Skip to main content

You Can Now Give Away eBooks From the Google Play Books App & Store

For the longest time Google’s only option for gifting ebooks or other digital content was a gift card for the Play Store(*), but this week they started to fix that.

Google has updated the play Store with a new gifting option. You can now buy and give away ebooks in Google Play Books. According yo yhr help page, the feature has been added to both  the app and the website.

I am still searching for how to gift an ebook from the site, but here’s what you might see in the app:

According to Android Police, the gifting option is almost as well hidden in the app as it is in the website. They found that for some books the gifting option can be found in the same dropdown menu as the buy and read sample option.

Once you’ve selected the ebook to give and bought it, you’ll be prompted to  enter the recipient’s email address.

According to what the help page said last week, gift cards and Google Music subscriptions were the only gifting options in the Play Store. Now Google has added ebooks, and it probably won’t be long before Google also makes this gifting feature available for movies, apps, games, and tv shows.

Android Police

Pixer is a 6″ Digital Picture Frame with a 300 PPI Carta E-ink Screen

So far as I can tell it is about fourth or fifth digital picture frame revealed over the past few years (and currently vaporware), but Taiwan companies Gigazone and Gigabyte have announced the launch of what they say is the "world’s first" wireless digital picture frame.

The Pixer combines a 6″ Carta E-ink screen with an unnamed type of wireless connectivity which is supposed to enable you to update the frame from a companion app.

We’re a little vague on the details because all I could find was the press release, and it described the Pixer in only the most fluffy and generic terms.

Using an E-ink screen in a digital picture frame is not a new idea; as far back as 2009 Bookeen sold a picture frame where you could insert one of their ereaders before hanging it on the wall.

And of course hackers have turned Kindles into wireless weather stations, fridge magnets, and the like (or built one from scratch). Also, there have been several failed prototypes which, like the Pixer, were battery-powered and wireless. One, Vikaura, has been under development for the past couple years. It was supposed to have shipped last fall but is stalled.

But hey, E-ink is thrilled to be a part of this project. Dr. FY Gan, General Manager of ESI Business Unit of E Ink Holdings, said, “We are glad to have the opportunity for co-developing Pixer with Gigazone. E Ink is willing to commit to the different types of applications of ePaper. The adoption of ePaper technology into the design of Pixer has made the general public enjoy the feature of ultra-low-power consumption and visual quality with comfort."

Who knows, maybe this device will succeed where others have failed.

CTimes

Bibliotech Digital Public Library Sets up Shop in a Hospital

When Bexar County opened its all-digital public library branch, Bibliotech, in 2014, it capitalized on the lack of space devoted to warehousing books by devoting more space to computer labs, public spaces, and so on.

Now it is finding a new benefit from a hefty investment in digital: the option of opening a new digital branch anywhere it can place a kiosk.

In addition to pocket branches in the county courthouse and in a new development,  Bibliotech has also started installing kiosks in bus stations, and now in a hospital.

The San Antonio Express-News reports that the county commissioners have signed off on a deal which would bring library kiosks to the local hospital:

Fresh from expanding into VIA Metro, Bexar County’s all-digital library system BiblioTech has entered a pact with the University Health System to deliver ebooks and other free reading material to hospital patients, families and employees.

Under the agreement approved Tuesday by Commissioners Court, the hospital system will provide facilities and volunteer staff for BiblioTech kiosks, the podium-size terminals where digital collections can be searched for download to personal mobile devices.

“Now we’re going into University Hospital with a kiosk in their main lobby, we hope to have it up in November, that’ll give them access to those 40,000 books,” Judge Nelson Wolff told KTSA News.

“Just since we’ve been in business, a little over two and half years, people have checked somewhere around 300,000 books from us,” he added. “So you can see how it greatly expands the reading opportunity, without a lot of brick and mortar, and how we can do it in such a cost effective way.”

Bibliotech has also partnered with nearby military bases and installed kiosks in and provided ereaders to the existing on-base libraries.

image by andres.moreno

The Tragedy of the Commons Has Now Come to Little Free Libraries

Little Free Library supporters have encounters many of society’s ills since the movement launched some years ago, including vandalism and bureaucracy, and now LFL operators in Minnesota are getting a first-hand lesson in an economic theory called the tragedy of the commons.

TwinCities.com reports that lately someone has been going around and cleaning out Little Free Libraries in and around St. Paul. No one knows who it is, but some LFLs have been hit multiple times.

Gladhill made a point to keep it well stocked, as have others who have erected the often-ornate book-cubby-on-a pole structures outside their homes as tangible tributes to the joys of reading.

But about two months ago she noticed her little library had been cleaned out, which was unusual. This has since happened more than a dozen times. Gladhill restocked each time, but soon found her large inventory of giveaway volumes in her Summit-University residence depleted.

“Our Little Free Library has been totally pillaged,” she lamented on Facebook this week. “I think we’re going to close it down for awhile, which bums me out.”

One Little Free Library operator has even been marking his books and later finding them in used book stores. Other supporters have reported catching glimpses of the perpetrator(s).

Sue O’Neill wrote on the Merriam Park/Union Park Neighbors page that “I saw a gray-haired gentleman empty one in Highland this past weekend. I could not get to the door fast enough to say anything. He was moving at a good clip.”

Another Facebook user said: “My Little Free Library has been totally cleaned out numerous times. The last time it happened, I actually saw the man who drove up and emptied it. I called out to him as he scampered to his car with all the books, ‘Well, did you at least leave one?’ He just drove away.”

“I did witness an individual pulling up to one in the rain, dashing out of the car, scooping all books out of LFL, tossing them in the back of their car, and dashing away,” a Mac-Groveland page member posted. “Crazy.”

This is not a new phenomenon; there are similar reports from Lincoln and Omaha Nebraska; Iowa; Bismarck, ND; Boise, ID; Frederick, MD, Austin, TX; Albuquerque, NM; and San Francisco.

In some cases the thief has even taken the whole unit, rather than just the books.

This is in fact such a common occurrence that the founder of the Little Free Library movement now has a standard response.

When Todd Bol’s 3-year-old nonprofit, also known as Little Free Library, is  informed that a LFL has been cleaned out, the organization will usually send a replacement box of books as well as a placard for the unit and a stamping kit to clearly identify the books’ charitable origin.

It is generally assumed that the books are being stolen so they can be traded in at used book stores like Half-Price Books, and volunteers have been stamping books so that the stores know to decline the books when they are brought in.

I’m sure most used bookstores are pretty good about refusing the books, but the effort has only seen limited success at stemming the tide. The stamp isn’t going to stop the determined thief from selling online, after all.

That could be why a number of volunteers have opted to instead shutter their Little Free Library. The San Francisco LFL mentioned above has since closed, and a check of the LFL website reveals that all of the Little Free Libraries in Omaha and Lincoln are gone.

The thieves are taking advantage of a situation and ruining it for everyone – just like you would expect based on the theory of the tragedy of the commons.

As you may recall from your college economics class, the tragedy of the commons is a term coined to describe a situation where a shared resource is depleted by people over-using it for their own selfish ends.

The idea was first described in the 1830s, but only became widely known in 1968 when ecologist Garrett Hardin wrote a paper on it. Investopedia has a good explanation:

The tragedy of the commons is a very real economic issue where individuals tend to exploit shared resources so the demand greatly outweighs supply, and the resource becomes unavailable for the whole. Garrett Hardin, an evolutionary biologist by education, wrote a scientific paper titled "The Tragedy of the Commons" in the peer-reviewed journal Science in 1968. The paper addressed the growing concern of overpopulation, and Hardin used an example of grazing land when describing the adverse effects of overpopulation.

Common grazing lands yield adequate food for herd animals as long as the number of grazing animals is limited from natural population control such as disease. If, however, the natural controls are circumvented or do not come to pass, the population of herd animals increases and the grazing land is unable to support the larger population. Hardin’s point was if humans faced the same issue as in the example with herd animals, each person would act in his own self interest and consume as much of the scarce resource as possible, making the resource even harder to find.

In the case of the Little Free Libraries, the thieves stole enough books that supporters stopped restocking the libraries, and instead took them down. The thieves ruined a shared resource through their own greed.

If that’s not an example of the tragedy of the commons, I don’t know what is.

images by byzantiumbooks, SounderBruce, Rick Obst, davebloggs007

Amazon Releases New Kindle Publishing Guidelines

A new version of the Kindle Publishing Guidelines was released last week to little fanfare.

The new version of the guidelines (PDF) follows about 8 months after the previous update, and includes a long list of changes which cover everything from the new rule that TOCs have to be in the front of an ebook to finicky and obscure details about the right way to format a Kindle ebook before submitting it to Amazon.

This is the document every creator of ebooks needs to read so that they can stay one  step ahead of Amazon’s rule-happy enforcers (at least until Amazon changes the rules again).

Thanks, Scot, for the tip!

image by gminguzzi

 

Amazon Releases the Kindle Paperwhite "Manga Model" in Japan

With 4GB of storage, the Kindle Paperwhite has more space than most ebook readers could conceivably use.

Even I don’t use more than one GB on my Paperwhite, but then again I don’t use it to read PDFs, digital comics, or manga. If I did then I would be interested in the new Paperwhite model with eight times the storage.

On Tuesday the Japanese branch of Amazon launched a new Paperwhite model, one with 32GB of internal storage. The new Manga model is up for pre-order with a price of 1,6280 yen (~ $156 USD), or about $19 more than the regular Paperwhite. And yes, that is the ad-subsidized price.

Aside from the storage, the Manga Model is more or less identical to the regular Paperwhite, it’s just that now readers can get a Kindle with enough storage for up to 700 manga comics.

Both models have a 300 ppi Carta E-ink screen, weeks of battery life, Wifi, frontlight, and touchscreen, and neither have a card slot where users can add additional storage.

Apparently it really will kill them to add that card slot which some have been requesting ever since the second Kindle was released in 2009. And since no one wants to be responsible for a massacre, I am sure we all support Amazon’s decision.

Seriously, folks, while that may come across as more sarcastic than I intended the point remains that people have been saying for years that some users need a lot more storage. That’s why some have been agitating for a card slot on the Kindle, and why we have appreciated when other ereaders like the Pocketbook Inkpad offer expandable storage.

Now Amazon has conceded the point while still not taking the sensible step of adding a card slot. That would have been a one-size fits all solution, but Amazon has instead added a new Paperhwite model to an already confusing lineup.

Amazon.co.jp via The Verge

Author Earnings Report for October 2016 Foretells Chaos, Panic, and Disorder

The latest Author Earnings report foretells a reversal of the ongoing trend of publishers' declining ebook revenues.

For the past couple years the Author Earnings report has detailed the rise of indie authors in the ebook market, but the October report shows that Amazon and other small and medium publishers gained market share at the expense of indie authors:

Data Guy explained it thusly:

During the five short months since May, it seems that indies have somehow lost their market share gains of the preceding 18 months. This has been counterbalanced to a limited extent by a slight uptick in traditionally-published unit sales: both Big Five and Small/Medium Traditional Publishers have each gained roughly 1% in market share. But most of the lost indie market share seems to have instead gone to Amazon Imprints, who have gained a whopping 4% in market share.

That’s depressing news, but curiously enough it is not reflected in the gross sales stats. indies took a serious hit in revenues, and so did the Big Five.

Small publishers and Amazon were the ones which truly gained market share this quarter, but it is hard to say whether that will continue.

This could be a sign that the major publishers are rethinking their pricing policies, but that is unlikely given that a later section of the report shows that the Big Five are still pricing their ebooks at at higher price points.

At best I would say that the market has entered another period of flux, disruption, but that’s not the only theory. Author Louisa Locke laied out a plausible alternative in the comment section of The Passive Voice:

I know that a lot of the most successful hybrid authors have gone wide this year (gotten out of KDP select) because they were not happy with the loss of sales that the introduction of KU was producing. If some of the most popular author’s books are no longer in KU, this means that their books are not going to be as visible–since page reads definitely gives a book an edge–hence their sales will be down even more on Amz. However, many of them also report that sales that iBooks in particular (added to Nook and Kobo sales) are in many cases taking up the slack. So only a study looking at ebook sales everywhere would be able to see if the drop on Amz is really just a shift in where sales are happening.

In addition, my impression is that the success of Amz imprints (which are in KU) is in part because these books are still in KU–and now have less competition from popular indies there, and the fact that Amazon has been promoting their imprints rather than promoting indies with things like Kindle First, etc.

Do you think she’s right?

Firebrand Technologies Bought a Book Blog from Zola Books

Once heralded as _the_ way for publishers to establish a direct connection to readers, Bookish has been a footnote in digital publishing ever since the failed startup was sold to Zola Books, an ebook retailer in 2014.

And now it has been sold again, to Firebrand  Technologies, the parent company of e-galley service NetGalley. According to the press release (PDF):

NetGalley, an industry-standard service to promote forthcoming titles to readers of influence, has acquired Bookish.com, an editorial site designed to connect readers with books and authors.

Bookish.com is an online resource serving readers of all genres through author interviews, book recommendations, and literary roundups. Founded by Hachette Book Group, Penguin Group (USA) and Simon & Schuster, Bookish.com was launched in February 2013 and was acquired by Zola Books in January 2014 along with Bookish Recommends, a book recommendation engine.

As a sister company to NetGalley, Bookish will remain an editorially independent, standalone site with its continued commitment to connecting visitors with interesting and relevant content.

Zola Books will retain Bookish’s book recommendation technology, which they have rebranded Zola Recommends

NetGalley has in effect bought a book blog which happens to have the same name and is descended from an ebook startup called Bookish.

Assuming the price is right, this was a good purchase for Firebrand; they will be able to use the book blog for marketing.

PW

Three-Color Spectra E-ink Screens Now Available for DIY Projects

When E-ink unveiled its Spectra screens in 2013, the cutting edge 3-color epaper displays were only sold in the e-shelf label market.

With exactly three colors (black, white, and red) and no shades of gray or red, these screens wouldn’t have been much use for ereaders (not unless you wanted to forgo images). But it would be great to use the screens in DIY projects, and now we can.

Pervasive Displays sent out an email this morning with the news that they are now carrying Spectra E-ink screens in 4.2″ and 2.87″ dimensions.

With screen resolutions of 400 x 300 and 206 x 128, the screens could be used for smart labels, Internet of Things, secondary screens on mobile devices, or to display info where permanence is more important than resolution or color. One popular use for screens this size are as accessories to Raspberry Pi and other SBCs.

If you get one you will also need a gen-2 extension kit, as the earlier kits aren’t designed to work with either a Spectra or an Aurora E-ink screen. You can find both the new screens and the extension kit at Digi-Key.

A Month-Old Software Glitch is Still Stealing Page Views from eBooks in Kindle Unlimited

If you’re a publisher or author who has ebooks in Kindle Unlimited and you’ve noticed a surprising drop in reading activity recently, you’re not alone.

Numerous authors have reported on blogs and KBoards over the past week that they are seeing improbably low stats for pages read in Kindle Unlimited.

When it comes to ebooks in KU, Amazon pays not based on sales but on the number of pages read by KU subscribers. That’s the model Amazon has used since last July, which is long enough for authors to have noticed a pattern of usage.
As David Van Dyke explained over at Teleread:

The page read numbers roughly tend to follow a KU author’s retail sales curve (the books people purchase, rather than read through KU), sometimes a day or two delayed.

Longer books normally have more page reads, of course. New releases tend to see a steep jump in page reads that rises to a peak a few weeks or months out as people read through their KU queues. So when long books get released and their KU page reads stay essentially flat even while selling hundreds of copies—well, something is seriously wrong.

The issue was first noticed by Becca Fleming, who wrote in a discussion thread over at KBoards that her new releases weren’t getting as many page reads in KU as previous releases had lead her to expect.

Just to make a few points clear: the pool of authors who have noticed things aren’t right includes those with fewer than five books under their belt and NYT bestselling authors with over 100 books who regularly break into the top 100 or top 50. This issue does not seem to be system-wide: it’s only affecting new releases (perhaps since July, but mostly those published in September). These are books which are selling well, ranking well, but the reported pages are vastly lower.

I had a promo push on September 23. The book sold 80 copies and had 100 pages read. The prior books in the series had about the same sales but 20 times the page reads on their promo day.

I had a promo push on September 30. The book sold 118 copies and had 300 pages read. This should have been 10-15 times higher based on prior series releases.

Several different authors report that Amazon has confirmed the problem, and that they have fixed it.

While that is supposed to sound reassuring, we’re still getting reports today from authors who have been impacted by this glitch. "My sales have flat lined for the past two days, and this is after a promotion. The only book I have in KU hasn’t had page reads since Sept. 13," one author writes over at KBoards.

Another added "I’ve got a multi-author bundle getting sales that hasn’t had a single page read reported since sept 24.".

No one knows for sure what is causing the problem, but current speculation is focused on the Page Flip feature which was updated earlier this year.

As the theory goes, readers are flipping through ebooks using the Page Flip feature and the views aren’t being counted.

The problem with that idea is that the updated Page Flip debuted in June, and authors didn’t notice a problem until mid-September. Also, the Kindle had already had a Page Flip feature for years, and it wasn’t causing any problems in that time. And finally, the updated feature is not available for all ebooks. It’s tied to the KFX ebook format, and we don’t know that all of the affected ebooks had the feature.

Furthermore, Amazon has denied any connection between this feature and the lost page views on the KDP support forums, while at the same time suggesting that the gross number of page views are still being tracked in the system (they’re just not being credited correctly to the specific ebook).

I am still waiting to hear from Amazon, so at this point all we know is that there is a problem, it is affecting a swath of authors, it has been around for a month already, and that as of 10 October it hasn’t been solved.

Your guess is as good as mine how and when it will be fixed, but I can say that I am looking forward to 15 October, when Amazon is going to announce the Kindle Unlimited funding pool and royalty rate for September 2016.

Authors are going to look at their earnings, realize they took a hit in the pocketbook, and start screaming at Amazon to DO SOMETHING.

And that is when the problem will be fixed (I hope).

image by pasa47

The Case for ISBNs

Yesterday’s story about Bowker’s doomed efforts to measure the ebook market through ISBN registrations reminded me of a related story which had been languishing in my draft folder.

Just about everyone agrees that indie authors generally don’t use ISBNs on their ebooks. I’ve been pointing that out for almost four years, and it’s not hard to find a dozen posts why authors shouldn’t bother with ISBNs.

But have you ever considered the case_for_ ISBNs?

An ISBN is effectively a serial number for a book. A print book must have an ISBN or it can’t be sold in most bookstores (nor even on the bookstore’s website), but Amazon and the other major ebook retailers don’t require that an ebook have an ISBN, and so some indie authors think an ISBN has no value.

In some ways they are right, but at the same time they are also wrong.

Yes, few distribution channels require an ISBN, but at the same time revenue from those distribution channels can justify the cost of buying ISBNs.

Author Karen Myers presented a business case in favor of ISBNs a few weeks back in the comment section at The Passive Voice. She bought a thousand ISBNs from Bowker for $1,000, and has so far used 80 of them.

Myers has argued that one should buy an ISBN as a way of future-proofing, but also that there is a business case to justify the expense.

Here’s what Myers wrote about future-proofing in 2014. It’s all about controlling one’s identity because otherwise Amazon, Kobo, et al will control you:

Consider the following situation:

  • I publish a book, digital only. I don’t bother with an ISBN number.
  • I distribute it on Amazon, which assigns it an ASIN number, an Amazon product code.
  • I distribute it on Barnes & Noble, which assigns it an EAN number, a B&N product code.
  • I distribute it on Kobo, which assigns it an ISBN number owned by Kobo, so my book will appear to be published by Kobo, not me.
  • I distribute it on Smashwords, which assigns it an ISBN number owned by Smashwords, so my book will appear to be published by Smashwords, not me.

With the exception of Smashwords, none of these identifiers appear within the eBook itself.

And now, let twenty years go by… Barnes & Noble and Smashwords are out of business. Amazon changes its product code conventions and no longer uses ASIN numbers. There is no searchable database made available by Amazon for the old ASIN numbers. Kobo, which owns the ISBN it provided, controls what the Bowker Books In Print or successor database contains and updates the information about your book in ways you would not approve of, and since you have no ISBN number of your own that’s the only record of your book in Books In Print. Someone who chanced across a reference to your book based on an old copy from Barnes & Noble can’t find it because the B&N identifier is no longer alive, and may or may not connect it with a Kobo record in Books In Print which has a completely different identifier.

That is a cogent argument, and so is Myers' point on the cost-benefit of buying ISBNs.

Yes, everyone says that authors don’t need an ISBN to reach the vast majority of the ebook market, but as it turns out that is an over-generalization. It may be true for the market as a whole but it is not necessarily true for an individual author.

Myers revealed over on TPV that:

Print is 21% of my units sold, and more than half of that is from physical stores and other vendors requiring ISBNs. All of my audio sales are through a distributor that requires ISBNs. About 5% of my ebook sales are through distributors that require ISBNs, and that includes libraries.

Those are modest numbers — about 16% overall — but those are all sales that would not have occurred without ISBNs.

So a one-time, $1,000 investment has enabled 16% of Myers' units sold. I can’t speak for you but that strikes me as a good return on the investment.

Myers has shown that buying ISBNs is on par with hiring professionals to edit and finish a book. The two are similar in that authors theoretically don’t need either an ISBN or paid assistance, but a judicious investment can pay off in increased revenue.

That may not win over those who argue against ISBNs on ideological grounds, but any author who approaches book publishing as a business needs to look past the ideology and look at the figures.

The math says that buying ISBNs can pay off, so to hell with the ideology.

KDP Print – Amazon is Beta-Testing a Combined Kindle and POD Dashboard

For the longest time Amazon has offered two distribution platforms for books. Publishers could use KDP to sell ebooks in the Kindle Store, and they could use Createspace (and before that, Booksurge) to distribute POD books.

Now Amazon is testing a combined interface where publishers can manage both their ebooks in the Kindle Store and their POD books in Createspace.

The new feature is called KDP Print, and according to the comment thread at KBoards this feature has been available to a limited number of KDP users since July 2016.

Comment threads on the Createspace and KDP support forums confirm that  most users don’t see new feature, but there is also a report on Self Publisher Bibel that users are seeing the option in Germany. That suggests that the testing has gone international.

Details are still scarce, but what we know now is that users can generate sales reports in KDP which cover both their print and digital books.

The following screenshots were made by Emily Martha Sorensen:

Amazon is trying to keep this program under the radar, so we don’t know much at this time. The retailer has published a couple KDP help pages with more detail, but those pages can only be viewed by eligible users.

If you can see them, congratulations; you can use the new feature.

We know from the KDP Support Forum discussion that the new feature is less about tying a publisher’s existing POD and Kindle books into one interface than about getting KDP users to create print editions of their existing titles.

There’s no mention in the public discussions of importing data from Createspace or tying in an existing account, but KDP users are invited to upload a new file which will be turned into a POD book. PDF is preferred, but doc, docx, html, and rtf are also accepted.

It does not appear, however, that Amazon is automatically converting existing Kindle ebooks, and that is a good thing – they would look like crap.

O O O

When this program more widely available, it has the potential of upsetting POD and the print book market.

Amazon has long offered a POD service through Createspace, and in fact they will also distribute your Kindle ebook from a Createspace account. But as we know there are many authors who have only produced ebooks and have previously passed on print due to the hassle, low sales,  and the fact that key genres (romance, thriller/mystery, and SF) have largely gone digital.

This new feature in KDP will make it easy for authors to produce a POD book, get it onto bookstore websites, and possibly even get it into Walmart stores.

This has the potential of disrupting the print book market by injecting millions of new titles. If authors thought it was hard to get their book on to store shelves last year, just wait – the competition is about to multiply.

But will it generate a huge amount of sales?

POD books are considerably more expensive than most paper books. That will reduce demand, but a small number of print books sold is still an improvement over none at all.

Plus, KDP Print will encourage authors to release their books through more channels than just the major ebook stores.This gives them a chance to reach more readers, in particular the ones who are sticking with print.

Vibease Smart Vibrator Brings Audiobooks to Life

Earlier this year I brought you news of the Little Bird, a Bluetooth-enabled smart vibrator which gave stories a buzz. Now word of a second smart vibrator has crossed my desk.

The Vibease is a vibrator that works with audiobooks. When paired with the companion app running on an iPhone or Android smartphone, this device lets readers participate in the story.

Here’s a quote from the makers:

Imagine listening to Fifty Shades of Grey, when the voice says "I’m touching you softly," it vibrates softly and when the voice says "I’m touching you hard," it vibrates hard. Like in the real intimacy, the user will experience surprises and anticipation.

Owners can use the Vibease with an audiobook from Vibease’s fantasy store, or they can use it as a regular vibrator.

Initially funded in an Indiegogo campaign in 2014, the Vibease is now available in two models and retails for $119 and $139.

Bustle

Onyx Boox Prometheus – 9.7″ Pearl E-ink Screen, Frontlight, $384

The Chinese ereader maker Onyx and its Russian retail partner MacCenter have just unveiled the Prometheus.

This ereader runs Android 4.0.4 on a single-core 1GHz CPU with 1GB RAM, 16GB storage, and a microSD card slot. Its 9.7″ display has a screen resolution of 825 x 1200 along with a frontlight and capacitive touchscreen.

In term of connectivity, it has Wifi and Bluetooth. Unlike the related German models, there’s no speaker, headphone jack, or microphone (also no electromagnetic touchscreen with stylus).

Weighing in at 450 grams, the Prometheus measures 9.5mm thin and packs in a 3Ah battery. It is available tomorrow with a price of 23,990 rubles, or about $384 USD, and comes with a sleepcover.

Onyx-Boox.ru via The-eBook.org

Amazon Adds a Teaser eBook Service to Amazon Prime

When Amazon launched Prime Video, the service offered a comprehensive selection of movies and tv shows which could take years, if not decades, to work through. In the past couple years, however, the selection has been pared back to make Prime Video more of a teaser for the paid videos (this is why I let my Prime expire).

Now Amazon is launching a similar Amazon Prime teaser service for reading material. The retailer announced on Wednesday that Amazon Prime members in the US could now access a library of 1,000 free ebooks, magazines, short works, and comic books.

“Prime is the best deal in the history of shopping and today it got even better,” said Greg Greeley, Vice President Amazon Prime. “Prime members can now enjoy an awesome selection of books including The Hobbit, Harry Potter and the Sorcerer’s Stone, The Man in the High Castle, plus magazines and more with Prime Reading – all for free on any device.”

The service is called Prime Reading, and it is included free in the $99 a year Prime subscription. And unlike Kindle Owner’s Lending Library, Prime Reading works on the Kindles apps as well as ereaders.

“This is a new and exciting way for our premium brands to reach and engage with Amazon’s Prime members,” said Monica Ray, Executive Vice President of Consumer Marketing at Condé Nast. “Prime readers can now keep up with all the latest news, trends, tips and so much more with the rotating selection of our magazine brands.”

Compared to the millions of works now available as ebooks, a thousand titles is merely a drop in the bucket. That makes this a teaser service which Amazon is hoping will get more people buying books (print or digital – Amazon isn’t picky).