your audience (hence the no self-promotion rule).

You don’t want to sell a book to the person reading your post; what you want is for that person to share your post online, and keep an eye out for your next post, and share that one as well (this is why each blog post deserves your best effort).

The thing is, you will have no luck getting the person reading the post to buy your books if they only read SF and you only write fantasy, which is why you shouldn’t even try. But if they like your blog posts they will share it and eventually that will end up in front of fantasy readers.

How (You Go About Guest Blogging)

Okay, now this is the hard part.

There are many experts that will explain how to find guest posting opportunities by searching for the relevant keywords in Google. Or, they might direct you to sites where blog owners create listings to ask for guest bloggers.

Either of these approaches will help you find opportunities, yes, but they are absolutely the wrong approach for authors. Remember, the long term goal is to find readers and fans, and you can’t accomplish that goal if the post never ends up in front of the right audience. That’s why you should not use a scattershot technique and submit a guest blog post just anywhere; the more effective technique is to only submit posts to sites where your potential audience will find them.

Finding the right site, and then figuring out what they want you to write, now that is the hard part. (As soon as I have this nailed down, I will tell you.)

What you’re going to have to do is, in the words of one marketer I know, “lovingly stalk” your readers.

You need to find out what sites they visit, where they get their news, and generally what they are doing online. Twitter is a great way to find this info – if you have a lot of followers. Or, if you read the same types of books as your audience, you can examine your web activities (this type of introspection is not easy).

If all else fails, you can always invite one of your beta readers out for coffee and ask them what they’ve been reading online lately.

Once you have that list of sites, cull all the sites that don’t accept guest posts, and then start lovingly stalking the sites you want to work with. You need to identify where your abilities and their needs intersect so you can craft a killer blog post and get it accepted.

When (Your Post Has Been Published)

Congratulations on getting published; that was quite the accomplishment, but your work isn’t done.

After your guest post is published, you need to hang out in the comment section and answer questions from readers. You should also help promote your guest post by sharing it on social media.

If the post does well and brings you a lot of new readers, you should talk about future guest posting opportunities with that blogger. If you have the time and energy, you should develop ongoing relationships with the more popular sites.

Further Reading

  • Why You Suck at Guest Blogging (and What The Pros Do Differently) (Smart Blogger)
  • How to Use Guest Blogging to Promote Your Book (Jane Friedman)
  • 8 Old-School Blogging Tactics That No Longer Work (Smart Blogger)

image by ThoroughlyReviewed via Flickr

Pearson Closes DRM-Free eBookstore, Will Delete All eBooks From Customers' Account

Pearson has just informed its customers that it is shunting down its ebookstore at MyPearsonStore.com, and that it will be deleting purchased ebooks by 30 April 2018.

While the ebooks don’t have encryption DRM and thus could be regarded as DRM-free, Pearson does use digital watermarks to invisibly identify the buyer of the ebook.

I am still seeking confirmation from Pearson, but my source, Axel Rauschmayer, writes that he:

Bought DRM-free ebook “Effective JS” a while ago. Now Pearson tells me:

  • They’ll remove it from my account
  • To rub it in, they let me know they still offer it on another platform

Very disappointed. Not surprised that Amazon and DRM are winning for ebooks.

To be honest, I have trouble summoning sympathy. Yes, Axel is going to lose access to the cloud copy, but the ebook he bought will continue to work after April 2017, and he didn’t have to break any laws to make that happen.

In comparison to the closure of Fictionwise, when many thousands of customers lost their purchases, or when Google bricked the Revolv smart hubs, or Amazon when it shut down its pre-Kindle bookstore, this story is less a tragedy than a reminder of why one should always have a local backup.

PublishDrive Releases a Pronoun Importer

Everything is up in the air this week following the Pronoun closure. Authors are scrambling to find a new distributor, and PublishDrive is stepping into the gap.

They’ve announced on their blog that they have developed an importer feature that can take the export ZIP file supplied by Pronoun and automatically upload the files for distribution through PublishDrive.

We are sorry to see an innovative competitor go: competition drives the industry to provide better service and keep improving. However, we understand that authors are frustrated and worried. These are bad news, especially before Christmas: losing your reviews and rankings sounds awful just before the most important sales period. There is a lot of confusion: should you remove your books from sale already? Do you need a copyright statement to confirm your rights?

PublishDrive is here to make migrating your books easier. Our development team was busy this week working on an import tool for former Pronoun authors. You upload your ZIP file and we do the switch, keeping your reviews.

PD also said that they had confirmed that reviews posted on bookstore retail sites will transfer to the new copy of the ebook distributed by PublishDrive at Nook, Kindle, Play Books, and in OverDrive supplied stores (but not Kobo).

That detail is particularly important given that the consensus among authors was that the chance of keeping the reviews was a crapshoot at best; we know that Amazon could transfer the reviews upon request, but Charles Babbage only knows whether the other retailers could do the same.

You can find out more on the PD blog.

image by quinn.anya

Harry Potter Coming to the Real World via the Magic of Augmented Reality

Harrry Potter is about to get the Pokemon Go treatment.

Niantic Labs, the Google spin-off that developed the  Pokemon Go augmented reality game, has announced they have a deal with Warner Brothers to produce a game called Harry Potter: Wizards Unite:

We’re incredibly excited to announce this next step in the evolution of AR mobile entertainment. With Harry Potter: Wizards Unite, players that have been dreaming of becoming real life Wizards will finally get the chance to experience J.K. Rowling’s Wizarding World. Players will learn spells, explore their real world neighborhoods and cities to discover & fight legendary beasts and team up with others to take down powerful enemies. We’re thrilled to partner with Warner Bros. Interactive Entertainment, and WB Games San Francisco’s development team to bring this magical and beloved series to life in a brand new way. Harry Potter: Wizards Unite will leverage the full stack of the Niantic Platform while also providing an opportunity to pioneer all new technology and gameplay mechanics.

We look forward to seeing you outside on your next adventure. Stay tuned to our social channels for updates as we work to bring this game to life.

David Haddad, president of Warner Bros Interactive Entertainment, said: "With Portkey Games, we are thrilled to answer the fans’ requests for more games inspired by J K Rowling’s Wizarding World. We are working with talented creators to build games that focus on player-generated stories, which will live alongside the magical universe created by J K Rowling."

There’s no word on the price, release date, or game play, but I for one am hoping they will find a way to enable wizard duels. Casting spells is fun and all, but playing against another wizard would be better.

Google Is Now Accepting Indie Authors into Play Books (Sometimes, And Only If You Ask Nice)

When Google closed its publisher portal two and a half years ago in response to massive ebook piracy, they said the move was temporary so they could "improve our content management capabilities and our user experience". Google has never fully reopened the portal to new signups (existing users continued to have access) but reports are coming in that the portal has briefly reopened on a couple occasions, and that Google is accepting indie authors on a case by case basis.

There’s an ongoing discussion on KBoards about Pronoun shutting down. After hashing out the causes of the shutdown, the thread soon turned to finding replacements so authors could get their books into retailers.

Google Play Books was an especially hot topic given that only a few distributors could place a book there (PublishDrive, Ebook Partnership, StreetLib, to name a few). I was very surprised to read this comment on Google’s publisher portal:

I can’t give you specifics, but they have opened it at least twice this year. Both times it’s been talked about here. And IIRC, it’s been for short periods of time, as in hours, not days or longer.

I have yet to confirm that Google has had periods of open enrollment, but there are numerous reports that Google is letting authors sign up for a waiting list, and then granting them access to Play Books after a brief background check. For example:

For those who used Pronoun for Google Play, I highly recommend contacting Google Books and telling them the situation. I contacted them yesterday morning, received an email slightly less than 24 hours later with a link to fill out the Interest Form.

So, I filled out the form this morning with the hope that I’d get put on their "waiting list" and then get an invitation in a few months. Well I just got the invitation, less than 12 hours after filling out the form!

It may be a little extra work to get an account there, but it’s clearly worth it to try.

That is just one of several similar reports I have found, so apparently this portal is not as closed as it would appear.

Google had a massive piracy problem at one time (it was about as huge as Kindle Unlimited’s ongoing issue with scammers). It looks like Google’s solution is to vet each applicant and only accept the ones that demonstrate their legitimacy.

Approving users one by one is a lot of work, but it seems there is no other option. Neither Google nor Amazon have found algorithmic solutions to their respective piracy and scammer problems, which means they may have no other choice but to have a real person deal with the problem.

Tolino Launches a Very Limited eBook Subscription Service, Tolino Select

This got little attention in the English-language press, but Tolino launched a new marketing effort last month at Frankfurt Book Fair.

It is being likened to Kindle Unlimited, but Tolino Select is far more limited than a Netflix-style reading service.

The way it works is that subscribers pay 10 euros per month to choose from a selection of 40 discounted titles. The selection changes each month, and subscribers can get up to four titles each month for the ten euro fee.

They’re not buying the ebooks, though; subscribers just get to read the ebooks so long as they continue to pay the monthly fee.

That’s not a very good deal for readers, and the terms offered to indie authors are almost as bad.

Indies Go German reported last month that the most an indie author could make was half a euro per borrow:

Indie authors are welcome to submit their books to the Tolino Select team. Simply contact them by mail or through this online form. To have a chance, your book needs to fulfill certain requirements:

  • No anthologies, only complete works
  • Books of at least 150 pages
  • Needs to cost at least 2.99 Euro for the duration of the enrollment
  • Must be available (published) at least 2 weeks before the start of enrollment
  • Must be distributed via Tolino Media

What’s in it for you?

If your book is chosen to be featured in Tolino Select you will receive 0.25 Euro per borrow (for prices below 4.99 Euro) or 0.50 Euro (for prices above 4.99 Euro). But ONLY if the book has been published less than 12 months ago. Older titles don’t receive any payout (but can also be submitted, of course).

If selected, your book is going to be featured next to traditionally published books, which means higher visibility. In addition, each borrow will be counted as a sale, so your book can rise in the sales charts. For first books in a series, this might work well to drive sales to the other books.

Out of 10 euros per month, Tolino is keeping eight and paying out two (at best).

What a racket.

Audible Launches Chinese-Language Site

The Amazon-owned service has been selling Chinese language audiobooks for several years now, and today it updated its service to more fully support the language.

According to the announcement, there’s a new section of the Audible website that is in Chinese.

Audible, Inc., the world largest seller and producer of downloadable audiobooks and other spoken-word entertainment, today announced the launch of Audible in Chinese, a tailored listening destination where US and other international Chinese-speaking audiences can discover Chinese audiobooks and audio dramas on audible.com.

The Audible in Chinese catalogue at launch comprises over 300 audiobooks and audio dramas in Mandarin and will grow to include many more over the coming months. A dedicated landing page (www.audible.com/chinese) houses a curated content library featuring best-selling contemporary mysteries and thrillers, romances, classics, children’s titles, Chinese translations of popular English content, Chinese language learning materials and other categories, as well as helpful text and video guides for Chinese-speaking customers. Among the titles available today are ??? – ??? (Candle in the Tomb), ???? – ???? (Scarlet Heart), and ??? – ??? (Journey to the West). ????? – ????? (Classic Nursery Rhymes) is also available as a special free download.

Coincidentally, the listing for  the Chinese language audiobooks on the Audible UK site only shows 42 titles. Do you suppose that is  license issue?

“Audible.com currently offers content in 38 languages, and I am excited to extend our catalogue to include Chinese in such a dedicated way,” said Audible Chief Content Officer Andy Gaies. “For the first time, Chinese-speaking audible.com customers can now explore and enjoy a diverse library of authentic content. Through these incredibly produced titles, Audible can now offer the tens of millions of Chinese speakers outside of China compelling listening experiences.”

 

Pronoun’s Crazy-As-F*** No-Cost Distribution Service is Shutting Down

For the past couple years one of the more confounding questions in publishing was how Pronoun could afford to keep distributing ebooks without taking a commission or charging fees.

It turns out that it cannot.

Pronoun just informed users via email that the service is shutting down.

Two years ago Pronoun set out to create a one-of-a-kind publishing tool that truly put authors first. We believed that the power of data could be harnessed for smarter book publishing, leveling the playing field for indie authors.

We are proud of the product we built, but even more so, we’re grateful for the community of authors that made it grow. Your feedback shaped Pronoun’s development, and together we changed the way authors connect with readers.

Unfortunately, Pronoun’s story ends here.

While many challenges in indie publishing remain unsolved, Macmillan is unable to continue Pronoun’s operation in its current form. Every option was considered before making the very difficult decision to end the business.

As of today, it is no longer possible to create a new account or publish a new book. Pronoun will be winding down its distribution, with an anticipated end date of January 15, 2018. Authors will still be able to log into their accounts and manage distributed books until that time.

For the next two months, our goal is to support your publishing needs through the holiday season and enable you to transition your books to other services. For more detail on how this will affect your books and payments, please refer to our FAQ.

Pronoun was a singularly unique startup in that it encapsulated almost every way you can’t make money in the book industry.

It launched in 2009 as Vook, a publisher of enhanced ebook apps. When that market proved unpopular with consumers, Vook expanded into making enhanced ebooks for Kindle and iBooks (after the platforms gained support in 2010). When that didn’t work out,  Vook pivoted to making enhanced ebooks as a service.

And when that didn’t pan out, Vook pivoted to being a distributor of ebooks.

Then Vook rebranded and relaunched in 2015 as Pronoun, picking up new capital in the process as well as a new model: no-cost distribution. That sounded crazy, yes, but Pronoun insisted they were making their money from building platforms. "In addition to offering free services to thousands of authors, Pronoun also powers the publishing programs of large media companies like The New York Times, Forbes, and Fast Company, who are paying partners," I was told.

Apparently that worked well enough for Macmillan to acquire Pronoun in May 2016, but not well enough for Pronoun to continue operating.

And so after 18 months of finding out it can’t survive as a subsidiary to a Big Five publisher, Pronoun is shutting down for good.

Thus ends one of the more unusual publishing startups.

I’m going to miss Pronoun. For one thing, it was nice to have someone in the room that was crazier than me, but more importantly I am going to miss Pronoun’s formatting service.

They had a free automated conversion tool that made absolutely beautiful ebooks. They were nicer-looking than most ebooks made by people.

One can only hope this tech will show up somewhere, at some point.

 

Google Play Store to Sell Audiobooks?

Google doesn’t sell a lot of ebooks, and pretty soon they will also not be selling a lot of audiobooks.

Android Police pulled part the latest version of the Play Store app and found references to audiobooks in the code.

Back in 2012, the Android Market was rebranded to the Google Play Store, and in the process it brought the stores for books, music, and movies under one roof – TV shows and magazines (later renamed Newsstand) were added later. Now a new product category is about to go up for sale: Audiobooks.

Actually, audiobooks probably won’t be treated as a different category, rather another buying option to exist side-by-side with e-books. If you’re looking at an ebook that has an audiobook counterpart, a label will point out that the other format is available with a button to switch to that option, and vice versa. Most audiobooks will obviously have a price tag on them, but there will be some freebies, as well.

…

There aren’t very many strings here, nor are there any dedicated layouts related to audiobooks, which suggests they’re probably not going to launch with this version of the Play Store. Even if you could begin buying audiobooks tomorrow, there’s not really a good app for playing them. Play Music supports podcasts, which are at least similar, but that experience is still missing quite a bit and it’s nowhere close to suitable for audiobooks. Perhaps we’ll see this responsibility go to Play Books, or maybe a new app is on the horizon.

The closest that Play Books comes to audiobooks is a rather mechanical-sounding TTS feature where the text is automatically read aloud.

Audiobook support is very different, but it remains to be seen when or how Google will implement this feature.

image by ActuaLitté

Atlanta to Get Second Amazon Books Store in Southeast US

There’s been no official word yet from Seattle, but local sources are reporting that Amazon’s sixteenth bookstore will be opening in a mall in Atlanta.

Atlanta will soon be getting its first Amazon Books store as the company continues to expand it’s brick-and-mortar retail experiment.

The Atlanta Business Chronicle reports that the store, estimated to be about 5,000 square feet, will be the first in the Southeast and that nearly $1.5 million will be invested into the build-out at Lenox Square.

The first store opened in Seattle in 2015 and was followed by 10 more. The Chronicle reports that the company has plans for as many as 400 more locations.

After the Amazon books in Georgetown, this will be the second Amazon Books in the Southeast.

Coincidentally, this is going to be Amazon’s second retail store in that mall; they also operate a pop-up store, Amazon’s misleading label for a permanently installed electronics store that sells Amazon’s gadgets.

According to their site, Amazon now has 52 pop-up stores (not counting the locations in Kohl’s dept stores). Some are seasonal but most are permanent locations.  The pop-up closest  to me, which is located in Tyson’s Corner, has been there for a couple years now.

Working solely from the number of locations, Amazon now owns one of the largest chain of electronics stores in the US.

Audible Launches an "All-You-Can-Listen" Romance Service

Audible launched its second unlimited listening service today. The first one was in Japan, but this time the service is in the US and focused on the romance market.

Audible Romance costs $15 a month ($7 a month for KU or existing Audible subscribers) and offers access to 10,000 titles.

From PW:

According to Cynthia Chu, Audible CFO, “Audible Romance makes binging on romance content possible at an affordable price-point," while also making it easier to find the material they want. Listeners can explore 41 micro-categories and roughly 130 story and character tropes to seek out a broad variety of themes like romantic thrillers or small town romance. And each micro-category has its own browse page that contains audio samples. “Customers can head straight towards exactly what they’re looking for, and then discover new stories within those categories that they never would have otherwise found,” says Chu.

Audible Romance features two new technological innovations to enhance the browsing experience. Take Me to the Good Part allows customers to go directly to the ‘good part’ of an audio program. Chu explains that Audible editors designed this feature by identifying 10 portions of books that “romance fans find most memorable—first encounter, flirty banter—and then machine learning technology actually finds those parts of the books and allows listeners to go straight to them.”

Listeners can also search for an audio program based on its Steaminess Score, represented by an illustrated meter that ranks titles on a one-to-five scale labeled Sweet, Simmering, Sizzling, Hot Damn, and O-O-OMG. The company’s data science team powers this feature with an algorithm developed by Audible that scans for keywords that are “steamy” markers drives this feature