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How Many eBooks Do You Have on Your Kindle?

Last week’s post about packing books for a vacation got me thinking about how many ebook you can carry on an ereader.

The columnist in the Spectator may have struggled with keeping the weight down on vacation paper book library, but those of us who have taken up with the ones-and-zeros have no such limitations. One of the best parts about ereaders is that you can carry hundreds if not thousands of ebooks with you any where you go.

There’s no need to find the space required to store a library of paper books, no need to be concerned about clutter,  and no need to worry about leaving a book behind, never to be seen again.

The only concern is that you might run out of space, and even that won’t keep you up at night (unless your preferred format is PDFs).

For ereaders with card slots, that’s no problem at all; you can’t afford to buy enough ebooks to fill the highest volume flash storage. And even with ereaders like the Kindle which are limited to 2GB or 4GB of storage, that’s still not a serious issue; one early Kindle adopter showed us in 2008 that you could fit 10,000 ebooks on a 4GB SD card.

And that brings me to today’s questions.

How many ebooks do you have on your ereader? Have you found it hard to manage an ebook library with thousands of titles? Have you encountered any performance issues from having so many ebooks on the device at the same time?

image by jamjar

Buzzword Bingo: How Binded (Blockai) Says the Blockchain Will Protect Your Copyright, and Other Nonsense

Bitcoin and other pseudo-currencies are a hot topic right now, and startups are coming up with all sorts of ways to take advantage of the buzz by launching services which use buzzwords to hide the fact that they don’t actually do anything new.

Take Binded Blockai, for example. TNW tipped me to this startup’s claims that it is using the blockchain to protect creator’s copyright.

Edit: Blockai tried to escape the bad press by changing its name.

Here’s how Binded would have you think their service works:

  1. Create a piece of digital art, photo or anything that can be copyrighted.
  2. Register your copyright on the blockchain, a public ledger powered by Bitcoin. The record is permanent and immutable.
  3. Receive a registration certificate with cryptographic evidence that protects your copyright. You own the certificate forever.
  4. Share your creation with peace of mind. You have proof of publication that protects your copyright and copyright monitoring that alerts you when people are using your work.

While that sounds nice, it’s a complete load of hooey from beginning to end.

What Binded is doing is offering a 21st-century equivalent of a "poor man’s copyright" service.

Do you know that old wive’s tale about how you can mail yourself a manuscript as a way of showing when you created a work and thus protect your copyright?

The way it’s supposed to work is that the unopened mail provides documentation as to when a work was created. But as Snopes.com, the US Copyright office, or anyone with a gram of legal knowledge will tell you, the poor man’s copyright offers exactly zero protection against infringement (Snopes points out that this may not be the case in the UK, but I wouldn’t bet on it).

The same is true for Binded, its registry service, and the misleading claims about how much "protection" their service provides.

For example, on the very first page Binded asks creators:

Do You Know Who Is Using Your Art/Photos/Designs/Cartoons?

Claim Your Copyright For Free And Find Out!

One doesn’t need to "claim" a copyright with Binded; a creator has the copyright the moment a work is created/published/fixed in a permanent form. Again, that’s copyright 101.

Further down the page Bindedclaims that:

Most artists can’t afford to register and protect their copyrights. We’re providing a free alternative.

Except this free alternative has no legal basis as a copyright registration and does not protect anyone’s copyright.

Binded’s certificate won’t do you any good if you need to send a DMCA notice to a website, and it won’t help you if you need to file a lawsuit to protect your copyright.

You can’t use that certificate to send a takedown notice, and a lawsuit will go exactly nowhere without a formal copyright registration with the US Copyright Office (this applies to the US, but not necessarily all countries).

The only thing that Binded does which might have value is that they will search the web for copies of a registered work, but you can do that on your own with any search engine or use any of a hundred online services.

Edit: And as Alan Graham pointed out to me on Twitter, Binded’s claims in this area are just as much BS as the rest of their spiel. Binded says that they offer "copyright monitoring that alerts you when people are using your work", when in reality Binded can’t catch an image when used in a Youtube video or when it’s shared via a social network (which are encrypted).  So again, Binded is making promises they can’t keep.

In fact, the only noteworthy detail about Binded is that they are using the term blockchain as a buzzword. Aside from that, there is literally nothing new here.

Next!

Guest Post: Do Students Lose Depth in Digital Reading?

Do students learn as much when they read digitally as they do in print?

For both parents and teachers, knowing whether computer-based media are improving or compromising education is a question of concern. With the surge in popularity of e-books, online learning and open educational resources, investigators have been trying to determine whether students do as well when reading an assigned text on a digital screen as on paper.

The answer to the question, however, needs far more than a yes-no response.

Reading in print versus digitally

In my research, I have compared the ways in which we read in print and onscreen. Between 2013 and 2015, I gathered data from 429 university students drawn from five countries (the U.S., Japan, Germany, Slovenia and India).

The students in my study reported that print was aesthetically more enjoyable, saying things such as “I like the smell of paper” or that reading in print is “real reading.” What’s more, print gave them a sense of where they were in the book – they could “see” and “feel” where they were in the text.

Print was also judged to be easier on the eyes and less likely to encourage multitasking. Almost half the participants complained about eyestrain from reading digitally (“my eyes burn”), and 67 percent indicated they were likely to multitask while reading digitally (compared with 41 percent when reading print).

At the same time, respondents praised digital reading on a number of counts, including the ability to read in the dark, ease of finding material (“plenty of quick information”), saving paper and even the fact they could multitask while reading.

Measuring learning

But the bigger question is whether students are learning as much when they read onscreen.

A number of researchers have sought to measure learning by asking people to read a passage of text, either in print or on a digital device, and then testing for comprehension.

Most studies have found that participants scored about the same when reading in each medium, though a few have indicated that students performed better on tests when they read in print.

The problem, however, with learning-measurement studies is that their notion of “learning” has tended to be simplistic. Reading passages and answering questions afterwards may be a familiar tool in standardized testing, but tells us little about any deeper level of understanding.

Some researchers are beginning to pose more nuanced questions, including one scholar who has considered what happens when people read a story in print or on a digital device and are then asked to reconstruct the plot sequence. The answer: Print yielded better results.

Another aspect of learning is to see how outcomes differ when students are doing their reading in less prescriptive experimental conditions. One study let students choose how much time to spend when reading on each platform. The researchers found that participants devoted less time to reading the passage onscreen – and performed less well on the subsequent comprehension test.

This finding is hardly surprising, given the tendency so many of us have to skim and search when going online, rather than reading slowly and carefully. In my study, one student commented,

“It takes more time to read the same number of pages in print comparing to digital.”

Another complained,

“It takes me longer because I read more carefully.”

Critical thinking and reading

How does the learning question relate to educational goals? There is much buzz today about wanting students to be good at critical thinking. Definitions of that goal are elusive, but it’s pretty clear they involve being able to understand complex ideas, evaluate evidence, weigh alternative perspectives and construct justifiable arguments.

To become proficient in critical thinking – at least in a literate society – students need to be able to handle text. The text may be long, complex or both. To make sense of it, students cannot skim, rush ahead or continually get distracted.

So, does reading in print versus onscreen build critical thinking skills?

The comprehension studies we talked about earlier tell us little about the kind of reading we recognize as necessary for serious contemplation or analysis. An alternative approach, at least for starters, is asking students about their digital and paper-based reading patterns – much as physicians ask for histories (along with physicals and lab tests) to figure out what ails their patients.

While my own study didn’t directly measure learning, it did query students about their reading patterns and preferences. The responses to some of my questions were particularly revealing.

When asked on which medium they felt they concentrated best, 92 percent replied “print.” For long academic readings, 86 percent favored print. Participants also reported being more likely to reread academic materials if they were in print.

What’s more, a number of students indicated they believed print was a better medium for learning. One said,

“It’s easier to focus.”

Others stated,

“[I] feel like the content sticks in the head more easily” and

“I feel like I understand it more.”

By contrast, in talking about digital screens, students noted “danger of distraction” and “no concentration.”

Obviously, student perceptions are not the same thing as measurable learning outcomes. And my research didn’t probe connections between reading platforms and critical thinking.

However, a pattern did emerge: Print stood out as the medium for doing serious work.

Digital is convenient and cheaper

At the same time, we cannot ignore other factors impacting students' decisions about what reading platform to chose for school work.

Convenience is one big consideration: More than 40 percent of participants in my study mentioned convenience (including easy access to materials) as what they liked most about reading onscreen.

Money is another variable. Students were highly conscious about differential prices for print and digital versions of reading materials, with cost often driving choice. As one student put it,

“Cost rules everything around me.”

Many students revealed a mismatch between finances and learning. When queried about which reading platform they would choose if cost were the same, 87 percent said “print” for academic work.

Adapting to digital learning

We also need to keep in mind the growing trend for universities to adapt their curricula to fit the proverbial “procrustean” bed of a digital world – a world tailor-made for skimming, scanning and using the “find” function rather than reading slowly and thoughtfully.

Professors now toy with ditching long or complex reading assignments in favor of short (or more straightforward) ones, moving closer to digital reading patterns in the nonacademic world. This world hypes condensed versions of texts and shorter reading material that is bite-sized to begin with.

The question then is how can universities help students read text thoughtfully, reflectively, and without distraction on digital devices?

One key could be adaptation. Research suggests students may be overconfident about what they are understanding when they read digitally. Teaching them to be mindful in their digital reading (for instance, by writing down key words from the reading) may help in learning.

Another form of adaptation is happening in the realm of digital hardware and software. Modern screens cause less eyestrain, and annotation programs continue to improve. Some digital reading devices now come with tools enabling them to digitally approximate physical page flipping and multiple place-marking.

However, in my view, while short-and-to-the-point may be a good fit for digital consumption, it’s not the sort of reading likely to nurture the critical thinking we still talk about as a hallmark of university education.

reposted under a CC license from The Conversation

images by  PHSlibrary, H. Moon, ITU Pictures, MegMoggington

Bubble Zoom is Google’s Half-Hearted Solution to Reading Comics on a Small Screen

Many digital comics still based on the 6.5″ x 10.25″ floppy, and that simply doesn’t work on a 7″ or smaller screen. This is why Amazon, B&N, and Comixology each have their own version of a directed reading mode which moves the reader from one frame of the comic to the next.

Now Google has revealed its take on this idea. On Thursday Google released a new version of the Play Books Android app with a new feature called Bubble Zoom.

Here’s how Google explained the feature:

You can see Bubble Zoom in action in the GIFs below.

  

Play Books is refusing to open on either my phone or my Android tablet, so I can’t report first hand, but this looks less useful than the directed viewing mode offered by, for example, Comixology.

That let you zoom in on individual panels on a page, while Bubble Zoom simply makes the text about twice as tall. Zooming in in a single panel lets you see more of the detail which you can’t see when viewing an entire page.

Google would disagree. As they explained in the following video, they wanted to let readers see the full page image so they get the full impact of the artwork.

That’s all well and good, but the thing is Google’s competitors offer both a panel view and a full page view. So no, readers aren’t missing anything when reading panel by panel on Comixology. They can switch between one form of reading and the other, and not miss anything.

You can find Bubble Zoom in the latest version of the Play Books Android app in Google Play.

Have you tried it? What do you think?

Indigo Goes Where Amazon, B&N, Goodreads, and a Dozen Publishers and Startups Have Dared to Tread

The Canadian media retailer Indigo has apparently decided that there aren’t enough book recommendation apps in the world, so they are launching one with the unique and original name of RECO:

What separates RECO from similar apps, according to a press release, is that its recommendations are curated solely by friends and experts, not algorithms.

…

After signing up, users are led through a “smart” personalization exercise to build a profile and make their tastes known. Based on common interests, RECO then allows users to subscribe to curated book lists from experts and others with similar tastes.

At the time of launch, more than 8 million books in the app have been tagged with “rich interest profiles” to help users discover new books.

Reco is strictly iPhone-only at this time. There’s a website, but it’s just a placeholder which directs you to download the app in iTunes. An Android app is planned for late 2016.

“As a lifelong booklover, nothing brings me more joy than sharing a book I love with my friends,” said Heather Reisman, RECO’s co-founder and Indigo’s CEO. “RECO is a platform for everyone to share the joy of reading and nothing beats getting a recommendation from someone whose opinion I trust.”

Based on the post which was published on LinkedIn (and then deleted), Indigo actually launched Reco a couple months ago.  There are fourteen reviews in iTunes, which suggests that at least a few hundred people have downloaded the app.

Have you tried it? What do you think?

DBW

Romance Makes up 4% of Print, and 45% of eBook Sales

Data Guy gave a presentation at the RWA conference this week, and yesterday he posted the slides to the Author Earnings Report website (as a 128MB PDF – WTF?).

He revealed to attendees what many had long suspected: romance titles dominate the US ebook market. As you can see from the slide below, romance titles make up 4.4% of print sales (according to Nielsen) and 45% of ebook sales (according the Author Earnings Report).

Yes, 89% of romance sales in the US are digital, and much of that goes to indie authors rather than publishers.

Before we dig into the data further, here’s a question to ponder: how many of those romance titles are actually romance titles?

The thing about the AE Report is that it classifies books based on which category they’re listed in, not based on their content. this means that the data we’re looking at includes titles that a purist would tell you is not romance (no happily ever after).

That said, the data shows that far more indie authors are making a living at writing books than any other type. This is the one category in the bookstore which is the closest to achieving a post-publisher market, and that is largely due to Amazon and the Kindle.

Amazon.com accounts for 74% of the ebook market, by the AE Report’s measure. And when it comes to romance titles, a lot of that revenue comes through Kindle Unlimited. The slides show that romance titles in Kindle Unlimited earn an average of 2.5 times as much as the romance titles not in KU.

Speaking of earning more, the slides also show that romance titles from indie authors are more likely to continue to generate sales in the months and years after they’ve been published.

You can find more details on the Author Earnings website.

KoboNotes.com Extracts Notes and Highlights from Your Kobo eReader

Amazon makes it easy for Kindle users to download their notes and highlights, but we can’t say the same for Kobo, which obscures a user’s notes in a database file.

Fortunately, there’s a solution. I’ve just read on MobileRead about a new site called KoboNotes.com which can extract the notes on your Kobo ereader and present them in a usable form.

You’ll need to set up an account, and then upload the "KoboReader.sqlite" file from your Kobo ereader, and once you do you will be able to sort the notes by the book they cam from.

The site displays the notes onscreen one book at a time, with all of a book’s notes listed on a single page. As you can see, there’s no way to distinguish between a highlight (text copied from the book) form an annotation (a user’s own note):

KoboNotes.com is, to the best of my knowledge, the only tool which lets you extract note from a Kobo ereader (I can’t find a way to do this with calibre, in case you were wondering).

This is a useful site, but it’s not without its issues. One commenter pointed out on MR that this site represents a serious security concern:

Really? You want me to load a file that has a list of every book I have on the device to your web site? And includes the key information that Kobo uses to validate my device every time it calls home? Sorry, as useful as this might be, it’s not going to happen.

They’re right; this is a sound reason to avoid using the site if you read sensitive documents or have concerns about your security or privacy.

image by andsleonardo

Google Deletes Artist’s Blog: He Has No Backup, and Only Himself to Blame

Google has just given us another reminder why we should always have an independent backup.

From Fusion:

Artist Dennis Cooper has a big problem on his hands: Most of his artwork from the past 14 years just disappeared.

It’s gone because it was kept entirely on his blog, which the experimental author and artist has maintained on the Google-owned platform Blogger since 2002 (Google bought the servicein 2003). At the end of June, Cooper says he discovered he could no longer access his Blogger account and that his blog had been taken offline.

Along with his blog, Google disabled Cooper’s email address, through which most of his correspondence was conducted, he told me via Facebook message. He got no communication from Google about why it decided to kill his email address and blog.

Cooper used the blog to post his fiction, research, and visual art, and as Artforum explains, it was also “a platform through which he engaged almost daily with a community of followers and fellow artists.” His latest GIF novel (as the term suggests, a novel constructed with animated GIFs) was also mostly saved to the blog.

“Of all the things about this that concern and worry me, losing that novel is my greatest fear,” he told Artforum.

I know they’re blaming Google here, but the fault really  lies with Cooper.

He’s the one who didn’t back up his blog.

Many people have encountered similar problems when other cloud platforms have shut down in the middle of the night (taking user data with them), been attacked (and lost user data in the attack), or for one reason or another kicked users off of a platform with no warning.

This is a known problem with using online services, and those who don’t plan for it only have themselves to blame.

If you haven’t backed up your website, you should – and schedule regular backups. You should also test the backup to make sure it works.

For example, if you have a self-hosted WordPress site, you can use any number of plugins and services to make a back up. (I use BackupWP when working on a client’s site, and then simply download the backup.)

But if you have a site on Blogger, WordPress.com, or Tumblr, you are in for a world of hurt. None of the three services offer a true backup option; Blogger and WordPress.com will let you export a blog’s content as an XML file, but that is less than a complete backup. It doesn’t include images, just links to the images. If you don’t import that XML file into another site then the images could be lost should anything happen to your site.

And as for Tumblr, your options are even more limited. There’s neither an official backup nor export option for Tumblr, just unofficial tools as well as an option to import a Tumblr blog into WordPress.

Weebly, on the other hand, will let you download a backup of your site (instructions).  Other hosting services, including Squarespace, do not offer that option.

Since we’re all just one accident away from losing important info, I would recommend that you stop using any web hosting service that doesn’t offer a way to download a backup of your site and store it elsewhere.

Better safe than sorry.

P.S. If I you have a question about how to create a backup of your site, you can leave a comment or send me an email. I’d be happy to help.

image by Risager

Updated: Amazon (Denies It) Has Been Hacked, and Details on 84,000 Kindle Account May Have Been Stolen

A story came out late last week which, if true, represents a serious breach of Amazon’s security.

Edit: As I noted at the end of this post, Amazon has denied the story.

Mic reported on Friday that a hacker penetrated Amazon’s servers and made off with over info from over 80,000 accounts.

A hacker declared war on the Baton Rouge Police Department after one of its officers shot and killed Alton Sterling. Just hours after leaking thousands of police records online, the hacker has a new target — Amazon.

The hacker — @0x2Taylor — said in a Twitter direct message that he and a friend "breached a server" owned by Amazon that contained database files with more than 80,000 Kindle users' information.

"When they first got Kindles and set them up, all their stuff was being logged and put into a database," @0x2Taylor said. He added that the database includes a user’s email, password, city, state, phone number, zip code, user-agent, LastLoginIP, Proxy IP and street. He sent us several emails and passwords in an effort to legitimize the breach.

"If I don’t receive a payment from them the data will be posted online along with an older dump," he said.

@0x2Taylor is asking for $700 "because the attack was easy" and hopes that this will prompt Amazon to implement better security measures to prevent these types of attacks against their systems.

"Personally I don’t want to leak the data," he said.

He tweeted a screenshot of the leaked information to Amazon at 9:35 a.m. Eastern. At 10:17 a.m., he said in a direct message, "It’s going up now. They’re ignoring me."

The hacker posted the data dump on Mega. It’s no longer available, but according to one security researcher who saw it the data this is more of a privacy issue than a security issue.  The passwords follow a pattern, which means they were likely assigned by the system and not created by users.

"Given all this data I would have no reason to believe this isn’t valid," Vice President of Operations at cybersecurity firm Synack Tony Gambacorta told Mic. He added, "On a surface level this seems like this would be legit." 

I’m not terribly concerned, for a couple reasons. For one thing, comments made about the data dump suggest that it’s test data rather than account info:

And another techie noted that all of the emails mentioned in the data dump came from just three email providers.

The other reason I’m not concerned is that there’s no evidence that Amazon has informed anyone of an account breach.

No emails have been forwarded to me, nor have I found mentions of them on MobileRead, Amazon’s support forums, or on Kboards.

In the past Amazon has reset user passwords following possible security breaches. Those password resets have made the news back in March, and in November of last year. Amazon has in fact been sending emails to users with news of password resets since 2011, and I have found no evidence that anyone has gotten an email in the past week.

In short, the most likely possibility is that the hacker made off with a set of dummy data which Amazon’s developers were likely using for testing Amazon’s website. That is embarrassing for Amazon, but not a reason for us to panic.

Edit: And it might not even be Amazon’s data. Amazon responded to my queries, telling me that:

We have confirmed that this information did not come from Amazon’s servers, and that the accounts in question are not legitimate Amazon customer accounts.

Edit: NetworkWorld dug into the data, and they don’t think this is real either.

I checked out the data, too, choosing five names at random. Google Maps placed three of the addresses in locations without houses, such as in the middle of the woods or half way between two houses down a country road.

As for phone numbers for those five people, none of the calls connected. Three gave an error message about the “number or code you dialed is incorrect,” one had a weird fast busy signal, and the fifth resulted in “the person you called is unavailable right now.”

All of the email addresses seem to be in a weird format, such as [email protected], [email protected], [email protected]. For each of the five names, the corresponding passwords were way too random, too secure, ranging from 8 to 11 capital letters mixed with numbers. Of course, that was testing only five of the reportedly 83,899 individuals included in the data dump.

Brian Wallace, aka @botnet_hunter, is a security researcher and member of the Cylance SPEAR team. He examined the Amazon data and found quite a few problems. Hebelieves “the data does not belong to legitimate users and there is no need for concern to Amazon users.” The data has been generated, Wallace said, but he is not sure if it is “fake data or bot accounts.”

So basically there’s no story here.

It’s a non-story.

But I could be wrong, and right now Amazon has yet to comment on the breach. So if you are concerned then you should reset your password.

I have queried Amazon. It it responds, I will update this post.

image by The Preiser Project

AAP Estimates Publisher eBook Revenue Shrank in 2015

The Association of American Publishers has released its annual estimates for the US book industry revenues, and the news is mixed.

Not to be confused with the monthly reports by the same name, Statshot Annual is an industry estimate based on data supplied by 1,800 publishers. The report shows that the combined book industry revenues dropped by a fraction of a percent, while revenues from the trade book market rose thanks to coloring books.

Both paperback and hardback revenues increased in 2015, with paperbacks reaching $5.23 billion in 2015 from $5.09 billion in 2014. Revenues from hardback book sales were up 8.3% in 2015, to $5.40 billion from $4.98 billion.

Audiobooks continued their excellent growth record, increasing 37.6% in revenue and 41.1% in units in 2015, while ebook revenues declined by 11.3% in 2015 to $2.8 billion.

The AAP also estimated that ebook unit sales also declined by 9.7% in 2015, to 424 million. That last is rather curious given that the AAP had previously told us that an estimated 510 million ebooks were sold in 2014.

I have no explanation for the discrepancy, but I am following up on that last point.

Edit: I’m told that the ebook stats for 2014 were "revised after the fact,  as new data became available".

Press release:

The U.S. book and journal publishing industry generated $27.78 billion in net revenue for 2015, representing 2.71 billion in units (volume), according to the Association of American Publishers (AAP) StatShot Annual survey. Revenues and unit volume were essentially flat with a decrease of 0.6% from $27.96 billion in revenue from 2014, and a 0.5% increase in units from 2.70 billion units in 2014 (chart below).

StatShot Annual is a yearly statistical survey of publishing’s estimated size and scope. The data include sales and volume for all tracked categories, including trade (fiction/non-fiction/religious), K-12 instructional materials, higher education course materials, university presses and professional books.

Trade books grew slightly in both revenue and volume in 2015 (chart below). The industry’s relative revenue decline was largely due to a challenging year in the education markets, which comprise about one-third of tracked revenues.

2015 Overview: Net Revenue and Unit Growth

2013 2014 2015
Total net revenue $27,073,201,451 $27,957,086,149 $27,784,851,263
Total net units 2,715,600,793 2,702,337,737 2,714,877,707

Trade Category:  Net Revenue and Unit Growth

2013 2014 2015
Trade net revenue $15,131,731,515 $15,430,127,307 $15,836,696,546
Trade net units 2,436,542,311 2,431,632,249 2,455,207,555

Adult Books Grow, Childrens/YA Books Decline

 The area of largest growth for the trade category was Adult Books, which grew by 6.0% from $9.87 billion in 2014 to $10.47 billion in revenue in 2015. For the second consecutive year, Adult non-fiction books, which includes adult coloring books, was the category that sold the most units and provided the most revenue in the trade category. Within the Adult Books category, the fastest growing formats in terms of units sold were downloaded audio (up 45.9%), hardback (up 15.1%) and paperback (up 9.1%).

“StatShot Annual 2015 has confirmed print’s marked return. The paper book, just like the eBook, is here to stay,” said Tina Jordan, Vice President, Association of American Publishers. “While young adult titles were very popular last year, in 2015 adult books led the charge with successes like The Girl on the Trainand Go Set a Watchman. Those, and adult coloring books like The Secret Garden, helped the Adult Books category grow by nearly $90 million in revenue.”

Childrens/Young Adult Books declined slightly in revenue, from $4.42 billion in 2014 to $4.27 billion in 2015. The fastest growing category in terms of units sold were board books (up 14.0%).  Some formats saw increases: downloaded audio was up 1.2% and hardback was up 1.0%. Childrens/Young Adult eBooks saw a 35.0% decline in units sold in 2015 vs. 2014.

Trade Formats: Downloaded Audio Grew Significantly, eBooks Declined

Downloaded audio: Revenue for downloaded audio has nearly doubled since 2012, growing from $299 million to $552 million in 2015. From 2014 to 2015, the growth was substantial: 37.6% in revenue and 41.1% in units.

eBooks: After peaking in 2013 at $3.24 billion, eBook revenue declined to $3.20 billion in 2014 and again in 2015 by 11.3% to $2.84 billion. Unit sales also declined by 9.7%, with eBooks now making up 17.3% of the trade book market.

Paperback books: Paperbacks remain the most popular format in terms of units sold, comprising 40.6% of the market. Mass market adds another 7.3%. Revenue was up for paperbacks in 2015 to $5.23 billion from $5.09 billion in 2014.

Hardback books: Underscoring the return to print, hardback books saw growth in both revenue and units over 2014. Revenue was up 8.3% from $4.98 billion in 2014 to $5.40 billion in 2015.

Number of units sold by format

  • Paperback & Mass Market: 1.18 billion
  • Hardback: 577 million
  • eBook: 424 million
  • Children’s Board Books: 89 million
  • Physical Audio & Downloaded Audio: 81 million
  • Other: 107 million

Trade Book Market Share by Format:

Physical Store Sales Up, but Online Still Top Sales Channel

Online retail remained the top sales channel for publishers’ revenue in the trade category, with 37.4% of the market.  About 806 million units were sold online in 2015.

Publishers saw increased revenue from trade book sales at physical retail stores for the second year in a row. In 2015, physical store sales grew 1.8% from $4.08 billion to $4.15 billion. More than 610 million trade book units were sold in 2015. Physical store sales comprise about 26.2% of publisher revenue.

These sales channel numbers reflect how publishers get books into the marketplace, not retailers’ revenue from consumers. While StatShot channel sales data can provide directional information about trends, the data is limited for trade books, as much of the business occurs through wholesale and distribution.

About StatShot Annual

Produced by AAP, StatShot Annual estimates the total size of the U.S. publishing industry by collecting sales data in dollars and units from nearly 1,800 active U.S. publishers. Data is collected directly from publishers, with the help of distributors.  Estimates are used for publishers who do not participate directly, based on their company financial reports, government filings, BooksinPrint, press releases, third party research services, and other third party sources.

Note: All figures represent publishers’ net revenue from all distribution channels (these are notretailer/consumer sales figures).  StatShot Annual captures publishers’ aggregated net revenue from the formats we are able to measure across the different categories.

The StatShot Annual Executive Report with all corresponding data will be available later this summer. To place an advance order for the report, please contact Tina Jordan at [email protected].

image by FateDenied

The 2016 Kindle is Complete Crap as an Accessible eReader

Following my Kindle review yesterday, several readers asked me what I thought of the Bluetooth option and the Voiceview accessibility feature.

I couldn’t test that feature because I didn’t own a Bluetooth speaker (or any other BT accessories for that matter), so today I went out and bought a couple speakers to I could offer a first-hand report.

Since the 2016 Kindle does not support the $20 Kindle audio adapter USB dongle, the only way to enable Voiceview on this ereader is to pair with a BT speaker.

And that’s a shame, because every part of Voiceview over Bluetooth is a fiasco. It is difficult to set up,  doesn’t work for its intended purpose, and when you turn off the BT speaker the Kindle proceeds to nag you to reconnect it.

There’s no part of this which doesn’t scream that Amazon should go back to the drawing board and try again.

To start with, I had to go find the user manual and search for instructions on how to pair a BT speaker. The process was not straightforward nor as simple as with the Paperwhite (where you could enable Voiceview by plugging in a USB dongle). It took me two tries on my first attempt to pair a speaker with the 2016 Kindle, but offering a blood sacrifice at dawn after the full moon while painted blue and reciting Hamlet in the original Klingon helped me make the connection.

And once I paired the speaker and the 2016 Kindle, I found that Voiceview was simply unusable over Bluetooth.

Use

I tested my 2016 Kindle loaner review unit first with a $40 Insignia BT speaker from Best Buy and later a $13 Vivitar BT speaker from Walmart.

Both speakers demonstrated the same problems. Every time the audio paused, whether at the end of a sentence or after a comma, the following word was invariably clipped. This made it difficult to impossible to follow the text.

Here’s an audio clip demonstrating the problem, and for the sake of completeness I have also embedded a screen shot of the text being read below.

I don’t know why or how this happened, but I can tell you that the audio problems in the clip happened not just once but multiple times with each speaker. (Curiously enough, Teleread posted an audio clip which did not exhibit the clipping flaw.)

Is the problem unique to these speakers, or just to cheap BT speakers? I don’t know, but I wouldn’t call a $40 speaker cheap. There was only one other BT speaker immediately available to me, and that cost $50.

I have little experience with Bluetooth,  but I did find while troubleshooting this issue that some BT speakers don’t support the newer and faster BT standards. That might be the problem here, but frankly if a $40 speaker is not good enough to get the promised performance than it is simply not achievable.

Aftermath

Having been frustrated by Amazon’s failures, I disabled the BT speakers and tried to read the ebook sans audio. That’s when I discovered that Amazon simply would not let this go.

The Kindle kept nagging me to reconnect the speaker. Eventually I enabled airplane mode just to get it to shut up.

This is a mess from beginning to end.

Nothing worked the way it should, and this didn’t even come close to meeting Amazon’s usual standard for ease of use.

It’s a huge strike against the 2016 Kindle, but hopefully this is something Amazon can fix in a software update.

Boston Installs E-ink Sign in Front of City Hall

Last week the city of Boston and E-ink installed a new information sign for tourists on the City Hall plaza.

Based on a 32″ E-ink screen,  the sign is powered by solar panels and offers tourists information on local events and help residents and visitors locate nearby landmarks.

"There are thousands of visitors and dozens of events happening around City Hall Plaza each week," said Judy Wang, Innovation Fellow with the New Urban Mechanics who managed the project. "This screen will allow City Hall to share all of these events with public in real time, and this tool gives us a new way to engage with visitors, get them excited about upcoming activities and help them navigate all our city has to offer."

According to the press release, this sign is based on the 32″ E-ink panel which was launched at SID Display Week 2014. It, so far as I have been able to determine, the first 32″ screen used as a sign (GDS was unable to identify other customers when I queried them).

They also say that this is the fist solar-powered E-ink signage in the US, but that may not be strictly true. Several mass transits systems are testing a sign based on a 9.7″ E-ink screen, and those could incorporate a solar panel.

Boston Herald

XO Infinity Modular Laptop Goes Up For Pre-Order Minus Its Modular Design

When I broke the news on the XO Infinity laptop from One Education (OLPC Australia) last spring, it featured a modular design where you could replace the CPU, battery, screen, storage, etc.

You could have thought of the design we saw last year as the Project Ara for educational laptops, but you wouldn’t get that impression from the Infinity laptop  which just went up for pre-order.

One Education is sending out emails this morning with the news that you can pre-order an Infinity laptop, only instead of the modular design teased last year, this laptop is a rather ordinary looking two-in-one design with a green shell.

The Infinity is now a 10″ laptop which runs Windows 10 on a quad-core 1.9GHz Atom CPU with 2GB RAM and 64GB internal storage.

Gone are the options for Android and Sugar OS. The laptop has also lost all of its modules, and replaced the promise of upgradability with the usual mix of ports, card slots, and a couple cameras (2MP and 5MP).

The Infinity costs $230, and is expected to ship in August.

O O O

If you’re wondering what the bleep happened to the original design, the problem was that this project never had the engineering team it needed and it never had broad support from the industry.

As you may recall, Project Ara had the financial backing of Google and support from industry standards groups as well as Intel, Toshiba, Qualcomm, Rockchip, Nvidia, Marvell, Sennheiser (audio), Innolux (screens), and a bunch of smaller companies including smartphone makers.

In comparison, the Infinity laptop did not even have the support of Google or Intel, two tech giants which have an immediate and direct interest in edtech as well as the engineering teams to make this idea a reality.

I’m sure One Education had great engineers, but this was a ridiculously complex project which required the backing of numerous tech experts in a variety of fields. That lack of support is why this project has (at best) stalled at an incomplete state and why One Education instead launched a substitute product.

There’s no word on when or if One Education will ever launch the promised modular laptop. I have queried them, and I will update this post with their response.

Edit: I have been told that the idea "has been parked for now. The market and manufacturing industries to support it aren’t just there yet!"

Amazon Pulls Content From Inspire Teacher Site Over Copyright Issues

Amazon Inspire was designed to let teachers share curricula, lesson plans, and textbooks they created, but it seems some teachers have failed to grasp the idea that one shouldn’t submit others' work as one’s own.

The NYTimes reports that Amazon has already had to pull content from the site:

One day after Amazon announced that it would introduce Amazon Inspire, a free instructional resources site where teachers could share lesson plans, the company said it had removed three items from the site after educators complained that the products were copyrighted materials.

In a related blunder, Amazon had included two of the items it has since taken down in a screen shot of the site that was sent to journalists and published in news outlets, including The New York Times.

More embarrassing still: Two items — a collection of first-grade math lessons and English literature activity lessons — in the Amazon screen shot were created by authors on teacherspayteachers.com, a rival instructional resources site where educators offer lesson plans they have created.

 

While I’m not going to beat up Amazon over not having a way to vet content (the site only just launched) one would think that they would double check the legality of anything mentioned in the press docs. Also, the site is in beta with access limited to only those who have an access code, so perhaps Amazon could have vetted the content.

 

On the other hand, I have seen ereader makers release promo images which feature Harry Potter ebooks. (This was before Pottermore, so the ebooks were clearly pirated.)

Rohit Agarwal, the general manager of Amazon K-12 Education, the company’s education unit, told the NYTimes that Amazon was looking into how the materials in question came to be uploaded to the site.

“Our team is doubling down and investigating what the root cause is,” Mr. Agarwal said in an interview Tuesday evening. “We will do what is appropriate to respond to the results of the investigation.”

Amazon is not the first to have this problem; most file-sharing sites have a problem with pirated content, and some (like Scribd) never escape their early reputation as a pirate site. We’ve even seen pirates set up shop on edusites like Udemy.

Amazon has the resources to fix this issue, so I wouldn’t expect it to be a long term problem.

B&N’s New In-Store POD, Event Programs Options for Indie Authors is Too Little, Too Late

When Barnes & Noble expanded its publishing platform Nook Press in 2014 and added a POD service, they forgot to include one key component.

You could use Nook Press to print books, but you could not get them into B&N stores (for that you would need a competing POD service like Createspace or Ingram). Today B&N finally corrected that deficiency.

The retailer has launched a quote unquote new Nook Press POD service which enables Nook Press users to create hardback and paperback editions of their title, while at the same time the new program dangles the possibility that the books might be sold in B&N stores.

The authors and publishers who distribute their books through Nook Press will have to submit their print books for review by Barnes & Noble’s Small Press Department, and one of the company’s corporate category buyers. They will have to have sold at least a thousand copies of the title in the Nook Store  before they will be considered,.

If accepted the books might be distributed to B&N stores on local, regional or national level. Interested authors, including the one a few weeks back who railed against B&N for supposedly having a policy against accepting indie authors, can contact [email protected] for more details.

In related news, B&N is also opening up an official program where indie authors can apply for the opportunity to participate at in-store events including book-signings and discussions. The authors will be able to meet fans, sell their print books, and build a following.

This program also has a minimum requirement: authors have to have sold at least 500 copies of a single title in the Nook Store in order to be considered, and they must be accepted by the local Barnes & Noble store manager.  They can contact [email protected] for more details.

Those are a great couple of programs, and it’s a pity that B&N didn’t launch them when they could have mattered – in 2012, say, before Barnes & Noble got into bed with Author Solutions.

But in 2016, when B&N has let their ebook program wither to only a quarter of its peak user base, announced four restaurants which push books to the background, and reduced the number of books they carry in preference of pasta and 3d printers, do they really still have a shot at attracting readers into their stores, much less authors?

And more importantly, how many authors could qualify for either program?

Sure, it would be great for authors to gain a new venue for in-person events; they could even hold an event in the neglected Nook dept, like I saw in the Frederiscksburg store.

But the Nook Store has declined to the degree that it is scarcely worth an author’s time to use Nook Press rather than a third party distributor. There was a time where authors would have used NP, but many pulled out when we discovered that B&N had hired scammy Author Solutions to run it.

Would either program be attractive to authors to make them willing to do business with an Author Solutions front, and could they really make the minimum threshold? (It’s a low threshold, yes, but B&N doesn’t sell a whole hell of a lot of ebooks.)

Thoughts?