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Nate Hoffelder

Nate Hoffelder

Nielsen Says eBook Sales Dipped 6% in 2014, But Their Numbers Smell Funny

Nielsen has just given us a great example of why one should always take publicly announced stats with a grain of salt.

The Bookseller caught up with a story from Book Expo America this morning. Sarah Shaffi reports that reps from Nielsen gave a presentation and shared bad news about the US ebook market:

E-book sales in the US declined by 6% in 2014 compared to the year before, statistics released by Nielsen show.

Information presented at BookExpo America and derived from PubTrack Digital, which collects e-book sales data from more than 30 of the largest publishers in the US, showed that in 2014 just under 223 million e-books were sold in America, down from almost 240 million units in 2013. E-books made up 26% of all book sales in 2014, down from 28% in 2013.

Update: The numbers are complete and utter nonsense.

While I wouldn’t go so far as to say the numbers are bunk, I do wonder about their validity. I don’t know whether The Bookseller made a mistake in their reporting or whether Nielsen’s statistic model is off, but something looks wrong here.

To put it simply, Nielsen took revenue data from a few dozen publishers and derived market statistics for consumer ebook purchases in the US in 2014. While you can sometimes use this trick to find interesting data, in this case I think Nielsen used a survey group which was too small.

I have revenue stats from the American Association of Publishers in front of me, and they paint a different picture. The AAP collects revenue data from 1,209 publishers, and its data showed that publishers' ebook revenues were up 4.7% in 2014, to $1.6 billion.

I don’t know about you but I have trouble accepting extrapolated market stats from such a small survey group when we have readily available data from a larger survey group which appears to contradict it.

Sure, it is entirely possible that both could be correct; the AAP’s publishers could have gained market share in a down market. But the more likely possibility, in my mind, is that Nielsen’s model was wrong.

Or did I miss something?

image by LendingMemo

The Kindle’s New Typography is Hard to Pin Down, But It Is Pretty

Several days ago Amazon released a new version of the Kindle app for iPad and iPhone which added a new font (Bookerly), hyphenation, and all around better text rendering.

To hear some tell it, this is the best thing to happen to ebooks since the Kindle Store opened. Fast Company gushed at length about the change, calling it "digital typography that doesn’t suck".

Those of us who have tried to see the new typography before rendering an opinion are less than enthused. While the new text rendering is very pretty, it is also rather difficult to find.

You can see the new typography on the Fire tablet and in the Kindle iOS app, but only if you buy one of a handful of ebooks in the Kindle Store. You cannot, for example, upload your own ebooks and let Amazon add the new features; instead you have to buy one of the titles with the new feature built in. Amazon has named a few you can try:

Amazon is currently listing 58 titles with the new features. Edit: Not all of which have the new features.

After noting that Juli Monroe (and a bunch of people on Twitter) had trouble finding books in their libraries which had the new feature, I bought a copy of Insurgent and sent it to my iPad.

As you can see, the new hyphenation isn’t a myth, nor is the new kerning:

Alas, I didn’t think to take a before screenshot. But I did find the same hyphenation on my Fire HD:

I’ve double checked, and the personal ebooks I uploaded to the Kindle Cloud today and downloaded again don’t show hyphenation.

All in all, this is a nice improvement, but until it is more widely available, I am unable to get excited.

Amazon says that the new typography is used in "hundreds of thousands of books", but there are how many titles in the Kindle Store?

Millions, and that’s not counting the effectively infinite titles which are either sideloaded on to Kindles or uploaded to the Kindle Cloud.

I can’t tell you why the new feature isn’t working everywhere, but I have my suspicions. I am still waiting to hear back from some experts who have looked under the hood of the new ebooks, and if they see what I am expecting then this story will prove to be a lot bigger than just new typography.

Stay tuned.

BEA 2015: Ten Tools For Authors

Book Expo America 2015 was a three-day whirlwind of conference sessions, mad dashes across the show floor, and swag (bags are my thing, baby).

I’m still recovering from the conference, and as I sit here zoning out over going through my notes I can see that there are a bunch of exhibitors who offer services and tools that authors might want to use. Some were new, some were established names, and there were even a few existing companies which were new to me.

To start, there’s Piracy Trace and Bublish, both of which have been covered elsewhere on this blog, and Bookbub, which is so well-known that it does not need a blurb.

And in no particular order …

Dropcards offers a digital download gift card service similar to Enthrill, only Dropcards is focused on promotion and not sales while Enthrill is more of a commercial offering. It doesn’t support DRM but does let authors give away just about any file type they like, including MP3 and ebooks. This company hasn’t gotten as much press as Enthrill but it does have customers both in music and book publishing, including several exhibitors at BEA 2015.

Slicebooks is the only company I know of that has managed to turn selling excerpts and chapters into a viable business. This company offers a service which authors and publishers can use to remix their own content and sell it direct to readers. All the power is in the hands of the creator, and not the reader, and guess who pays to keep the service running?

Momentum applies the concept of crowd-funding to social media campaign. Authors and publishers can use its paid service to run social media campaigns and give away freebies to anyone who shares a mention of the campaign. The catch is that the content is only unlocked if a campaign reaches a minimum number of participants.

Or at least that is what PW is saying; I can’t find a website to link to. Yes, this company offers a marketing platform and yet somehow forgot to cover one of the basic steps involved in promoting their platform.

BookGrabbr is another social marketing platform for authors. Readers who share about a book or other work being promoted (tweet, FB post, etc) can get the content as a free download. Unlike Momentum, there’s no minimum threshold.

BooksILove is more of a Goodreads competitor than a marketing platform, but it was being pitched at BEA 2015 as a place where authors can promote themselves. It is a book-focused social network, but it also offers authors the chance to announce a book launch or other event with Happenings, or share a book excerpt with BookSnips.

BookHive wants to answer that age-old question: What do readers think of my work? It lets authors rent out a focus group of 8 to 10 beta readers (from a pool of 750 readers). The survey groups are asked to read a work and fill out a questionnaire.  Authors can submit questions, and when the surveys are collected the authors receive both the raw data and a summary generated bt BookHive.

FindMyAudience asks a similar question: Where are my readers? This startup helps authors target their marketing efforts by identifying places and people who are likely to be interested. It is something of a market research firm, only it’s focused on social media. Authors can type in their book’s name, genre, and keywords, add similar titles, and based on that criteria FindMyAudience will return a list of social media accounts, forum topics, and hashtags.

The beta will launch in June.

image by mripp

The Authors Guild Breaks Up With Vanity Press Author Solutions

The Authors Guild is turning over a new leaf this week. Along with a new initiative to educate authors on publishing contracts, The Authors Guild also announced a new deal with Open Road Media yesterday to help TAG members get their out-of-print backlist titles into the market.

Today, the Authors Guild and Open Road Integrated Media announced a new partnership for the Authors Guild’s Back in Print program, one of the Guild’s most popular services. Through Open Road, Authors Guild members will be able to distribute print-on-demand, e-book, and audiobook editions of their out-of-print titles. The e-books and audio book options are new to the program.

While that deal doesn’t sound like a new leaf, David Gaughran points out that the partnership with Open Road Media replaces a deal between The Authors Guild and the noted vanity press operator Author Solutions.

Yes, the same company which is owned by Penguin Random House and is the subject of multiple class action lawsuits.

According to David:

The announcement was made yesterday at Book Expo America, but the Authors Guild decided to bury its own lede. No mention is made of Author Solutions, just a brief mention of the subsidiary which the Authors Guild was partnered with: iUniverse. If I hadn’t been waiting for this announcement, I would have missed it.

It’s almost as if the Authors Guild is trying to airbrush its partnership with Author Solutions from the history books. As if it was all just a bad dream.

I will admit, I missed the connection.

The Authors Guild had been partnered with iUniverse since 1999, long before iUniverse had been absorbed into Author Solutions (in 2007). That contract had been renewed (in 2008 and in 2011) even though the quality of the customer service plummeted once Author Solutions bought iUniverse.

David goes into the former partnership in some detail, but now that it is over I care less about the nuances of how authors were cheated than I do about the program being dead.

Yes, The Authors Guild was in bed with Author Solutions, and yes, The Authors Guild was raking in a 10% cut of revenues from that deal, but I’m more interested in the news that the deal is dead.

As anyone who has read this blog for a while can tell you, I like to bash The Authors Guild for acting against the interests of authors. I thought this group was basically a puppet for publishers, and referred to them as such.

But over the past day I have reported on two stories which suggest that The Authors Guild has changed its tune, and that is the far more interesting story.

Something tells me that The Authors Guild is going to be quite the different entity under Roxana Robinson. She was elected president of The Authors Guild in March 2014, and replaced Scott Turow. While Robinson doesn’t like Amazon any more than Turow did, her administration is evidently a lot more pro-author than that of her predecessor. (And yes, I do realize the ridiculousness of that statement.)

Edit: A reader reminds me that The Authors Guild also has a new executive director. Mary Rasenberger replaced Paul Aiken in October 2014. Thanks, Anne!

Glose Launches an Android App, Adds Excerpt to Its eBookstore

The second coming of Readmill has been quite popular since it launched last November, but it was missing something: support for Android.

That changed today. Glose has launched a new Android app which brings its social reading platform to Android. The app features all the same great shared reading experience which iPad and iPhone users have enjoyed for the past 7 months, and it also has access to Glose’s 600,000 title strong ebookstore.

You can find the app in Google Play.

In related news, Glose has also added excerpts to its ebookstore, which brings me to the bigger story today.

Glose might not have the largest ebookstore but they do offer a feature which the Kindle Store lacks: seamless excerpts.

If you download an excerpt from Glose’s ebookstore, you can read it, annotate and share, etc, and if you decide to buy the ebook the excerpts will be transferred over from the excerpt to the paid ebook.

"We are launching the biggest freemium offer on the book market," co-founder and CEO Nicolas Princen told TechCrunch. "We will let you read the first 10 percent of any book for free. We are different from Amazon as you only download a single file. You can download an excerpt and do everything you would do in Glose, and you will keep everything."

He’s not wrong. I just checked, and the Kindle Store didn’t offer this feature (not for either of the two ebooks I bought). For some reason I thought Amazon was already doing this, but I guess I was wrong.

That puts Glose one step ahead of the Kindle platform, which does offer a similar (but more limited) shared annotations feature called "Popular Notes and Highlights".

TechCrunch

The Authors Guild to Take on Boilerplate Publishing Contracts With Fair Contract Initiative

The Authors Guild frequently gets called a puppet of the major publishers, and now they have a chance to prove just how wrong that label is.

They’ve just announced a new educational initiative which will focus on dissecting the boilerplate terms common to standard book publishing contracts and (I hope) detail which terms are appropriate, exploitative, or negotiable.

To coincide with this year’s conference, we’re announcing the rollout of the Authors Guild Fair Contract Initiative, a series of commentaries we will publish in the coming months to take a fresh look at the standard book publishing contract. Our guiding principle for this new initiative is to restore balance to the author-publisher relationship and help authors achieve a fair return for the efforts they contribute to the joint venture of book publication.

The commentaries will be published on The Authors Guild’s website, authorsguild.org over the next few months. Until then, all we have is the launch statement (PDF) that The Authors Guild released in addition to the blog post announcing the new initiative.

***

I don’t know that I will be covering the commentaries myself, but I will be following a couple other blogs: The Passive Voice and Kristine Kathryn Rusch. One blog is run by an IP lawyer who negotiates this type of contract, while the other is the blog of an author who knows almost as much about contracts as Passive Guy.

These two have the requisite knowledge to critique the commentaries and tell us whether The Authors Guild is accurately pointing out the worst flaws in publishing contracts, and not just publishing shallow overviews.

This blogger thinks that The Authors Guild is more likely to publish the latter than the former, but I would be happy to be proven wrong.

The Authors Guild via PW

image by NobMouse

Appeals Court Rebukes Apple Monitor, But Leaves Him in Place

So Apple just failed in their latest attempt to get the court-appointed antitrust monitor fired. Fortune reports that the appeals court wasn’t too happy with Micheal Bromwich but did not go so far as to remove him:

In a ruling published on Thursday, the Second Circuit Court of Appeals ruled that the conduct of the monitor, Michael Bromwich, gave “pause” and was “the opposite of best practice” but nonetheless refused to grant Apple’s request to remove Bromwich from his position.

Bromwich took up the role of monitor at the behest of U.S. District Judge Denise Cote, who ruled in 2013 that Apple had been the mastermind of an ebook price-fixing conspiracy. The judge appointed Bromwich to assess Apple’s compliance with a court-ordered antitrust program. Bromwich’s behavior, however, soon enraged Apple.

You can find the ruling on Scribd, and for additional coverage head on over to the WSJ, and Reuters.

Frankly, I’m not surprised by today’s ruling. While Apple and its partisans weren’t happy about Bromwich’s conduct, I  wasn’t convinced that he had done anything truly horrible enough to merit an appeals court intervening. Had that been the case, Apple would have succeeded in getting Judge Cote to set him aside or rein him in a long time ago.

Remember, Apple did try just that early last year, to no avail, and when Judge Cote ruled against them Apple then appealed to the 2nd Circuit Court, but that went nowhere.

And now Apple has failed again.

It looks like Apple’s only hope is that the appeal court overturns the case either in whole or in part, but just about the only people who think that has a chance in hell are Apple partisans.

image by tuukkar

Twitter in Talks to Acquire Flipboard, Perhaps Host News Articles?

Having bought Zite and outlived several competitors, Flipboard is now the Youtube of news aggregators. And now there’s talk that the company is going to be acquired.

Re/code reports that Twitter is in talks to buy Flipboard in a stock swap which would value the news aggregator at one billion dollars: The talks are not going well:

Those discussions, which have been pushed by Twitter CFO Anthony Noto, have been taking place since the beginning of the year, said sources, as the social communications giant has faced increasing pressure from Wall Street to grow its audience and innovate its products. But despite a flurry of activity more recently, sources said these talks between Twitter and Flipboard — who are partners on a number of different fronts — seem to be currently stalled.

Still, the concept behind the acquisition are intriguing on all kinds of levels. For Twitter, it would bring an experienced product team — headed by well-known Silicon Valley entrepreneur Mike McCue — to the company.

When I first heard about this story I was surprised that the buyer wasn’t Dropbox. That cloud storage company has been acqui-hiring cloud services startups left and right, and while Flipboard would be a larger acquisition than average it would not be a crazy idea (too expensive, perhaps, but not crazy).

But now that I’ve thought it through, I think Twitter makes more sense as a potential buyer for Flipboard. These two companies  have very similar tech and have partnered in the past, but more importantly the services they offer to consumers are complimentary.

Twitter lets its 300 million users send small pieces of text, images, links, etc, while Flipboard distributes whole articles to its 100 million users. Put the two together and you have a service not unlike Facebook Instant Articles.

Twitter already hosts some content; it displays images from some platforms in line with tweets, and it also embeds Youtube videos, Amazon listings, and excerpts from blog posts. But if Twitter swallowed Flipboard, the combined company could host and distribute a broader range of content.

I think this would be a great match, but is it worth a billion dollars in stock?

That I am not so sure.

While Twitter has found a way to sell ads on its site and in its apps, Flipboard has not. The latter company has a billion dollar evaluation and no clear idea on how it is going to generate revenue much less turn a profit.

Sure, Twitter could sell adverts against the embedded articles, but if that were all they wanted then Twitter could develop similar tech for a lot less than a billion dollars.

And that is probably why the deal is stalled.

24Symbols Expands Into Germany, Signs Deal With Mobilcom Debitel

Here’s an old bit of ebook news which went unreported at the time.

Earlier this month 24Symbols inked a deal with the third biggest carrier in Germany, Mobilcom Debitel, to offer 24Symbols' subscription ebook service to the mobile operator’s customers.

Readers can subscribe and read as many titles from the 100,000 German language titles in 24Symbols' catalog as they like for only 6 euros per month. The ebooks can be read in 24Symbols apps for Android, iPad, and iPhone, and the payment processing is handled by Mobilcom, which will be promoting the service both online and offline campaigns.

24Symbols is one of the older but less buzzworthy subscription ebook services. Primarily based in Spain with English and Spanish titles in its catalog, the deal with Mobilcom marks 24Symbols first major international expansion. Its competitors in Spain include Nubico, Skoobe, and Nuvem de Libros, while in Germany 24Symbols has to contend with Kindle Unlimited, Skoobe again, and Scribd.

Quite some time has passed since 24Symbols last crossed my desk, and i was frankly surprised to learn that it had added 100,000 German language titles to its catalog. That is a better selection than Skoobe boasts, and it could be more German language titles than Kindle Unlimited (it’s difficult to say from across the ocean).

Google Shutters Its Play Books Publisher Portal in Order to "Improve Its Content Management Capabilities"

Do you know how I’ve been harping on the rampant commercial piracy in Google Play Books (four posts in the past month)?

I think Google finally got the message. I’ve just read on Twitter, and confirmed from a second source, that Google has closed the tr to new users.

Update: As of late November, the portal is still closed to new sign ups.

The Partner Center is Google’s name for the place where authors and publishers upload books to sell in Google Play. It is now closed to new registrations, and anyone who tries to sign up will see this:

I’m still waiting for a response from Google (it’s Memorial Day), but I can tell you at this time that this is what they told the Sell More Books Podcast:

If you can’t see the image, a Google rep posted the text in the support forums:

We’ve temporarily closed new publisher sign ups in the Play Books Partner Center, so we can improve our content management capabilities and our user experience. We’re working to reopen this to new publishers soon. Thanks for your patience.

To be clear, this has now been confirmed from several sources.

I could be jumping to conclusions, but it looks to me like Google has decided that it was time they took piracy seriously, and apparently their first step is to stop letting pirates set up new accounts. This is temporary, of course, and will probably only last until Google has added algorithms which will actively identify and flag pirated ebooks in Google Play Books (ideally, something like ContentID in Youtube).

I’ve said this before but it bears repeating.

More so than any other ebook retailer, Google has a problem with rampant commercial ebook piracy. Thanks to Google’s complete indifference, ebook pirates can set up shop in Google Play Books – and I mean that literally – and upload copy after copy after copy of a pirated ebook secure in the knowledge that Google won’t do anything more than respond to a specific DMCA notice.

And now that is going to change (or so I hope).

While I would like to take the credit, Google would probably still be ignoring this issue if not for the fact that the Dutch publishers trade group NUV, or Nederlands Uitgeversverbond, took an interest after Google said that there was nothing they could do about an obvious commercial ebook pirate.

As I reported in my last post, the NUV is far more powerful than a lone blogger or individual publishers. It has the resources both to file an expensive lawsuit and to launch a PR campaign to embarrass Google, but more importantly the NUV also has the connections and the gravitas to grab Google’s attention and make Google fix the problem.

And I think the NUV got Google’s attention. It was two days after I published my last post that Google stopped accepting new registrations in the Partner Center.

The Partner Center has been locked for 5 days now while Google is doing something behind the scene. They have yet to share any details but let’s hope that includes adding ways to detect pirates.

I am of course waiting for a response from Google. If you hear something, please leave a message and let me know.

Stay tuned.

Thanks, @SellMoreBookShow and @MJ Guns!

The Authors Guild Thinks That Amazon is Devaluing Books, Authors Who Write for Free Err

Earlier today The Bookseller published a piece where Roxana Robinson, the president of The Author’s Guild, shares hew view on key issues like the ongoing appeal of the Google Books case, authors writing for free,  and Amazon destroying book culture as we know it.

Starting from least interesting to the most exciting, Robinson mis-characterized the ongoing Google Books case as:

“Non-fiction writers have seen their sales plummet because of this,” said Robinson. “It is a brilliant tool for scholars doing research, but it makes it unnecessary to buy a book or to find it in a library. Google is making money on this process and it is not paying authors any compensation at all. If, on the other hand, Google set up a software system in which every time you clicked on my book I would get a penny, that would solve the problem.”

Yes, because showing a tiny snippet of a book is enough to completely obviate any need to buy the book and will never lead to sales.

In related news, no one has ever bought a book after browsing a copy in a bookstore.

Do you know what also doesn’t lead to sales? Authors marketing themselves by writing guest blog posts. According to Robinson:

authors were not helping themselves by writing for free. “People write on Huffington Post, they write for Goodreads, they write for Medium.com: valuable sites owned by big tech companies that make a lot of money for those companies. Writers choose to write there for nothing and to provide content for nothing. That’s another issue, and that is something that writers are doing deliberately.”

Robinson said The Authors Guild would not advise any author to stop writing for publications, but argued that an article by an author on a website may not lead to book sales. “I don’t know that anyone has figures on sales that result from this kind of writing (for free),” she said. “Everyone says, ‘get your name out there’, but does that really translate to connecting to the hard mental presence of the book? We want writers to recognise what is happening, to be aware of this trend, that writers themselves are contributing to the idea that their writing doesn’t deserve to be paid for.”

Yes, writing blog posts for free devalues writing.

At the same time, writing a whole book for free and submitting it to a publisher in the hopes of getting a tiny advance doesn’t in any way devalue writing, no sirree.

Frankly, I’m not surprised that she neglected to mention that second part, nor am I surprised that Robinson also took a couple swings at Amazon.

As with her last criticism of Amazon, Robinson has taken the publishers' position that Amazon leads the movement of devaluing books:

"Amazon discounting book prices means that there is a movement toward devaluing books,” she said. “And I think that has an impact on the way people look at writing. If Amazon keeps pricing e-books at very, very low prices, people start feeling, ‘well, actually, writing isn’t a valuable product’.”

Robinson said there was “definitely a difference between how authors and other people are viewed”, adding: “The idea that software writers be well compensated and that their work should be protected but book writers’ should not . . . that’s a real problem.”

Leaving aside the Amazon comments for the moment, her comparison between authors and software engineers is simply nonsensical.

It’s not just that she ignores the prevalence of free apps in iTunes, Google Play, and elsewhere, or that the free apps are often equivalent replacements for paid apps (this is less true with books).

What’s more important is her idea that software engineers should be paid but authors should not. I for one have never read anyone taking that position, so I am stumped to figure out where she heard it or why she is taking it seriously.

I suspect it is a straw man argument, but I don’t understand why she would want to invent it when she could have simply kept attacking Amazon.

Speaking of which, does anyone else wonder whether Amazon has pissed off the publishing industry again?

While that might seem a leap worthy of a conspiracy theorist, I would remind you that there is no obvious reason for Robinson to take a swing at Amazon like this.

Yes, The Authors Guild frequently echoes the major publishers' hatred of Amazon, but the attack usually come timed to support some conflict between the publishers and Amazon.

As you might recall the last time that Robinson  attacked Amazon she did so on behalf of Hachette. She spoke on Bloomberg TV in September 2014, and I don’t recall any comments since then.

Do you suppose there is something going on behind the scenes?

Adblock Plus Launches an Android Web Browser

Depending on who you ask, ad blocking plugins are either immoral (but legal), a necessary security tool, or a weapon in telecoms' fight against Google. Opinions are mixed, and today’s news will only add fuel to the fire.

Eyeo, the German company behind the Adblock Plus browser plugin, is now beta testing a new web browser for Android which has ad blocking built in as a core feature.

The Adblock Browser is basically a modified version of Mozilla’s open source Firefox web browser. Like the Maxthon browser which launched earlier this year, the Adblock Browser features close integration with Eyeo’s ad blocking tech, giving them better control over how Adblock Plus works on a mobile device.

The new web browser makes it easier for users to improve their browsing experiences by speeding up downloads, reducing mobile data usage, and blocking malvertising.

While you could get a similar experience by downloading the Adblock Plus app from Eyeo, that route requires that you configure the app (and sometimes reconfigure the app after you disable and re-enable the block).

The Adblock Browser is currently in beta. If you would like to try it, you will need to join the beta community on Google+ and opt in to the beta. Once accepted you will be able to download the app.

And if you don’t want to join Google+, I expect someone will post a copy of the app shortly.

According to PageFair, around 144 million browsers were using ad blocking plugins  last June, an increase of 70% from the year before. While it’s difficult to estimate the impact on website revenues,  ClarityRay estimated in 2012 that ads were blocked on around 9% of all page impressions.

Three years have passed since then so that has bound to have increased. Let’s hope it doesn’t increase too much, otherwise the free to read websites we know and love will shortly have to find a new business model.

Vook Finalizes Pivot From Creator to Distributor/Services, ReBrands as Pronoun

Ever since it launched in 2009 Vook has been a useful weather vane for trends in digital publishing.

The startup initially launched with the idea of creating enhanced ebooks for the iPhone (this later expanded to include the iPad, Fire tablets, Android). By early 2011 that idea had proven uneconomical, so Vook pivoted to producing enhanced ebooks for clients (and distributing the sometimes voluminous files).

That idea proved unworkable by early 2012, at which point Vook pivoted to emphasizing distribution. Over the next 3 years Vook continued to build on the idea that it was a services company.

Vook bought Booklr for its real-time data and analytics service in early 2014. Vook has also built internal tools and services, and in late 2014 Vook bought the failed hybrid digital publisher Byliner and (part of) Coliloquy, a niche ebook app developer/publisher.

And now Vook is shedding the last vestiges of its past as a content creator. PW reports that Vook is rebranding itself as Pronoun:

After a year of acquisitions that included the online literary boutique Byliner and the e-book data analysis engine Booklr, e-book creator Vook has relaunched itself as Pronoun. The new company is a soup-to-nuts self-publishing platform comprising the combined technological tools of Byliner, Booklr and Vook. Declaring itself “a new model for authors,” Pronoun offers its services free of charge and gives authors a 100% royalty rate.

“Pronoun is committed to changing the publishing model by making it open, and by making it free,” said Josh Brody, Pronoun CEO. Brody said the new platform is the culmination of “a year of acquisitions and building a new team,” that will offer “a new kind of platform that empowers authors.”

Pronoun’s new site and service are not yet open to the public, so it is difficult to say whether the claim of 100% royalties is real or not. But the company says that it going to subsist on revenue from its current legacy businesses in data conversion and sales tracking. It is just with the new platform that Pronoun plans to go completely free.

This suggests that Pronoun is going to be more freemium than free, but we won’t know for sure until we get a look inside.

Google Debuts New Literata Font – Two Weeks Ago

There’s a story going around today about the new fontface which Google released with the latest update to Google Play Books a couple weeks back.

Apparently a lot of people are just now noticing that Google has replaced the Droid Serif font in GPB with Literata. This font was commissions from Type Together, a font foundry, and looks completely different from the font it replaces:

According to Type Together, the font is only going to be used in Google Play Books. They say that "the new Play Books type is meant to establish a recognisable visual identity for Google’s native eBook App and stylistically distinguish itself from other eReader competitors". Type Together has been working with Google for over a year to develop the new font, which includes Latin, Greek, and Cyrillic characters in regular, bold, and italic.

***

Given that Amazon has the Bookerly font, and Kobo has Nickel, I guess that custom fonts are the new ebook fad for the major platforms.

What a waste. While fine-tuned fonts can improve the reading experience, I’m not convinced that investing in a custom font is worth the expense. On the other hand, Apple’s approach of licensing the Helvetica Neue font as a system font on Apple devices might actually be the more expensive approach.

But given that no one has revealed their costs, it is hard to say.

Google Features Book, Movie Reviews in Search Results

Google will show different results which differ based on your search topic. Look for a location, and Google will likely return a Google Map entry as the first result. Search for a hotel or vacation, and Google will serve up an ad and try to get you to book your trip through a partner. And if you type a math problem into the search bar, Google will solve it for you.

And now if you search for a book title plus the word review, Google will show a window with reviews as the first result. It looks like this:

Google is taking the reviews which it used to display to the right of the search results and is putting them before the organic search results. The reviews have been aggregated from Goodreads, B&N, Google Books, Amazon, and other sites, and link back to those sites.

I can’t tell you how long Google has shown reviews this way; it is new to me, and from the way that Search Engine Roundtable reported on it yesterday, I think they are only seeing it for the first time as well.

In fact, this is so new that I don’t think anyone has realized that Google is mixing together reviews for several types of content. Did you notice that the second link in the screenshot above leads to a movie review, while the first leads to a review of the book?

Yes, Google is aggregating reviews for several formats into that one window. I’m not sure that is a good design, but I can tell you that adding either words like book or movie to the search terms will filter out the extraneous reviews.

Curiously, that review window is not shown when you search for gadget reviews, but I would not be surprised if Google made it more widely available at a later date.