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Nate Hoffelder

Nate Hoffelder

The Ten Lost Letters of the English Alphabet (video)

Here’s a fun and useful video for anyone trying to read historical documents or trying to write historical fiction.

As everyone who has heard the song can attest, English has 26 letters. But what few people know is that it used to have far more characters. The following video explains ten of the characters that have been dropped form English, including for example thorn, the ampersand, and the "long s".

Everyone knows the ampersand, and you also know the thorn – you just didn’t know its name. Thorn was a symbol representing the Th sound, and was frequently displayed as a "Y", so all those businesses called "Ye Olde This or That" actually have a name that should be pronounced as "the old this or that".

And then there is the "long s". If you have read old documents (such as the Declaration of Independence) you may have noticed that some words appeared to use an "f" in place of an "s". Congrefs was one example, only that wasn’t an "f" in the original document – that was a long s.

This is a fun video, but it’s not completely correct – at least one of these letters is still in use even though it has been dropped from virtually all keyboards and font sets.

Speaking of videos, do you know what would also make a good video? A list of letters that were late additions to English.

The letter "j", for example, was still not commonly used as late as 1800. It had only been added to English a couple hundred years before, and many words spelt with a J could also be correctly spelt with an I.

This is part of the reason why Washington DC has no J Street, and why I and J are placed next to each other in the alphabet.

Scholarly Kitchen

How Do I Borrow a Book From the Kindle Owner’s Lending Library?

The Kindle Owner’s Lending Library is one of the lesser known benefits of Amazon Prime where Kindle-owning Prime members can borrow a free ebook each month from a catalog of over 1.7 million titles.

This benefit is also available to Fire tablet owners, but it can be hard to find. Amazon explains Kindle Owner’s Lending Library features on its website, and also lists the available ebooks you can borrow through the KOLL, but you can’t actually use the service through Amazon’s website.

You can only borrow a book in the Kindle Owner’s Lending Library from your Fire tablet or your Kindle.

I recently helped a reader find out why they couldn’t access KOLL, so here is a refresher for those who have not used KOLL in  awhile or may be completely unaware of this freebie feature because Amazon promotes paid services like Kindle Unlimited instead.

The Kindle Owner’s Lending Library started with only around five thousand titles and is currently at over 1,780,000 Kindle ebooks, according to my Kindle’s all-categories display for the lending library.

You can read one Kindle ebook from the KOLL per calendar month, without dealing with waiting times or due dates, but the only way to do so is from your Kindle or Fire tablet.

How you find KOLL has changed over the years as Amazon updated software and released new models. Older models running older software don’t have the same navigation process as later units, but the general steps should be the same.

Here’s how I accessed KOLL on my Paperwhite 3 and late model Fire tablet.

Kindle

After I turn on my Kindle and navigate to the home page, I press the "cart" symbol on the menu bar. Once in the Kindle Store, I select the "three dot" menu option, ans then select KOLL from the drop down menu.

This takes you to a page that defaults to showing all the titles in KOLL. If you select the "Refine" option you can drill down to specific categories.

Fire tablet

It is a lot harder to explain where to find the Kindle Owner’s Lending Library on the Fire tablets due to the significant menu changes Amazon made with each major firmware update, but if you keep looking you will find it.

Turn on your Fire tablet, then navigate to the Books menu, and select the option to visit the Kindle Store.

The next step is to open the menu and select the option for KOLL, but the location of that menu varies from one Fire tablet to the next.

On my mother’s really old Kindle Fire 8.9, the menu was on the front page of the Kindle Store along the right edge of the screen – I just had to scroll down to find it.

But on my late model Fire tablet, I had to swipe my finger from the left edge of the screen to open the menu, and then scroll down to find the option for KOLL.

Where do you find the Kindle Owner’s Lending Library on your Fire tablet?

Libre Office 6.0 Now Makes Epub eBooks

The open source office suite Libre Office gained support for exporting Epub files yesterday in its 6.0 release.

LO Writer exports PDF, of course, but now also Epub:

New filters for exporting Writer documents to ePub and importing QuarkXPress files have also been added, together with an improved filter for importing EMF+ (Enhanced Metafile Format Plus) files as used by Microsoft Office documents. Some improvements have also been added to the ODF export filter, making it easier for other ODF readers to display visuals.

Before this update your only option was to either export a DOC file and make the Epub ebook elsewhere or use an extension like Writer2Epub (which never worked very well for me).

Generally I made PDFs in Libre Office, not Epub, but then again I usually worked with non-fiction content like office documents and business paperwork.

P.S. Here are 14 other apps and online services that will help you make ebooks.

PocketBook 740 Features a 7.8″ Screen, Dual-Core CPU

Amazon lead the market in powerful plus-sized ereaders with the new Kindle Oasis, and now Pocketbook is following suit.

On Tuesday this Ukrainian ereader maker launched the PocketBook 740, a 7.8″ ereader that features a new cloud service called PocketBook Cloud for synchronizing books and settings between the 740 and PocketBook’s smartphone apps.

This ereader also has an unnamed dual-core 1GHz CPU which reportedly makes it 40% faster than previous models. It also has 1GB RAM, 8GB internal storage, a microSD card slot, Wifi, and a smartcover.

The 7.8″ Carta E-ink screen has a resolution of 300 ppi (1404 x 1872 pixels), and the 740 is also equipped with a capacitive touchscreen and a color-changing frontlight. Weighing only 210 grams, this ereader measures 195 x 136.5 mm and has a thickness of only 8 mm.

This is a tempting ereader, especially when you consider the price. The Pocketbook 740 costs 14999 rubles, or $266 USD. That is only slightly more than the $249 price of the new Kindle Oasis.

Pocketbook.ru

Free Epub Accessibility Checking Tool "Ace" Launched

Do you wonder whether the Epub ebooks you publish are accessible to the visually disabled?

Then you might be interested in the new accessibility checker from the DAISY Consortium.

Designed to assist content providers at any stage in their workflow, Ace by DAISY will make it easier to produce higher quality, more accessible EPUB content files that meet internationally recognized standards.

The Ace tool performs a variety of automated checks to assist in the evaluation of conformance to the EPUB Accessibility Specification and against the rules defined in WCAG and ARIA, producing a list of violations that need fixing. It also extracts data visualizations to aid the manual inspection process. Ace can be used as a standalone tool, or can be integrated as a component in broader publishing workflows or authoring processes.

“This is the tool which the industry needed to fully embrace the accessibility functionality which we’ve embedded into the EPUB 3 specification. We can now collectively move forward in producing content that enables the very best of reading experiences for all readers, reaching a bigger audience as well as meeting our legal and moral obligations.” George Kerscher, Chief Innovations Officer, The DAISY Consortium and Steering Committee W3C Publishing Business Group

Ace only runs on the command line, and you can download it here.

image by s1ng0 via Flickr

 

 

Bookeen Partner Carre-Four Shut Down its eBook Division, Nolim

The French retailer CarreFour is getting out of the ebook business.

Actualitte reports that CarreFour has fired 2,400 as part of a company-wide restructuring. It has decided to end a number of projects, including the ebook service it had started in 2013 as well as its ebookstore, the Nolim Store, and a video on demand service launched around the same time.

Carrefour has launched several ereaders under the Nolim brand, including a 6″ model released last May. There’s no information on the number of units sold.

The ereader market in France is largely dominated by Amazon and Kobo, with smaller ereader makers such as Onyx and Pocketbook trailing.

There’s no recent stats on ebook sales in France, but the top 3 ebook retailers are probably Amazon, Apple, and Kobo (through its partnership with Fnac).

Google’s Support for Audiobooks is Frustrating and Disappointing

Google started selling audiobooks several days ago. If you haven’t tried them yet, that is okay because you are better off avoiding Google in favor of a retailer that cares about selling audiobooks and actually invested time in providing a good experience.

For starters, the Play Store website itself is pretty basic, with zero sorting options (like price or publication date) for audiobooks. You’re stuck with Google’s idea of the best way to discover a new title, or you are welcome to leave.

As for listening to audiobooks, you can technically listen to an audiobook in the Play Books app – if you can find the audiobook first. I have updated the Play Books app, but on my older Android phone there is no mention of audiobooks anywhere. (I can play audiobooks on the phone, yes, but they are not shown anywhere in the library.)

According to a friend, there is supposed to be a tab for audiobooks:

When I first opened it, there was no "My Audiobooks" or anything, that only showed up after I bought a book. It works, but it looks like the minimum possible work went into the whole thing. On the web, again, there isn’t a "My Audiobooks" section, I had to go into the page for the book I bought, where "Buy" became "Play".

The only way I can play an audiobook is on the notifications pulldown screen.

Edit: And after I rebooted my phone in the hopes that the new features would appear, that option vanished. So now I have an audiobook on my phone and no way to play it.

Edit: And it turns out I can’t store audiobooks on my SD card, which means I will only be able to carry one or two audiobooks at best on my phone’s limited internal storage.

Before anyone jumps into the comments to blame my problems on my old phone running an old version of Android, I’d remind you that there are still a lot of older Android smartphones out there ruining old OS versions, and judging by my experience those older phones don’t really support the new audiobooks.

If Google isn’t supporting older phones then the user experience is going to be pretty awful for most people. They would be better off using Audible or another app made by a company that cares about selling audiobooks.

Google clearly does not.

Walmart Now Kobo’s Retail Partner in the US, Will Sell Kobo eReaders in Store

Back during the hot years of the ebook market Walmart sold first Sony, and later Kobo and Kindle ereaders in store, but that went away as the ereader market shrank.

Thanks to a new partnership between Rakuten and Kobo, that is about to change. On Thursday Walmart and Rakuten announced a strategic partnership that makes Walmart Kobo’s official partner here in the US:

As part of this alliance, Walmart will become Rakuten Kobo’s exclusive mass retail partner for the Kobo brand in the U.S., offering Kobo’s nearly six million titles from thousands of publishers and hundreds of thousands of authors to Walmart.com customers. Walmart.com will offer eBooks and audiobooks for sale later this year. Walmart will also sell digital book cards in stores, enabling more than 4,000 stores to carry a broader selection of books for customers.

All eBook content will be accessible through a Walmart/Kobo co-branded app available on all iOS and Android devices, a desktop app and Kobo e-Readers, which will also be sold at Walmart later this year.

Walmart is stepping into a role empty since Border went bankrupt in 2011. While Kobo has previously had US retail partners, including Indiebound and Family Christian Stores, they did not get the privilege of  co-branded Kobo apps (just the financial benefit of a cut of ebook sales in exchange for selling Kobo hardware).

For what it is worth, Walmart gets the ebook app under its own brand. Given Kobo’s negligible share of the US market, that won’t be worth a lot of money, but it is at least an egoboost.

BTW, according to the press release, "Walmart will also sell digital book cards in stores".  I checked with Kobo but they aren’t sharing any details on that just yet.

Given that Walmart Canada’s ebook gift cards failed to catch on and that several similar efforts (including Amazon’s) in the US also fizzled, it isn’t clear why Walmart is trying again.

Nor do we know who is providing the cards or how they will work. All I was told was that they will be cards you can "redeem for a specific book".

We’ll find out more as the launch day approaches.

Bloomberg: Apple Changing the Name of iBooks to Books Means a New Fight in the eBook Market

Bloomberg is making a mountain out of a molehill over an upcoming change to one of Apple’s apps.

Someone over there heard that Apple is updating iBooks and changing its name, and somehow became convinced that "Apple’s Getting Back Into the E-Books Fight Against Amazon".

Apple is ready to take on Amazon in the digital book market again, years after regulators forced the iPhone maker to back down from an earlier effort to challenge the e-commerce giant’s lead.

Apple is working on a redesigned version of its iBooks e-book reading application for iPhones and iPads and has hired an executive from Amazon to help.

The new app, due to be released in coming months, will include a simpler interface that better highlights books currently being read and a redesigned digital book store that looks more like the new App Store launched last year, according to people familiar with its development. The revamped app in testing includes a new section called Reading Now and a dedicated tab for audio books, the people said.

Apple released an early version of its iOS 11.3 mobile operating system update to developers on Wednesday, providing a hint that the new e-books app is on the way. The app is now simply called "Books," rather than "iBooks," according to the update.

While the new changes are cool and all, the only thing they signal is that Apple has released a periodic update to iBooks. It has been two years since the last major update to iBooks, so the app was past due for a refresh.

Yes, Apple is making a big push to increase revenue for content sold on its devices, but that is not the same as saying Apple is competing in the ebook market again.

Before you can make that argument you will need to show me the Apple Books app for Android. Or, show me Apple hyping the Apple Books app on its next media event.

Without a major shift in Apple’s behavior to back up Bloomberg’s premise, they might as well be working from the blink patterns from Tim Cook’s last interview.

Next!

image  by kennymatic

 

It’s Official: Createspace to Stop Providing Publishing Services This Spring

Createspace is now telling authors the same thing I was the first to report you last week: The company will no longer provide editorial, formatting, design, and other services.

They sent an email yesterday to current clients, informing them of the upcoming change:

You recently completed a design service with our CreateSpace Services team. We’re emailing to inform you that we’ll no longer offer or fulfill any paid professional services, including text or design changes to your cover or interior files. If you want to make changes to your design files, those changes must be purchased and submitted no later than March 15, 2018, and completed by April 20, 2018. No changes can be made to these files after April 20, 2018.

…

This change does not impact the availability of published titles. Amazon remains committed to helping authors realize their goals through self-publishing high quality books. Visit CreateSpace or Kindle Direct Publishing to learn more about the tools and resources available to authors.

These services were not widely used, but Createspace  did maintain a high standard. Several authors chimed in on last week’s story, describing Createspace’s service as expensive but prompt, thorough, and high quality.

Thanks, Joe!

image by Matt Hampe

Internet Archive Responds to Coverage of Its eBook Piracy With "Good Works" Defense

It has been some two weeks since the SFWA identified the Internet Archive’s decade-old Open Library as a pirate site, and around a month since the UK Society of Authors and The Authors Guild reached a similar conclusion, and the Internet Archive is finally ready to respond.

Sort of.

On Thursday Brewster Kahle published a post on the Internet Archive’s blog that in an indirect way was a response to earlier press coverage. Kahle  didn’t post an apology, or a legal argument defending the Open Library.

Instead he posted what could best be described as a "good works" defense. He opened with:

Many people think of the Internet Archive as just the Wayback Machine or just one collection or another, but there is much more.  For instance, books!

As a nonprofit library we buy and lend books to the public, but we do even more than that. Working with hundreds of libraries, we buy ebooks, digitize physical books, offer them to the print-disabled, and lend books to one reader at a time, all for free via archive.org and openlibrary.org.

Kahle then went on to talk around the piracy issue presented by the Open Library:

Starting 10 years ago the Internet Archive began digitizing modern books, mostly from the 20th century,  for access by the blind and dyslexic. Those that are certified disabled by the Library of Congress get a decryption key for accessing Library of Congress scanned books. This key can also decrypt digitized books available on archive.org. This combined with special formats for the blind and dyslexic of the older books has brought millions of books to people that have had difficulty in the past. We are working to make these books more available to these communities in other special formats.

[pointless technical verbiage deleted]

[more pointless technical verbiage]

[and still more pointless technical verbiage]

Many of the books in our collection are books that libraries believe to be of historical importance such that they do not want to throw them away, but are not worth keeping on their physical shelves. The digitized versions are therefore made available to a single user at a time, while the physical book no longer circulates. Since the books which are lent using the controlled digital lending technologies are limited to one reader at a time, it works best for “long tail” books, books that are not available in other ways. Fortunately, many of these books are wonderful and important and we are proud to bring them to a generation of digital learners who may not have physical access to major public libraries.

That paragraph is as close as Kahle has come to making a public statement on the piracy issue. To the best of my knowledge, neither the IA nor Brewster Kahle have publicly commented on this issue since it gained wider attention in December, nor have they shown any sign that they plan to do so.

Apparently Kahle is hoping that so long as he makes claims like the following, this whole thing will blow over.

When a rights holder wants a work that was uploaded by a user taken down, a well known “Notice and Takedown” procedure is in place. The Internet Archive takes prompt action and follows the procedure, generally resulting in the work being taken down.

Victoria Strauss would dispute his use of the word "prompt":

Just read it. "The Internet Archive takes prompt action", it claims, on DMCA notices. I’ve sent two so far, for one of my in-print, easily-available, 21st century books that they scanned & digitized–on Jan 1 and Jan 9. No response whatsoever from IA.

She is not the only author to find their in-print books available through the Open Library.

Contrary to Kahle’s claim that "Many of the books in our collection are books that libraries believe to be of historical importance", when I searched earlier this month I found any number of books in the Open Library that were available commercially as either print or digital, and a number of authors have also reported finding their books in the Open Library.

So while the  Open Library may have started as an altruistic endeavor, it is clearly one that is on the wrong side of the law.

Frankly, there’s no place for this story to go other than for Kahle to admit the Open Library was a pirate operation and close it before he squanders what little good will the Internet Archive has left.

image by blmurch

B&N Press Pays a 65% Royalty on All eBooks Priced Over $2.99

As I reported yesterday, B&N has rebranded its publishing portal and is now calling it Barnes & Noble Press (because apparently Titanic was already taken).

This is really more of a relaunch on a new platform (see the note later in this post). The new and updated features of the platform include:

  • Additional trim size options for POD books
  • 65% royalties on ebooks priced up to $200 (two hundred dollars, the max price allowed)

Also: "Barnes and Noble Press also continues to give qualified authors the opportunity to apply for signings and events at Barnes & Noble bookstores, as well as giving select authors the opportunity to sell their books in stores."

Given that B&N doesn’t sell a lot of books any more, it’s not clear what value authors can derive from that other than as an ego boost.

In any case, I checked the new site’s portal and noted the following warning:

Starting 1/23 we will begin migrating accounts to the new platform. There will be a staggered rollout over the next 3 days, so you may not see all of your projects on the new platform until the migration is complete. Users who login to the current NOOK Press site will be automatically redirected to the new B&N Press website once their account and projects have been fully migrated. Books available for sale on BN.com and NOOK will not be affected, and will remain on sale throughout the process.

If you do have book projects in progress in Nook Press, it might be best to let them sit for a few days so that the dust can settle.

Barnes & Noble to Rebrand Nook Press as B&N Press

You can’t see any sign of it online yet, but B&N is in the middle of slapping a new coat of paint on its publishing portal.

Several authors over at KBoards have reported receiving the following email:

Dear Publisher,

We are thrilled to announce the re-launch of our self-publishing platform branded under the new name, Barnes & Noble Press. You will note that we have combined our eBook and print on demand platforms into a single experience and incorporated the brand change to reflect our close alignment with our retail stores.

With the new Barnes & Noble Press platform you will be able to sign in to a single website to create and manage your eBook and print books all in one place. Other highlights include: an increase in the royalty rate (65%) for eBooks priced $10 and above on all copies sold, and the ability for authors to set eBook pre-orders 12 months in advance. On the print side, we have added additional trim sizes, glossy cover options (in addition to matte), and less expensive color printing options.

Starting today, we will begin migrating accounts to the new platform. There will be a staggered rollout of the new site over the next three days, so you may not see all of your projects on the new platform until the migration is complete. Users who login to the current NOOK Press site will be automatically redirected to the new B&N Press website once their account and projects have been fully migrated. Books available for sale on BN.com and NOOK will not be affected and will remain on sale throughout the process.

We will be releasing new features over the next few months, and would love to hear what you think of the new site by emailing BNPressSupport (at) bn.com. Thank you for your continued support, and for publishing with Barnes & Noble and NOOK!

Sincerely,

The Barnes & Noble Press Team

This email must have come from someone who is very new at B&N, because B&N merged its print and digital portals fifteen months ago.

On the plus side, B&N is bumping the royalty rate on titles priced over $10 from 40% to 65%, and they are extending pre-orders out to a full year in advance of the publication date.

As for their POD service, it’s just not worth the bother. B&N Press only sells print books through the B&N website, and no place else. Createspace can also get your print book there as part of its expanded distribution option, so there is really no reason to bother with B&n’s POD service – unless they are significantly cheaper than the competition.

Are they?

Author Earnings Report (January 2018) Reveals Growing Indie Segment

As promised by your truly, the latest Author Earnings Report dropped yesterday. It covers the last 3 quarters of 2017, and unlike previous reports it is not based on a one-day snap shot but on a minute-by-minute study of the market.

The report also breaks down the market into more categories. For example, the new report shows that one of last year’s surprising trends was actually bad data resulting from insufficient granularity.

Remember that spike in “Small/Medium Publisher” ebook market share we reported, back in October 2016?

At the time, AE’s categorization of traditional publishers was way too broad: just one category for the Big Five, and one for everyone else. In our October 2016 report, when the non-Big Five traditional share of ebook dollars suddenly ramped up, we knew we needed to dig deeper. Now that we are able to differentiate the sales of 20 different types of publisher, the answer is crystal clear. The single category responsible for that late 2016 spike was Large Academic Publishers.

eTextbooks, in other words.

In Q3 2016, several of the largest academic publishers, frustrated with the growing competition from online sales of used print textbooks from previous years, began moving more aggressively into ebook sales. Their eTextbooks, while cheaper than new print textbooks, are on average 5x as expensive as trade fiction/non-fiction ebooks — leading rapid dollar market share capture. For 2017, ebooks from Large Academic Publishers–while only 1% of ebook units–captured a full 5.5% of ebook dollar spending.

A mystery back then, a one-click answer now…

So was self-publishing losing ground or gaining market share in 2017?

Throughout 2017, a frequent meme circulating in indie author loops was that self-publishing was hitting headwinds, and that self-published sales had slowed dramatically for “everyone.” Even the biggest indie stars of yesteryear were no longer pulling down what they used to, so times must be even tougher for everyone else.

A quick glance at the pie charts above reveal a different story. The indie share of the entire US ebook market, comprising the various blue wedges in the pies above, now looks like what the indie share of Amazon alone used to be, in our quarterly snapshots from previous years. In other words, far from losing ground, the overall indie market share has grown.

That is what DG told me on a couple occasions last year when I started getting worried about reports of a "mature" ebook market, and it is good to finally have data to back up his assurances.

Author Earnings Report

Author Earnings Report Grows Up, Becomes BookStat.com

For a period of about three years (2014 to 2017) the publishing industry was turned upside down by a pseudonymous market analytics expert called Data Guy. His quarterly Author Earnings Report painted a picture of the ebook market that showed just how much was missed by official sources like PubTrack Digital, Nielsen, etc.

But then early last year the Author Earnings Report site went dormant. All DG would say when queried was that he was working on a major update. That update is going to arrive later today in the form of a new more comprehensive Author Earnings Report that benefits from leveraging the far richer data feed from Data Guy’s company, BookStat.com.

For almost as long as DG has been releasing quarterly reports, he has also been consulting with publishers. Those consulting gigs grew into a company which now has a name and a website.

DG told me by email that he will be keeping a firewall between the two projects. "Bookstat.com is totally separate commercial business from Author Earnings, with an informal agreement to occasionally provide some aggregate data to AE on a pro-bono basis," he wrote. "Like Bookscan, Bookstat’s customers are generally businesses with at least $10 million in annual revenues, to be able to afford Bookstat.com yearly subscription fees."

ht to Mike Shatzkin

image by reynermedia